Zac Williams, Jackie Knott, and Barclay Nap from the Waterloo Junior Farmers talk about the activities of the Club in 2012 and upcoming for 2013. Their Facebook page is https://www.facebook.com/groups/186366478042014/
LORCA PERESS (President) is the Founder and Artistic Director of MultiStages, and an across-the-boards theatre artist specializing in new works. Ms. Peress’ diverse artistic background (primarily theatre, visual arts, dance, music and writing) led her to create MultiStages, a theatre company where artists from different disciplines would work together to produce extraordinary theatre. In her role as MultiStages Artistic Director, she has developed and produced all productions, readings and festivals, and supervised four New Works Contests. Ms. Peress has also conceived and directed the majority of MultiStages’ productions, and has acted in and designed puppets and masks for several. She is a native New Yorker, a Bennington College graduate, and did her professional study at the Lee Strasberg and Eugene O’Neill National Theatre Institutes (NTI). Her formative training was through several internships with Missouri Repertory and Stage West in Massachusetts, where she assisted directors Rae Allen (former Artistic Director of Stage West), Vincent Dowling (former Artistic Director of Alley Theatre, Dublin), and Harold Scott (Broadway and Regional director). At NTI, she also assisted writer Dale Wasserman in the O’Neill Playwriting Conference and worked with Theatre for the Deaf. In addition to her work with MultiStages, Ms. Peress has appeared or directed at Missouri Repertory, Stage West, The Walnut Street Theatre, Orlando Opera Co., The Century Theatre, Puerto Rican Traveling Theatre, Repertorio Español, Lambs Theatre, Dixon Place, Theatre for the New City, HERE, The Colleagues Theatre, La MaMa E.T.C., The Sackett Group’s Women’s Work Festivals, NYU Tisch, Teatro La Tea, Lee Strasberg Theatre & Film Institute, Hudson Guild Theatre, Access Theatre, the Players Club, and Latino Playwrights (Raul Julia founder). Ms. Peress has been a playwriting contest judge for Repertorio Español’s Nueces Voces I and II, the Ohio State Council on the Arts, La Mia Ink, Lee Strasberg One Act Contests, and the MultiStages New Works Contests. Ms. Peress has received an Inky Award from La MaMa Experimental Theatre Co. through the Harold and Mimi Steinberg Charitable Trust, numerous MultiStages producing grants, and several La Mia Ink! playwriting awards. She has served on the NYU Tisch School of the Arts Production Committee, Curator for NYU hotINK Festivals for Strasberg (2002–2010). She teaches in the NYU Strasberg Studio and at the Lee Strasberg Institute, and is a member of numerous theatrical Unions, and is the Co-President of the League of Professional Theatre Women.
MultiStages website – http://www.eljallartsannex.com/multistages.htm
Today’s show features Barclay Nap and Dave Pyper. Barclay speaks to the Waterloo Junior Farmers https://www.facebook.com/groups/186366478042014/?ref=ts&fref=ts . Dave Pyper speaks to the IPM 2012 https://www.facebook.com/ipm2012?ref=ts&fref=ts The IPM also has a webpage at www.ipm2012.ca Because of technical problems, this show is truncated.
Dan Geddes is a force, plain and simple. And despite the heaps of hella-high-praise references Peace receives — to Neu!, or Orange Juice, or Edwyn Collins, or whatever — there’s no substitute for experiencing their work via headphones. Peace shines not in virtuosity or violence (despite their ties to Vancouver’s explosive Emergency Room scene), but in their command of tone: The World Is Too Much With Us swaps the verbosity of Peace’s earlier work in favour of emotional dexterity, ranging from bombastic romancers (“Your Hand in Mine”), to menacing creepers (“Free Time”), to gleefully detached absurdist romps (“Kissed Dust”). It’s subtle, eloquent and direct — all of which is why I’m so obsessed. – Mark Teo.
Dan has recently opened his own record store called Horse Records in Vancouver. And Dan’s dad CBC Producer Ash Geddes is a good pal of mine and I saw Peace when they played in TO at The Magpie a couple of years back. That was fun!
It’s the music and promo ID’s from this years Agriculture Show. The guests for the show are asked to bring along 3-4 of their favourite tunes. The guests are also asked to voice a station promo. It’s all music for this the 30th episode.
Mark Xuereb from the Region of Waterloo speaks to the effort from the ROW regarding food issues.
The provincial legislature is proposing a Local Food Act. http://www.ontla.on.ca/web/bills/bills_detail.do?locale=en&Intranet=&BillID=2402 Nelson Rosales from World Accord http://www.worldaccord.org/ discusses similiarities and differences from the same points affecting other countries.
Today’s broadcast talked about the roles and duties of the Ontario Queen of the Furrow Courtney Connors, and the North Dumfries Queen Celie Diebold. Rachel Redshaw speaks to her head office function and the Reminiscence Journey. Sawyer Edworthy talks about his work with graphics and the IPM2012 promotion. Heidi Greb kept us all in line.
Phyllis Diller was the first of her kind opening the doors to many a female comic from Roseanne Barr, Ellen, and Whoopi, to Judy Greer and Kathy Griffin. But unlike her garish stage comic personna, Diller was also the quintessential creator – a visual artist and concert pianist and gourmet cook with a killer recipe for chicken chili. But no one will never forget The Big As Life GUFFAW…
In 1999, I was lucky enough to chat with Diller by phone in advance of her show at Centre in the Square just before the tragic event at Langdon Hall when she lost her chauffuer and good friend Patricia Marcella . When I met her briefly backstage after her Centre show, Diller was very sweet and remembered me because of my name. Later that year she had a heart attack, and in 2002, she retired from the road for good to pursue more of visual artwork in mixed media acrylics.
Phyllis Diller was an original – one of the classiest women I have ever met. She loved jazz and the great jazz pianist Bill Evans so the music of Evans is also interspersed in this chat. I aired part of the interview but to honour her wishes – did not air anything she said Off The Record and there was plenty. Hence this radio excerpt. This is still one of my all time favorite chats in my vast archive of interviews. Goodbye Phyllis. So long and thanks for The Guffaws.. – Coral FM.