So Old It’s New set list for Monday, April 1, 2024

My track-by-track tales follow the bare-bones list.

1. Elvis Costello, Welcome To The Working Week
2. Chicago, Sing A Mean Tune Kid
3. The Clash, The Guns Of Brixton
4. The J. Geils Band, Chimes (live, from Blow Your Face Out)
5. Frank Sinatra, Bad, Bad Leroy Brown
6. Bob Dylan, Tonight I’ll Be Staying Here With You
7. Robert Palmer, What Do You Care
8. Johnny Cash, (There’ll Be) Peace In The Valley (live, from Johnny Cash at San Quentin)
9. Black Sabbath, Country Girl
10. Emmylou Harris, Two More Bottles Of Wine
11. Mick Jagger, Party Doll
12. Junkhouse, Drink
13. Foreigner, Love Has Taken Its Toll
14. Tim Curry, No Love On The Street
15. Bruce Cockburn, The Rose Above The Sky
16. Molly Hatchet, Fall Of The Peacemakers
17. Patti Smith Group, Space Monkey
18. Grateful Dead, New Speedway Boogie
19. UFO, Rock Bottom
20. Savoy Brown, Leavin’ Again

My track-by-track tales:

1. Elvis Costello, Welcome To The Working Week . . . The only thing wrong with this opening rocker to Costello’s first studio album, My Aim Is True, is that it’s too short. But at one minute, 22 seconds, that’s what makes it so effective; leaves you wanting more. It was the B-side to the Alison single which, remarkably, though it’s come to be one of Costello’s best-known songs, didn’t chart, even on his home turf of the UK. Linda Ronstadt’s beautiful cover version of Alison – how could it not be beautiful, given Ronstadt’s amazing voice now sadly silenced due to a form of Parkinson’s – however, did make No. 30 in the US and No. 66 in the UK. Costello apparently was derisive towards Ronstadt’s version, but was quoted as saying “I didn’t mind spending the money that she earned me (in royalties).”

2. Chicago, Sing A Mean Tune Kid . . . Thank you to my older brother and sister for joining the Columbia Record Club for a time in 1970 and ’71, which helped introduce me to bands who were on that label at the time – Santana, Blood Sweat & Tears and the early, and best, inventive, jazz rock fusion version of Chicago. All of the Terry Kath-era albums are very good, lots of great songs and singles throughout but as whole pieces of creativity, the first three albums, to me, are sublime. This extended track, part song, part band jam, part Kath guitar showcase, is the lead cut on Chicago III, from 1971.

3. The Clash, The Guns Of Brixton . . . Speaking of mean tunes, from London Calling, one of my favorite Clash songs. It was written and sung by bass player Paul Simonon in something of a departure for the band, most of whose material was written and sung by Joe Strummer or Mick Jones. London Calling, a more mainstream offering than previous Clash material, was the album, released in 1979, that broke them big and for a time, into the early 1980s, for me they may truly have lived up to their billing as ‘the only band that matters” and were a group that rivalled my all-time favorites The Rolling Stones as a go-to listen.

“When they kick at your front door
How you gonna come?
With your hands on your head
Or on the trigger of your gun?”

The opening verse is compelling and does what good art does, it prompts you to research and learn about that which prompted the song, which described the tensions that existed in Brixton and led to the 1981 riot but more so, the tune is inspired by the 1972 movie The Harder They Come, starring Jamaican reggae artist Jimmy Cliff.

4. The J. Geils Band, Chimes (live, from Blow Your Face Out) . . . I love the J. Geils Band, especially their pre-overtly commercial stuff like the Freeze Frame album, and especially live. And how can you not love – or want to investigate – an album called Blow Your Face Out ? Which they always did, live. Even on slower material like this or, for another example, their cover of John Lee Hooker’s Serves You Right To Suffer on Geils’ first live album, Full House. Chimes was originally a five-minute track on their 1973 studio release Ladies Invited, and a good version that is, but something magic happened when J. Geils Band went live in concert, evidenced by the 9-minute version on Blow Your Face Out.

5. Frank Sinatra, Bad, Bad Leroy Brown . . . Yeah, I know. Frank Sinatra? Talk about out of left field, perhaps, but I like and embrace all kinds of music, a good song is a good song is a good song, besides which yeah, I sometimes do go out on a limb and there’s some method to this apparent madness. Blame a buddy of mine, or me and him, together. I was talking to him about how I do like throwing the occasional curveball, I’ve done it forever on the show with perhaps jarring genre changes from one song to another, so I said something like I may even play Frank Sinatra sometime, as I continue becoming my dear departed dad, in my own aging time, I think. So be it. So, here you go, with Sinatra’s cover of the Jim Croce hit. It’s not going to replace Croce’s original for me, but not a bad job, Ol’ Blue Eyes. It appeared on Sinatra’s 1974 comeback from a brief retirement (1971-73) album, Some Nice Things I’ve Missed. And we miss Jim Croce (RIP), taken from us at the height of his popularity in a plane crash while on tour in 1973, age 30.

6. Bob Dylan, Tonight I’ll Be Staying Here With You . . . A single that wasn’t a big hit, made No. 50 and you don’t arguably hear it very much compared to other Dylan tunes, but a jaunty sort of jingle that is one of my favorites of his but of course, being a big Dylan fan, there are countless favorites. It’s from his country rock album, Nashville Skyline, released in 1969 and featuring Johnny Cash, although not on this song, among the musicians. Speaking of Johnny Cash, wait . . .

7. Robert Palmer, What Do You Care . . . Palmer, who sadly died of a heart attack in 2003, age 54, became massively commercially successful with mid- to late 1980s hits like Addicted To Love, Simply Irresistible, I Didn’t Mean To Turn You On, good songs all, and his work with members of Duran Duran as the band The Power Station including hit singles Some Like It Hot and the T. Rex cover (Get It On) Bang A Gong. But I prefer his earlier stuff, songs like Sneakin’ Sally Through The Alley and then the two front to back solid albums that made me a fan during my college days, Secrets and Clues, the latter of which I mined for What Do You Care.

8. Johnny Cash, (There’ll Be) Peace In The Valley (live, from Johnny Cash at San Quentin) . . . The wait is over, from the earlier Dylan tune. Here’s Cash, from an album my dad owned and played incessantly and I’m glad he did, Johnny Cash at San Quentin, with a stirring rendition of this spiritual tune.

9. Black Sabbath, Country Girl . . . Speaking of perhaps jarring genre changes, here’s the Ronnie James Dio version of Black Sabbath, from the Mob Rules album. Not only is it a great, melodic tune as so much hard rock actually is, but it serves to set up . . . a country girl.

10. Emmylou Harris, Two More Bottles Of Wine . . . And here she is, country girl Emmylou with a Delbert McClinton-penned tune she took to No. 1 on the country charts in 1978. But you don’t play hits, Bald Boy, it’s a deep cuts show. Or supposed to be. True. But it’s my show, my rules, and as often stated I do play the occasional single that didn’t do well, or a single released by an obscure band that typically doesn’t do well . . . or a country tune my mostly rock audience may not have heard. And, hey, she collaborated with Mark Knopfler of Dire Straits fame on the excellent 2006 album All The Roadrunning from which I’ve played songs in the past so, she’s more than worthy, a great artist. And I appreciate her sentiments, or those of McClinton’s lyrics, good to have booze in reserve, especially on long weekends like Easter, when so many things are closed.

11. Mick Jagger, Party Doll . . . From his second solo album, Primitive Cool, released in 1987. This, to me, is the type of country-ish ballad Jagger does best as evidenced by similar tunes Evening Gown and Hang On To Me Tonight on his 1993 and arguably best solo release Wandering Spirit.

12. Junkhouse, Drink . . . I’ve stated it many times, I like anything Tom Wilson is involved in whether it be as leader of Junkhouse where he first came to prominence, soon branching out to solo work and his involvement with Blackie and The Rodeo Kings and as main person in Lee Harvey Osmond. Wilson kicked booze, sober to this day as far as I know but he wrote about it a lot during his drinking days; this from the 1995 Junkhouse album Birthday Boy.

13. Foreigner, Love Has Taken Its Toll . . . Foreigner is one of those bands where, usually, a compilation of hits will suffice and we all likely know Foreigner’s hits well. But sometimes, you have to own or at least know about an album to get a great deep cut, like this one from the Double Vision album. I bought the album on release in 1978 for the title cut single as well as another single, Hot Blooded, only to discover what might be my favorite Foreigner song.

14. Tim Curry, No Love On The Street . . . From the multi-talented Curry, perhaps best known as Dr. Frank-N-Furter in The Rocky Horror Picture show movie, which I got into in a big way in college. Curry was also the hilarious butler in the movie Clue. So, anyway, when I was browsing the old Sam The Record Man main store in Toronto back then, and they were playing Curry’s just-released 1979 album Fearless, it was an impulse buy I’ve never regretted because it caused me to discover his full discography selected songs of which, including this one and Sloe Gin, have been covered by American blues rocker Joe Bonamassa. But, sorry Joe, love your playing but you don’t have the vocal chops to match Curry’s passion. I’ve played Curry’s Sloe Gin before and will do so again. A great talent, Curry, sadly reduced since a 2012 stroke but still performing.

15. Bruce Cockburn, The Rose Above The Sky . . . Beautiful stuff from his 1980 album Humans. In a 1981 interview about the album, Cockburn touched on what had been a difficult time for him, including a separation from his wife which influenced several songs on the album, like What About The Bond, but cited The Rose Above The Sky as “about moving from downness into something that opens up, although what that something is is not really spelled out.”

16. Molly Hatchet, Fall Of The Peacemakers . . . Every so-called southern rock band seems to have a classic epic track. For Lynyrd Skynyrd, it’s of course Freebird. The Outlaws have Green Grass and High Tides and for Molly Hatchet, it’s this one.

17. Patti Smith Group, Space Monkey . . . From Easter, the 1978 album I got into via a bar band in the pub I worked in during college days playing Easter’s hit single, Because The Night, co-written by Bruce Springsteen.

18. Grateful Dead, New Speedway Boogie . . . A bluesy shuffle from Workingman’s Dead, from 1970.

19. UFO, Rock Bottom . . . Guitar showcase for Michael Schenker on his first outing with UFO, the 1974 album Phenomenom, which could be a reference to his guitar playing.

20. Stevie Ray Vaughan, Superstition (Stevie Wonder cover, from Live Alive) . . . Funky, bluesy, still will always prefer the original classic but SRV puts his own cool stamp on it.

21. The Who, How Many Friends . . . One of my favorite songs from one of my favorite Who albums, The Who By Numbers. It was somewhat dismissed by music critics because it’s not Tommy, Who’s Next or Quadrophenia but cut for cut I think it’s great, probably because I was age 16 in 1975 when it came out, coming of age so to speak in high school, and that’s when so many things truly resonate or we look back on fondly. It was the first Who non-compilation studio album I bought with my own money (for the single, Squeeze Box, which quickly took a back seat to the rest of the record) and to this day it remains a favorite of mine.

22. Savoy Brown, Leavin’ Again . . . Extended blues rock from the 1970 album Looking In. I finally saw Savoy Brown, by then billed as (leader/guitarist and lone constant member) Kim Simmonds (RIP as of 2022) and Savoy Brown, at the Kitchener Blues Festival in 2013. Great show.

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