Because of Covid we’re still not having any guests in the studio, and this week’s there are no phone interviews either, so it’s another show packed full of new Canadian Content music.
There are new tracks from Kingston’s Willy Nilly, JC Townsend, station favourites The Soviet Influence, local Cambridge group Shy Harry, and from Storry, whom we hope to have on the phone for an interview in the next few weeks.
But if you’ll indulge me for a few minutes, we’ll end the show with a bit of comparative musicology. I’d heard about the Vocaloid musical voice synthesizer before, but finally found something worthy of radio airtime when I read Vocaloids: Our Friends Electric by Mariana Timony writing for Bandcamp Daily. In the last 10 minutes of the show you’ll hear Offend In Every Way played by Beam Morrison using a Vocaloid synthesizer, followed by the original by The White Stripes, and finishing off with a bit of, um, old-fashioned synth music. Not new, and not CanCon, but this week that’s what caught my ear.
Today we’re joined by four members of The Arlington Six poetry society: Elizabeth McCallister, Mark Kempf, Lin Geary, and Jim Tomkins.
Here are some of the poems read on the show, along with a few others that we didn’t get to.
“Paintings are like poems, they are thoughts abandoned” Stan J. White
by Stan J. White
Sex is something
God has thrown in to ensure
We do not confuse ourselves
With deities, with angels –
a kind of tether
that never lets us stray too far
from freshly turned earth after rain
and in the pathos of it all
a constant reminder
of vaudeville, of burlesque.
An Ode to Beer
by Jim Tomkins, 7 November 2011
Oh, amber elixir crowned with golden head
whence came your magic mystical mixture
of barley mash, crystalline water and fruity hops?
Brewed hodgepodge in containers from Sumeria to China
through cellared wooden kegs to Pilzen caves
and glistening copper kettles row on row.
Drunk in litres, pints and Aussie schooners,
halves, viertels and even once,
in six ounce ten cent drafts.
Oh, wine where is thy claim?
Full muted by this tasty honest brew
from ancient cloudy ale to new craft sips
past charcoal stout, beach blond lager
hoppy pale, sweet chocolate mild.
All sips tease lips, tempt discerning tongues
foaming moustaches form in the tingling wake
of fermented flavours gliding down.
Quaffed, not guzzled,
savoured, not chugged
each nuanced batch unique.
Taste, robust or delicate,
stirs heightened eloquence,
smooth patter, bravado’s hope.
Enter the intoxicating dreamland
of ambrosial brew
Biere, cervesa, live on!
Oh, amber elixir crowned with gold.
My Wreck Beach Haiku
by Lin Geary
my new raincoat
for Wreck Beach–
by Becky D. Alexander
details from a memoir by Sergeant Jim Alexander (MM) Lincoln and Welland Regiment, Holland, 1945
In the kitchen, from the doorway to the hearth,
lying on the floor like some colossal cigarette –
a log , one end in the fire, burning slowly
as flames surround a bubbling pot.
It mystified the Canadian soldiers, those kept
after the war – troops retained
to rebuild a battered country, one
that refused to be swallowed back into the sea.
The explanation provided to the curious, Because the Nazis took all of our metal:
axes, pitchforks, scythes and hoes, even kitchen knives –
a last ditch effort to build more weapons.
Allied saviours shared meals of boiled tulip bulbs: ‘the most gawd-awful things you ever ate’
along with Red Cross chocolate and rationed tins
of bully beef: bitter meals of freedom.
Under our barn, wrapped in oiled burlap,
We have our tractor and plow – buried bits cloistered away
following the final swoop of the flag of black on red. They never found them. Soon, we will plant.
This poem appeared in the anthology Tamaracks: Canadian Poetry for the 21 st Century, edited by James Deahl, Lummox Press, California. This anthology is available through Amazon.ca.
The Muffin Man
by Elizabeth McCallister
At two and a half,
He’s got it all figured out.
How to find his T.V. shows
and how to reach those muffins.
He takes one glance over his shoulder
as he stretches out his fingers.
He’s a bad boy though.
It’s his third,
but Mommy’s talking on the phone
so she can’t stop him.
He fixes sad brown eyes
on her to say
“I need this chocolate chip muffin.”
To peel back the golden skin of enriched white flour
and get to the centre.
Pick out each chocolate chip.
Set it aside on the coffee table
filled with his sticky fingerprints
and the goo of cooked muffin and chips
mixed with his saliva.
Place them there for later.
Make a happy face with
eight chips curved in a smile,
three for the eyes and nose.
He’s got his time alone with Mommy.
His big brother and Daddy are
off at Scout Camp together.
At night, he sleeps on top of her
so she can’t get away and leave him.
Until he goes off to playschool,
and sees his girlfriend Chelsea.
He’s decided his name is Sean.
It sounds better.
One day, he’ll fix
those big brown eyes on another woman.
She’ll melt like those chocolate chips
in his hot little fingers.
That’s the way it works.
Not the least Oedipal.
Just practising on the first woman
who loves him, picks up after him, feeds him.
Poem for Reading in a Bar
by Dave Margoshes
Hey, you, you in the back,
come a little closer. The poem
is warm, but its voice is soft.
And you, you over there,
don’t be afraid, the poem
bites, but only the ones it loves.
And you, yeah, I mean you,
looking so smug, do you really
think you’re immune to poetry?
This poem will get under
your skin, you’ll find yourself
thinking about it tonight
as you’re trying to fall asleep,
your lips moving in the dark,
alone in your bed with a poem
you hardly know. When you wake
the bed will be empty, the sheets
soiled, only the poem’s scent
on your pillow to let you know
it was there, only its footprints
in the snow outside your heart
From his collection Purity of Absence , (2001) Porcepic Books. Still available for purchase.
Six for the Solstice
(haiku from my garden) by Lin Geary
first time for raised beds–
tender lettuce, red chard
chipmunk and sparrow
cirque du soleil–
these endless wire tents
for the seedling peas
I water my shoes
the neighbour’s tom
brings his best invisible act–
doubtful blue jay
what will I serve with
this 64 dollar
stroll under my hammock
lesson in prayer
Worship in the Boreal Forest
by Elizabeth McCallister
Our vespers were whispers to the moon,
and our matins sang the sun awake.
We drank in the summer’s long afternoons.
Began knitting blankets with the first snowflake.
We fell in love to the dance of butterflies.
Their white wings wove a spell of enchantment.
Breezes’ touch on our needles were our lullabies
serenading our young to sleep’s contentment.
We were the high priests within our temple
celebrating rites to our gods’ abundance.
Air, earth, water, light – our needs were simple.
The two-footed fiends stole away our innocence.
There are no songs when each breath is an effort.
All the brown-needled branches are our scars.
Dying, we entwine our roots for comfort,
and sighing send our sorrows to the stars.
These two poems were in the collection Notes from Suburbia, 2013, published by Craigleigh Press, Cambridge, ON. It isn’t in print but you may be able to obtain some of the last copies at the Green Heron bookstore in Paris, ON.
by Jim Tomkins
On his shoulder tilts a rod
pointing the path so often trod.
In this town of Ford and Chevy
he strides determined to the levee.
Dew-dappled Levis, faded cuff
along dusty curbsides scuff.
Runners crunch the pearly gravel
keen to angle migrants’ travel.
Slimy pylons split the stream
hindrance to the caster’s dream.
Breezes push the sightless odor
sulphuric-past the tugboat’s motor.
Through Ambassador’s massive arc
stand unlit towers of the park.
Oriole, Indian, Yankee teams
thwart the Tigers’ pennant schemes.
Today fishing is his only care
minnows splash, striped bodies glare.
The run is over school is out
time to sell the pseudo-trout.
Scale-stained pockets, shiny dimes
magic simple childhood times.
Two-scooper from the inverted cone
Young Santiago trundles home.
by Jim Tomkins, May 9th 2012 Mothers’ day
Her grey ashes sit
in a pressed board box
on an attic shelf
next to light lace doilies
with lavender scent.
Below a trunk’s contents:
sepia family photos known to her
stamps from a bygone era
sleeved in cracking plastic,
crocheted samplers, musty address book
her favourite sherry glass.
I’m happy that is the scene.
No need for flashy urn
to adorn the mantel.
She is far from discarded
her memory’s embedded
a bond from womb to life’s end
Mother to son.
The haiku that won the 2012 International Vancouver Cherry Blossom Festival: Haiku Invitational, and rode the Vancouver buses for a couple of months:
by Lin Geary
morning tai chi–
all the prams
slowly turning pink
at the cenotaph
by Lin Geary, 2018
on a skinny cold day
bespoke in black
the long lamb coat, the boot-lined comfort…
there, alongside my fellow Canadians
it’s time to jut out my chin
in once-a-year pride
to stand curbside guard
to miscount the endless placing of wreaths
to breathe out the thoughtless mind-frost
into thin, thin air….
and the mic kicks in, then out
as a faultless child sings the Queen’s old anthem
and we all raise out descant and filler voices
not missing a beat…
till Henry calls the Colour Guard to attention…
it is only then the tears begin
cloud my eyes and bite my cheeks
because Henry has led the parade
because Henry is my long-widowed neighbour
because Henry is 92, bent and strong
and I think Happy Birthday, Canada
because it is the 11th of November…
100 years of armistice after a war
that birthed our nation
and here we stand, still firm, still cold
in perpetual grief
still hoping for peace
Jim Tomkins, 2017
Rhythmic patter of sidewalk
slowly droops her eyes
gentle bump of each slab
confirms her comfort
a tiny hand protrudes
retreats returns to rest
wee nose below cap’s brim
contains genes of the stroller
as do tiny ears
peeking under pink flap
instinctual feeling confirms
a generation apart
together strolling in the Annex
a primal confluence
pulses in the air.
by Jim Tomkins, 2013
ebony locks beside miniscule digits
snorfly flared nose, flint coal eyes
endlessly curious in bright moments
one tiny nicked ear, peach-tinted cheeks
insatiable mouth, slight doubling chin
eagerly chomping in maternal moments
fuzzy cute sleeper housing jiggling legs
scrunched like a turtle thrusting out
kicking, declaring the embracing
by Jim Tomkins
Over hunched shoulders
Ancient desk and messy pen
Stands alert in silver halo
Around his warty pate
The lidded eyes closed in reverie
Provoke tugs of mustache
On bristled upper lip
Above careless shaving scar
Lists of grasped images
Written on scraps
And stuffed in random pockets
An endless selection
Of captured memories
That rooted themselves over time like saplings
Whisk him back in time
And force his aging brain
To organize. To prioritize. To choose
Spill forth and write themselves
In haste and fear of loss
Like escaping prisoners
Speak not to another
Not to his audience
But to him alone
As he sits, glasses perched
At ancient desk and quill.
Death of the voice
by Jim Tomkins
For generations they came
first with mouth pieces
mounted on walls with hand held
receiver cones in touch by party line
then with dials and cradles
for decades used to keep in touch
clunky cordless devolved to flip
to ironic smart
dumbed down by texting
muffled by instagram
silenced by Facebook
voices no longer heard
or listened to
the chat castrated
the telephone a eunuch
in the harem of the algorithm
A correction — Mark Kempf writes: “I am so embarrassed to say but happy to report Wendell Berry is not dead as I so confidently mentioned yesterday — I wanted to let you know as soon as I could.
My confusion is completely indefensible, and not sure why I thought it now.”