Hi music fans,
Here’s the audio of the spoken word part of our tribute to David Marsden. To hear the music, visit the archives.
AUDIO SALAD w/ PROLIFIC TRICKS – Episode 17 ; Air Date: Oct 7th, 2026 ft. A Tribute to David Marsden
Hi music fans,
Here’s the audio of the spoken word part of our tribute to David Marsden. To hear the music, visit the archives.
AUDIO SALAD w/ PROLIFIC TRICKS – Episode 17 ; Air Date: Oct 7th, 2026 ft. A Tribute to David Marsden
Hey music fans,
Here’s the track list for the 18th episode of Audio Salad, featuring a tribute to David Marsden (1941-2026).
As usual, you can listen to the episode below via the embedded player near the bottom of this post.
In addition, I will be posting the track list and info for my EXTENDED TRIBUTE SET to David as well.
CKMS 102.7 FM, 11am EST – 12pm EST
| START TIME | TITLE | PERFORMER/CREATOR | CANCON |
| 11:00:00 | BACK & FORTH (INST) | PROLIFIC TRICKS | T |
| 11:00:00 | SHOW INTRO | JASON PATTERSON / PROLIFIC TRICKS | Y |
| 11:01:01 | TAKE IT BACK | PROLIFIC TRICKS | Y |
| 11:03:57 | LOVE IS WHO WE ARE | JAYE WOODS | Y |
| 11:06:36 | THROUGH THE SPEAKERS | DOX THA DOCTRINE | Y |
| 11:10:23 | DJ TALKING | ||
| 11:11:51 | THE BREAKER | KURTYS KIDD | Y |
| 11:15:40 | DADDY’S GONE DISCO | THINGS WE BUILT | N |
| 11:20:00 | AVACADO ELDORADO | ERIC SHENKMAN | Y |
| 11:23:05 | DJ TALKING | ||
| 11:25:09 | MAKE YOU A BELIEVER | SASS JORDAN | Y |
| 11:29:49 | DJ TALKING/MARDSEN TRIBUTE | ||
| 11:34:33 | OLD EMOTIONS | SPOONS | Y |
| 11:38:12 | HASN’T HIT ME YET | BLUE RODEO | Y |
| 11:43:16 | BLACK STATIONS/WHITE STATIONS | MARTHA AND THE MUFFINS | Y |
| 11:48:18 | ECLIPSE | PINK FLOYD | N |
| 11:49:45 | A FOREST | THE CURE | N |
| 11:55:38 | KOKA KOLA | THE CLASH | N |
| 11:57:18 | DJ TALKING |
See you next time, Thursdays from 11am EST – 12pm EST!
Audio Salad replays and/or Audio Salad After Dark can now also be heard Wednesdays 1am-2am EST
—————————-
Here is the track list for the EXTENDED TRIBUTE SET (online only):
EARTH TO MARS – A TRIBUTE TO DAVID MARSDEN VOL 1:
1. NOVA HEART – THE SPOONS
2. APRIL FOOL – CHALK CIRCLE
3. E=MC² – BIG AUDIO DYNAMITE
4. LOVE MY WAY – PSYCHEDELIC FURS
5. LULLABY – THE CURE
6. STRANGELOVE – DEPECHE MODE
7. THE KILLING MOON – ECHO & THE BUNNYMEN
8. CRY LITTLE SISTER – GERARD MCMANN
9. BIRDS FLY – THE ICICLE WORKS
10. TRUE FAITH – NEW ORDER
11. WHERE THE STREETS HAVE NO NAME – PET SHOP BOYS
12. RUN LIKE HELL – PINK FLOYD
13. LISTEN TO THE RADIO – PUKKA ORCHESTRA
14. PERFECT DAY – LOU REED
15. THE REVOLUTION WILL NOT BE TELEVISED – GIL SCOTT-HERON
16. THIS IS RADIO CLASH – THE CLASH
17. WE DON’T NEED THIS FASCIST GROOVE THING – HEAVEN 17
18. HIT ME WITH YOUR RHYTHM STICK – IAN DURY
19. OVER AT THE FRANKENSTEIN PLACE – ROCKY HORROR
20. HAUNTED WHEN THE MINUTES DRAG – LOVE & ROCKETS
21. PEEK-A-BOO – SIOUXSIE & THE BANSHEES
22. BIZARRE LOVE TRIANGLE – NEW ORDER
23. RUBBERBAND GIRL – KATE BUSH
24. FEELS LIKE HEAVEN – FICTION FACTORY
25. BIG TIME – PETER GABRIEL
26. HEROES – DAVID BOWIE
27. ZIGGY STARDUST – BAUHAUS
28. MAJOR TOM – PETER SCHILLING
29. TOAST – STREETBAND
30. AMERICAN MUSIC – VIOLENT FEMMES
31. STRANGE CURRENCIES – R.E.M.
32. WATCHING THE DETECTIVES – ELVIS COSTELLO
33. DON’T WALK ON PAST – BLUE PETER
34. SITUATION – YAZOO
35. DON’T YOU FORGET ABOUT ME – SIMPLE MINDS
36. THE GLOBE – BIG AUDIO DYNAMITE
37. PANIC – THE SMITHS
38. BURN – THE CURE
39. THIS CORROSION – SISTERS OF MERCY
40. BLACK CELEBRATION – DEPECHE MODE
41. CUTS YOU UP – PETER MURPHY
42. COMFORTABLY NUMB – PINK FLOYD
43. I’M GOING HOME – ROCKY HORROR
LISTEN HERE
(TO BE CONTINUED…)
Audio Salad is an eclectic mix of rock, hip hop, reggae, indie, alternative, and much more. Each week will be a new journey, with an emphasis on Canadian talent.
Audio Salad is hosted by Canadian recording artist Prolific Tricks aka Jason Patterson and airs on CKMS 102.7 FM Radio Waterloo, Thursdays from 11am EST to 12pm EST & on demand.
My debut album, Down to Earth (2026), and additional tracks are available at ProlificTricks.Bandcamp.com & all music platforms.
I can be reached at ProlificTrickery@Gmail.com or on Instagram @ProlificTrickery @AudioSaladCKMS and would love to hear from you!
Replays of Audio Salad can now also be heard Wednesday nights, 1am-2am EST.
This song is about a girl who has a one-night stand and lives to regret it. She wants a deeper relationship and feels used by the guys who hit it and quit. She considers writing him a letter asking him to call (remember, this is before texting), but she knows it will get her nowhere.
David Lee Roth wrote the lyrics, which is a little ironic considering his many one-and-done conquests. In the early years of Van Halen, he would have a crew member make sure that some lovely ladies in the crowd were ushered backstage for his enjoyment.
The group wrote this in David Lee Roth’s basement. They had just finished a tour and were under tight deadline pressure to record their second album. They released an album every year until 1984. Roth fractured his foot doing a jump for the album’s photo shoot. Since there was no way Roth could stay still on stage, they postponed their tour so he could heal.
The album took six days to record. Van Halen was quick in the studio because they laid down most of the tracks live, with very little overdubbing.
This is the first song on the first Van Halen album. It starts with a backwards blare of car horns, which was made by a contraption Eddie Van Halen put together using a bunch of horns, a car battery, and a footswitch. They used to use it when they played at clubs.
Van Halen included this song on a demo Gene Simmons produced for them in 1977. After seeing them in concert, Simmons flew the band to New York, bought them clothes, and set up a recording session. They didn’t get a record deal out of it, but gained valuable experience.
The song contains many of the things Van Halen became famous for: David Lee Roth’s squeal, Eddie’s guitar solo, and Michael Anthony’s backup vocals.
This was one of the first songs recorded at Eddie Van Halen’s 5150 studios. “5150” is California police code for a mentally unstable person causing a disturbance.
The album cover, which showed a baby on the cover smoking a cigarette, caused a bit of controversy. Some UK record stores refused to stock it.
This was one of the last Van Halen songs recorded with David Lee Roth as lead singer. He was replaced by Sammy Hagar in 1986.
On this song, Eddie Van Halen played a custom-made, miniature Les Paul guitar that was created for him by Nashville designer Dave Petschulat. On Van Halen’s 1982-1983 Hide Your Sheep tour, they played this song with Eddie switching to his miniature guitar.
The lightest and most radio-friendly song on the Van Halen II album, Warner Brothers Records insisted “Dance The Night Away” be released as the first single. The band didn’t think it represented their sound and did not want it released first, but they didn’t have the clout to overrule their record company. The original title was “Dance, Lolita, Dance.”
Van Halen picked up a lot of new fans after this song got some airplay. Many listeners who heard them for the first time were pleasantly surprised when they bought the album, and rushed out to buy the first Van Halen album as well. That first album, which sold about a million copies in America the first year it was released, eventually sold 10 million.
Van Halen played this at many of their early shows before they got a record deal. They included it on a demo Gene Simmons produced for them in 1977.
If you listen carefully, you can hear an electric sitar low in the mix.
This song gets at least as much radio play now as when it first came out. Van Halen took a few years to get a big following, so many of their early songs are now Classic Rock staples because they were never overplayed when they first came out.
It’s not all that clear what’s going on in this song, but it sure does rock. The lyric is mostly an exercise in vocal dexterity, with the line “Blue-eyed murder in a side-swiped dress” leading into the rousing chorus. The song was a live favorite for the band.
In the middle of this song, David Lee Roth makes fun of an executive that walked into the studio while they were recording it (“that suit is YOU…”). Roth would add commentary on a separate track while the band played the instrumental parts, and his comments were sometimes added to the mix (“Everybody Wants Some” is an example). The voice that says, “Come on, Dave, gimme a break” is their producer, Ted Templeman.
David Lee Roth has given various accounts of the meaning behind the lyrics, but he usually says they are about a TV news story he saw where a man was about to kill himself by jumping off a building (Roth thought, “Might as well jump”). He’s also said the song is about a stripper.
Roth is a great storyteller who likes to build his legend, so he would often add that he wrote the lyric while cruising around Los Angeles in his vintage 1951 Mercury convertible.
This was Van Halen’s first #1 hit in America, and their only #1 with David Lee Roth as lead singer.
This was Van Halen’s first single. They learned a bunch of Kinks songs when they were just starting out (in part because David Lee Roth had one of their greatest hits albums), and often played them at their shows when they were still a bar band. “They sounded good and they were great to dance to,” David Lee Roth said.
When it came time for Van Halen to record their first single, they chose “You Really Got Me,” since they had refined it after years performing it. In 1982, they released another Kinks kover, “Where Have All The Good Times Gone?,” which appears on their album Diver Down.
There is a track before this on the album called “Eruption,” which is an Eddie Van Halen guitar solo that leads into it. Disc jockeys often played the 2 songs together, but as computerized playlists and corporate programmers took control of radio stations, “Eruption” is rarely played.
Fair Warning is the fourth studio album by American rock band Van Halen. Released on April 29, 1981, it sold more than two million copies, but was still the band’s slowest-selling album of the David Lee Roth era. Despite the album’s commercially disappointing sales, Fair Warning was met with mostly positive reviews from critics.
The album was listed by Esquire as one of the 75 Albums Every Man Should Own.
Taken from their 1988 album OU812. Despite the album being seemingly complete, Eddie Van Halen came up with the riff at 2 in the morning and went down to his then-neighbor Sammy Hagar to show it. Hagar let Eddie in, and the two played guitars in his balcony until they had a completed song. Once Eddie left, Hagar decided to write the lyrics despite being late at night. The theme wound up being unfulfilled sex, summed up by Hagar as “blue balls”. In the song, Eddie recorded his guitar part on a Fender Stratocaster plugged direct into the studio mixing console. The song is one of only two Van Halen tracks featuring Hagar playing a rhythm guitar part, which he played on a Gibson acoustic.
“Why Can’t This Be Love?” was the first Van Halen single with Sammy Hagar as lead singer, replacing David Lee Roth. Hagar had plenty of cred as a rocker and went over as well as could be expected in his position. This song took the band in a more mature, melodic direction, which proved hit-worthy. The Van Hagar era was on, and the Sammy vs. Dave debates commenced.