Or download file : https://radiowaterloo.ca/wp-content/uploads/2025/04/Classical-Coffee-Break-Ep-6-04.10.25.mp3
- Ralph Vaughan Williams, 6 Studies in English Folksong (Verson for Cello & Piano): No. 5, Andante tranquillo “The Lady and the Dragon” – Gerald Peregrine, cello, Antony Ingham, piano
- Johann Sebastian Bach, Christ lag in Todesbanden BWV 4: III. Versus II, Den Tod niemand zwingen kunnt – Oxford Bach Soloists, Tom Hammond-Davies, conductor
- Samuel Arnold, Macbeth: End of Act 4, The Earl of Douglas’s Lament – Toronto Chamber Orchestra, Kevin Mallon, conductor
- Gerald Finzi, Love’s Labour’s Lost, Op. 28a: I. The King’s Poem – Royal Northern Sinfonia, Howard Griffiths, conductor
- Ludovico Einaudi, DNA (Ar. for Piano Quintet) – Mari Samuelsen, violin
- Tomaso Albinoni, Concerto a 5 in B-Flat Major, Op. 5, No. 1: I. Allegro – Collegium Musicum 90, Simon Standage, conductor
- Edvard Grieg, Two Elgiac Melodies, Op. 34: No. 2, Last Spring (Orchestral Version) – Academy of St. Martins in the Fields, Sir Neville Mariner, conductor
- William Boyce, Symphony No. 2 in A Major, Op. 2 “Birthday Ode”: III. Presto Allegro – Arcadia Ensemble, Kevin Mallon, conductor
- Felix Mendelssohn, Song Without Words in D Major, Op. 109, MWV Q34 – Jacqueline du Pre, cello, Gerald Moore, piano
- Felix Mendelssohn, Mendelssohn Variation (From Violin Concerto, Op. 64, MWV O14, Arr, for Piano) – Gabriele Bagnati, piano
- Henry Purcell, Abdelazer, Z.570: 2. Rondeau – Academy of Ancient Music, Christopher Hogwood, conductor
- Florence Beatrice Price, Adoration – Philippe Quint, violin, Royal Scottish National Orchestra, Andrew Litton, conductor
- Johann Sebastian Bach, Wachet auf, ruft uns die Stimme, BWV 645 – Yo-Yo Ma, cello, Amsterdam Baroque Orchestra, Ton Koopman, conductor
- Gabriel Faure, Requiem, Op. 48: Pie Jesu – Oxford Camerata, Lisa Beckley, soprano, Jeremy Summerly, conductor
- Samuel Barber, Adagio for Strings, Op. 11a (After “Molto adagio” from String Quartet, Op. 11) – London Symphony Orchestra, Michael Tilson Thomas, conductor
or something else to challenge your perception of classical
Gurdjieff. (song of the aisors?)
Yes, I’m up for including both Gurdjieff and Hindemith in some upcoming shows. There’s a general vibe I’m going for with the show playlists, but want to paint with as broad brush as I can within that. If it fits, it fits. Even if it may not always be the standard repertoire played or sung in the usual arrangements we’ve all become familiar with. Although I’m not against including those too 🙂
oh? a challenge then?
Hindemith
I have to admit Dwayne that your selections are far above what most classical shows broadcast.
great range of well known, yes, composers but also lots of emphasis on those composers who are less known but also who are the ones that produced the real exciting dynamics to classical themes of their times.
also appreciate the documented notes.
welcome to the station
pj
no crap radio
Wow, thank you PJ! I really appreciate your comments, and thanks for listening to the show. I am trying to do something a bit different with a classical music show in terms of music selection, and glad someone noticed 🙂