Category Archives: So Old It’s New

So Old It’s New set list for Monday, April 25, 2022 – on air 8-10 pm ET

  1. Van Halen, Everybody Wants Some!! . . . Well-known Van Halen tune, although it wasn’t a single, from the Women and Children First album, 1980 complete with David Lee Roth’s fun bedroom rap about lines up the backs of stockings, sexy women’s shoes and so on. Hadn’t heard it in ages but happened to have one of my Van Halen personal mix CDs on in the car the other day, it brought me to laughter, so I decided to play it.
  1. Jerry Lee Lewis, Breathless . . . Continuing with the sex-type thing, er, theme, as you’ll notice from the next few titles. I just get going on this title/song content/theme connectivity stuff and can’t stop, what can I say?
  1. Elvis Presley, Baby, Let’s Play House . . . An Elvis B-side (of I’m Left, You’re Right, She’s Gone) in 1955 that is one of his B-sides to chart, making the No. 5 spot on the US country list.
  1. Powder Blues, Nothin’ But A Tease . . . Slow blues from the Vancouver band, led by transplanted Chicago musician/producer Tom Lavin, that broke fairly big in Canada at the start of the 1980s via up-tempo singles like Doin’ It Right, Boppin’ With The Blues and Thirsty Ears. Lavin has also produced records by Canadian bands Prism and April Wine as well as Long John Baldry.
  1. Buddy Holly, It Doesn’t Matter Anymore . . . So, if you’re following along the song title connectivity thing, he wanted some, didn’t get it, was left breathless and she, who was nothing but a tease, didn’t want to play house so it just doesn’t matter anymore. Time to move on. In putting together the beginning of this set, what a reminder of how good Elvis, Jerry Lee and Buddy Holly were. Just so much great stuff. And in playing Holly, I got reading about him again and was reminded of the plane crash that took his life and that of Richie Valens and “The Big Bopper’ J.P. Richardson. It was a winter tour package of bands, people were getting sick on the tour buses so Holly decided to charter a plane to the next stop. The Big Bopper, ill with the flu, swapped spots with Holly’s band member Waylon Jennings while Valens won a coin flip with another Holly band member, Tommy Allsup, and took his seat on the ill-fated aircraft. Fate: take this path, or that one?
  2. Blondie, Accidents Never Happen . . . One of my favorite Blondie songs, nice beat, nice groove. It wasn’t a single from the Eat To The Beat album although a video was done for it so perhaps a video single but I’m not much into videos. Unless they’re straight ‘performance’ videos of the band playing its song, videos to me are like when a book becomes a movie and re-releases of the book come with whoever plays the lead character on the cover. I like to form my own images of what characters look like, or interpret song lyrics for myself, although I have seen the Accidents video and it’s a simple band ‘performance’ thing.
  1. R.E.M., The Wake-Up Bomb . . . I prefer R.E.M.’s rockier stuff. Like this one from the New Adventures In Hi-Fi album, 1996. Critics tend to rave over 1992’s Automatic For The People album, and it’s good, but I tend to listen to New Adventures more, there’s more songs on it that I like than is the case with Automatic. Music is all about personal taste, of course, but apparently singer Michael Stipe considers New Adventures as his favorite. So there.
  1. Pretenders, Complex Person . . . I had left the Pretenders behind in the early 1980s, after 1983’s terrific Learning To Crawl album as far as new studio releases went. But a few years ago, likely fueled by seeing Pretenders open for The Who and because their stuff was so cheap in a used CD store, I caught up on the discography and am fully up to date, including Chrissie Hynde’s solo albums. And, at least to me, they’re one of those longtime bands/artists that continue to produce worthwhile music up to the present. This now 20 year (!?) old song, from 2002’s excellent Loose Screw album is an example.
  1. The Kinks, Complicated Life . . . The Kinks’ Ray Davies and Pretenders’ Chrissie Hynde were once a couple, so I put them back-to-back in my set, talking about complicated complexities. This one’s from a Kinks’ masterpiece, 1971’s Muswell Hillbillies which, criminally, didn’t even chart in the UK and made just No. 100 in the US. Ridiculous to me, because the album – like many underappreciated except for Kinks’ fans albums – is brilliant. Country rock, blues, music hall, they could do it all.
  1. The Guess Who, Life In The Bloodstream . . . Fairly well-known Guess Who track but it wasn’t a single. It’s from 1971’s So Long Bannatyne album but I pulled it off a personal Guess Who favorites CD of hits and deep cuts, two volumes, I burned years ago. And in going over those tracks as I planned this show, once again obvious was how the depth in quality of The Guess Who’s output is astounding.
  1. Murray McLauchlan, Sweeping The Spotlight Away . . . Title cut from the Canadian folk rocker’s 1974 album, which yielded one of his biggest hits, Down By The Henry Moore.
  1. George Harrison, It’s What You Value . . . I’ve always liked this pop rocker from Harrison’s 1976 album, 33 1/3. The lyrics are about Harrison paying noted session drummer Jim Keltner with a Mercedes in lieu of money, for playing on Harrison’s 1974 tour. It took some convincing for Harrison to get Keltner to go on tour, but he finally got him by promising Keltner a new car to replace his old van. Or so the story goes. According to Harrison’s liner notes on remastered versions of the album, the rest of his band members then moaned that all they got was money for playing, while Keltner got a Mercedes. If it were me, I’d want money and then spend it on what I want, even maybe a Mercedes. First world problems, as the saying goes.
  1. John Lennon, God . . . One of Lennon’s finest, musically and of course lyrically, from the Plastic Ono Band album. I’ve played it before, deliberately played it again to set up . . .
  1. U2, God Part II . . . U2’s fine, rockier sequel, which appeared on the Rattle and Hum combination studio-live album.
  1. J.J. Cale, Call The Doctor . . . This song is why you buy – or in the modern world, investigate online – studio albums, not just compilations, if you’re deeply interested in an artist. Typical J.J. Cale, as was often the case with him, a short, bluesy shuffle leaving you wanting more. But you’d have to have, or listen to, his 1971 debut album, Naturally, to hear it. One of my personal favorites, I find it amazing it’s not on any of the various J.J. Cale compilations.
  1. Dire Straits, Where Do You Think You’re Going? . . . One of my deja vu moments. I feel like I’ve played this too recently but, my research indicates no and in any event, my new thing is, so what if I did? Great tune, from the band’s second album, Communique, but of course Dire Straits was so consistently good throughout their six studio albums.


  2. Jim Croce, New York’s Not My Home . . . This wasn’t a single, although it appears on Croce’s posthumously-released greatest hits album. Good tune, as is most of this late artist’s work, sadly lost to us in the early 1970s, like Buddy Holly many years before him, in a plane crash flying between tour stops.
  1. Eagles, King Of Hollywood . . . I’ve said it before but I like The Long Run album, even though critics, and the band members themselves, have tended to dismiss it. I suppose, when you’re trying to follow up Hotel California, anything will pale in comparison but in some ways I find The Long Run rawer, edgier – like this tune – and better, which can tend to happen when a band is fried, fraying, having a difficult time in recording, etc. Conflict and difficult circumstances often makes for great art. All a matter of taste and opinion, of course.
  1. Steve Earle and The Dukes, The Tennessee Kid . . . Second time in 2-3 weeks I dig back into Earle’s 2015 Terraplane album, a terrific record I’ve only recently gotten into – and into it major I am – thanks to a recommendation from a music acquaintance on Twitter. Spoken word opening transitions into a pulsating groove overlaid with not so much singing but more of an ongoing spoken monologue.
  1. Bob Dylan, Stuck Inside Of Mobile With The Memphis Blues Again . . . It’s Dylan. Seven minutes, nine verses of typically great lyrics as only Dylan can enunciate them, with that great chorus, love the drumming, the playing, the feel, the song. All a matter of taste of course and some people, still, say Dylan can’t sing. Well, he’s distinctive, certainly not cookie cutter, and simply great – the best Bob Dylan singer there ever was or will be but, sure, not to everyone’s taste. I had always known Dylan, largely via my older brother who was a big fan and as I’ve often mentioned, a huge musical influence. I remember him bringing home the John Wesley Harding album when it came out, 1967. But I had been only a compilations collector of Dylan’s stuff until truly getting into this song, and the Blonde on Blonde album, one afternoon in Peace River, Alberta, 1981. Fresh out of college and having moved west in pursuit of my journalism dream, I was living in a house with several other people. Fun times, one of those life instances where you become friends with people by moving in with them to share rent, instead of becoming enemies by moving in with friends, as can happen.

    Anyway, everyone was out and I happened to be alone, lying on the couch, reading, when I saw one of my roommates’ Blonde on Blonde pre-recorded cassette sitting on a coffee table. I popped it in the player and soon enough, as is the case with me and Dylan, down went the book because I can’t do other things when I listen to Dylan, he pulls me in to full attention. So I just lay back and took the whole album in, and the rest is history. I didn’t have to buy it for a while, because we all shared our music in that house, but soon enough, I was on my own and the album was a regular visitor to my turntable as were Dylan’s other studio works as I collected his entire output.

  1. Them, I’m Gonna Dress In Black . . . Early Them fronted, of course, by Van The Man Morrison. It’s largely due to the organ in this bluesy track but it struck me, in picking this tune, how some Them songs sound like early Animals or, I suppose, vice-versa. I pulled it from a wonderful 3-CD (including a rarities/outtakes disc) Them compilation I own – The Complete Them 1964-1967, with liner notes written by Van the Man. Morrison can often be, or come across as, a curmudgeon, but he’s obviously justifiably proud of Them’s work, ending his insightful notes with “I think of Them as good records. The best part was actually doing the tracks: the best part, and the most enjoyable. There’s a lot of good stuff here.” Indeed.
  1. Johnny Cash, Man In Black . . . Back to my song connectivity thing: The Them song title sets up this famous call to make things bright, as my set list actually grows darker, if anyone’s following along. I still am, ha. We’ve gone from sex to God to travel and approaching the dark side . . .
  1. The Rolling Stones, Dancing With Mr. D . . . via this Stones’ pseudo-sequel to Sympathy For The Devil. It was the opening cut on 1973’s Goats Head Soup album.
  1. Mike Oldfield, Tubular Bells, Part One . . . The first part of Oldfield’s masterpiece was used, of course, as the theme music to the horror film The Exorcist, which naturally boosted sales of Oldfield’s album. According to Wikipedia, Exorcist director William Friedkin had decided to scrap the original score for his movie, written by Lalo Schifrin (perhaps best known for the iconic theme music for the original Mission Impossible TV series) and was seeking alternatives. Friedkin decided on Tubular Bells when, on a visit to Atlantic Records president Ahmet Ertegun’s office, Friedkin saw the album lying around and put it on the stereo. The rest, as the saying goes, is history. I figured I’d play all 25 minutes of Part One by the same sort of happenstance. I was going through CDs, Tubular Bells popped up, I hadn’t played it in ages, did so, realized how much I still like it, how others might, too, and decided to go with it. So now I suppose I’m committed to playing the rest of the album, Part Two, at some future point, perhaps in another long song show. We shall see.

So Old It’s New set list for Monday, April 11, 2022 – on air 8-10 pm ET

  1. David Wilcox, That Hypnotizin’ Boogie . . . From Wilcox’s debut album, Out Of The Woods, released in 1980. I was working in a bar, putting myself through college at the time and remember him playing this, before the album was released. As soon as the record was released, I bought it and have been a Wilcox fan since.
  1. Foghat, Chateau Lafitte ’59 Boogie . . . Speaking of boogie. . . I saw Foghat at the Kitchener Blues Festival some years back, good show.
  1. Paul McCartney & Wings, Nineteen Hundred And Eighty Five . . . One of the great deep cuts from Band On The Run but I suppose, given how solid that album is, it’s a fairly well-known track.
  1. The Plastic Ono Band, Blue Suede Shoes (live) . . . From Live Peace In Toronto 1969, the Rock ‘n’ Roll revival concert that featured such ’50s fathers of rock as Jerry Lee Lewis, Chuck Berry, Bo Diddley and Little Richard as well as Chicago, Alice Cooper and The Doors. I love the MC’s intro to the song: “Get your matches ready” (nowadays it would be, get your smart phones ready” and then John Lennon’s slightly sheepish “OK we’re just gonna play numbers we know, you know, cuz we’ve never played together before and mumble mumble . . . ” And it was true, that version of The Plastic Ono Band – Lennon, Eric Clapton, bassist Klaus Voorman, drummer Alan White (later of Yes) and singer-in-a-bag Yoko Ono, was put together quickly when Lennon was invited to play the show, rehearsed on the plane and the result is a fine, raw live album and a historic moment in rock and roll history.
  1. Traveling Wilburys, Tweeter and the Monkey Man . . . Bob Dylan handles lead vocals on this one, backed by his Wilbury brothers George Harrison, Tom Petty and Jeff Lynne, with session drummer to the stars Jim Keltner on skins. Roy Orbison, the fifth Wilbury, sat the session out. There’s varying opinions on who actually wrote the song – which Canada’s Headstones rocked up to great effect on their debut album Picture Of Health in 1993. The song is registered to Dylan’s publishing company, but Harrison said it was co-written by Petty with some lyrical input from him and Lynne. Who really knows; I’ve always considered it a Dylan song but in any event it’s a great one.
  1. Graham Parker and The Rumour, Devil’s Sidewalk . . . It wasn’t a single but it’s always been my favorite song from The Up Escalator album. That opening guitar hook did its job, reeling me in forever from the first time I heard it. It’s a great album, features Bruce Springsteen on backing vocals on the song Endless Night and E-Street Band keyboardist Danny Federici throughout. I’m a huge Parker fan and I’d put the record in a tie with Squeezing Out Sparks as maybe Parker’s best, although The Up Escalator didn’t meet with the widespread positive reviews Sparks did. Of course, then there’s earlier albums like Howlin’ Wind, Heat Treatment and Stick To Me so let’s just say that, early on, Parker was near-perfect. I suppose The Up Escalator resonates best with me, as much music does for anyone, because it was a time-and-place record and the first album of his I actually owned, although I knew his earlier hits like Local Girls from Sparks.


  2. Moon Martin, Bad News . . . Moon Martin is one of those artists largely known to the masses by one song, his 1979 hit Rolene. But he was great, beyond that. For one thing, he wrote Bad Case Of Loving You (Doctor Doctor) that Robert Palmer turned into a hit. Anyway, Martin started his music career as a rockabilly artist and he incorporated the genre into much of his work, including this cut from his 1980 album Street Fever.
  3. The Rolling Stones, I Got The Blues . . . “At three o’clock in the morning I’m singing my song to you.” I always think of that line when I think of this song, from Sticky Fingers. A slow blues tune maybe best in fact listened to at 3 a.m., half drunk, headphones on, lamenting a lost love.
  1. Peter Tosh, No Sympathy . . . Followers of the show have often detected a symmetry, at least sometimes, to my set lists and despite my internal reservations that I risk being contrived, I find I just naturally make certain connections between songs and artists in my shows. That’s whether it be by title, by lyrical content or, as in this case, by artists’ collaborations and song title. Peter Tosh, likely, being the straight shooter he was, would have had no sympathy for someone lamenting a lost love, and he also later collaborated with and opened for The Rolling Stones. So, here you are, from his fine Legalize It album in 1976, the album before he was signed to Rolling Stones Records and opened for the band on their 1978 tour. I saw that tour but alas, Tosh wasn’t on the bill I saw on Buffalo, July 4, 1978. I got April Wine (which we missed due to a traffic jam coming into the stadium), Atlanta Rhythm Section (great show) and Journey (meh, Tosh would have fit well there, instead). A later journalism colleague of mine saw the same tour, in Cleveland three days earlier I found out nearly 40 years later, and he got Tosh as an opener.
  1. Aerosmith, Reefer Headed Woman . . . Sometimes listed as Reefer Head Woman – in fact most of the YouTube posts refer to it that way although on Aerosmith’s Night In The Ruts album itself it’s listed as Reefer Headed Woman. Whatever, it’s a great Aerosmith treatment of an old blues cut from an album most critics dismissed but is in fact a kick-butt ‘Smiths album.
  1. Van Morrison, Big Time Operators . . . My favorite Van the Man cut many people may not know, a bluesy track from 1993’s Too Long In Exile album. It’s a great lyrical ‘eff you’ to the music industry with great lead guitar from Van himself.
  1. Steve Earle and The Dukes, Better Off Alone . . . I like Steve Earle, lots, got into him via the Copperhead Road album and single way back when and went back and forward with him and have most of his stuff. But I didn’t have, and hadn’t heard, his Terraplane album, from 2015, until a Twitter music acquaintance of mine suggested it and so here we be. Fantastic, all-originals bluesy album.
  2. Billy Joel, The Stranger . . . Title cut from his breakthrough album in 1977, was a single in some countries, notably Japan where it hit No. 2 but in any case just another great song from a great album.
  1. Townes Van Zandt, Brand New Companion . . . Playing a Steve Earle tune reminded me of Townes Van Zandt because Earle did a whole album of Townes tunes, called Townes, in 2009. This track was on it and this is the late great, troubled but appealingly warts and all human Van Zandt’s original.
  1. Free, Be My Friend . . . Great song from the band’s 1970 album Highway and a long overdue return to playing the band on the show.
  1. Bad Company, Heartbeat . . . And playing Free naturally, due to the band connections (Paul Rodgers especially on lead vocals) brought me to Bad Company.
  1. U2, Tryin’ To Throw Your Arms Around The World . . . I was trying to figure out a semi-deep cut from the Achtung Baby album to play which is arguably difficult since most of the tracks on the record are, deservedly, so well known. It came down to this one, or Until The End Of The World, whose lyrics I love, but that was a fairly successful single in some countries and this is supposed to be a deep cuts show and I’ve played it before. So, I’m playing this.
  1. Steely Dan, Aja . . . Jazzy title cut from the album.
  1. Stephen Stills, Treetop Flyer . . . Neil Young, and he’s great, is often more critically acclaimed than the other members of Crosby, Stills, Nash & Young but really, each guy has done fine work on his own, particularly, I would submit, Stills as with this one from his excellent 1991 Stills Alone album.
  1. Roxy Music, Re-Make/Re-Model . . . Great funky freaky tune from the early, more experimental days of Roxy Music and a deliberate choice because what follows are a couple cover tunes that indeed are remakes/remodels of well-known songs, which as I’ve often said are my favorite types of covers – they become new songs, essentially.
  1. Patti Smith, Smells Like Teen Spirit . . . An acoustic reinterpretation of the Nirvana song that broke that band big. It’s from an excellent album I’ve periodically mined, Smith’s 2007 covers album Twelve.


  2. Jose Feliciano, Light My Fire . . . I remember seeing Feliciano on some variety-type show my parents watched in the late 1960s or early ’70s. I didn’t get into him at the time but never forgot his performance and so, as let’s say a music explorer, eventually found my way back to him. The same thing has happened, maybe a function of age, who knows, for me with various artists my parents listened to – Tom Jones, Glen Campbell, Harry Belafonte, Johnny Cash . . . on and on. It’s a cool thing.
  1. Golden Earring, Kill Me (Ce Soir) . . . Said it a zillion times, Golden Earring so much more than the two hits they are best-known for, especially in North America – Radar Love and Twilight Zone.
  1. Frank Zappa, Muffin Man . . . “He turns to us and speaks. . . . Some people like cupcakes better. I for one, care less for them.” “Goodnight Austin, Texas, wherever you are.” Great Zappa madness, great tune, amazing guitar, what a fantastic artist and brilliant, thoughtful, no BS man he was.

So Old It’s New set list for Monday, April 4, 2022 – on air 8-10 pm ET

  1. Yes, Awaken . . . Somehow or other, tonight’s set, which was going to begin with Otis Redding’s Satisfaction (which is later in the list) morphed into a prog-rock show, at least for the first several songs. Like this one, the lone epic-length (15 minutes) track from Yes’s 1977 album, Going For The One, which saw the band record mostly shorter tracks.
  1. The Alan Parsons Project, In The Lap Of The Gods . . . Spacey stuff from Parson’s 1978 album Pyramid, a concept record centered around Egypt’s pyramids and, apparently, the fact pyramid power was something of a ‘thing’ around that time. In fact I recall then-Toronto Maple Leafs’ hockey coach Red Kelly being into it but ultimately it still didn’t win the Leafs their first Stanley Cup since 1967, and they’re still trying.
  1. Jethro Tull, Mine Is The Mountain . . . I’m a big Tull fan anyway so I’ll tend to find value in everything the band releases, and I’m really liking the new album, The Zealot Gene and this to me is one of the stronger tracks on it. My liking of Tull includes even the sythnesizer-heavy 1984 album Under Wraps which I hated at first but has grown on me over time as yet another example of how I like when bands I like try different things. The new album is more let’s say traditional, recognizable Tull and it’s terrific, already after a relative few plays having embedded itself into my brain.
  1. King Crimson, Red . . . Heavy, metallic instrumental title cut from Crimson’s 1974 album, after which leader Robert Fripp put the band on hiatus until they returned with an updated, Talking Heads-type new wave sound for the Discipline-Beat-Three Of A Perfect Pair trilogy of albums starting in 1981.
  2. Emerson, Lake & Palmer, Toccata . . . ELP introduced many rock fans to, or reminded them of, classical music, this track an adaptation of Argentinian composer Alberto Ginastera’s piano concerto. It appeared on the Brain Salad Surgery album. It’s also probably the type of mind-bending track, especially the last two minutes, that a friend of mine was fearful of during college days when, stoned together, someone in our group sitting around my apartment suggested I put on some ELP and said friend – who moments earlier had been swimming the crawl stroke on my carpet – shrieked, ‘no, no, please, not that!” Luckily for him, I didn’t have any ELP handy at that point. Instead, I put on Pink Floyd’s Dark Side Of The Moon, which was likely worse for my friend’s psyche. If I recall, he then transitioned to swimming the backstroke. Just kidding about that, but he really did do the crawl. Fun times.
  1. Emerson, Lake & Powell, Step Aside . . . Drummer Carl Palmer wasn’t available due to contractual obligations to the band Asia when Keith Emerson and Greg Lake wanted to reform ELP in the mid-1980s. So, Emerson’s friend and drummer to the stars Cozy Powell stepped in for a new ELP’s lone, self-titled studio album from which I pulled this jazzy track.
  1. Saga, Wind Him Up . . . Second single from the Canadian band’s successful 1981 album, Worlds Apart which also gave us their top-30 Billboard single On The Loose.
  1. Rush, The Twilight Zone . . . From 2112 and a tribute to the classic TV show, the Rod Serling-created original one, not the 1980s remake, which I gather was not bad, or the god-awful, mercifully canceled 2020-21 version.
  1. Black Sabbath, Air Dance . . . Jazzy, progressive-type tune from Sabbath’s Never Say Die album. If you didn’t know it was Sabbath, you wouldn’t know it was Sabbath, in my opinion. I like it.
  1. Queen, Good Company . . . Yet another great Brian May-penned Queen song, this one a Dixieland jazz-type tune from A Night At The Opera.
  1. Neil Young, F*!#in’ Up . . . Not much to say aside from the chorus says it all.
  1. The Tragically Hip, Opiated . . . From the first full Hip album, 1989’s Up To Here, which followed their earlier self-titled EP. I bought this one, sight unseen, pre-internet, from a magazine review that said it was Stones-like and before songs like Blow At High Dough and New Orleans Is Sinking from it became hits. So it was kinda cool when they did, because I was rewarded by taking a chance on the review of what is, top to bottom, an excellent album.
  1. George Harrison, Let It Down . . . I’m having one of those deja vu moments again, feeling like I just played this in a recent show but, searches indicate not the case and in any event, so be it if so. Harrison originally offered this a Beatles’ tune during the Get Back/Let It Be sessions but, like the title cut from what became his All Things Must Pass album, it was rejected by John Lennon and Paul McCartney, which contributed to Harrison leaving those sessions for about a week as detailed in the Get Back documentary. He just up and leaves at one point, telling the rest of the guys “I’ll see you around the clubs.” The next day, when John, Paul and Ringo reassemble, Lennon seems to shrug it all off, musing “if he’s not back by Tuesday, we’ll get (Eric) Clapton in.”
  1. John Lennon, Meat City . . . A beautiful noise, I’d call this rocker, which was the B-side to the title cut Mind Games single from Lennon’s 1973 album.
  1. Jefferson Airplane, Blues From An Airplane . . . Lead cut from Takes Off, the Airplane’s 1966 debut album, sung by Marty Balin. Spooky sort of psychedelia, only problem with it is, it’s too short at two minutes, 10 seconds. Then again, good to leave people wanting more.
  1. Otis Redding, Satisfaction . . . The Otis treatment of the Stones’ classic and apparently, with the horns, the way Keith Richards initially envisioned it. I’m glad the Stones’ version turned out the way it did – although they’ve long incorporated horns on it on various tours – but also great that we have Redding’s interpretation. What an artist he was.
  1. The Rolling Stones, Jump On Top Of Me . . . This boogie rocker was the B-side to the 1994 Voodoo Lounge album’s second single, You Got Me Rocking (which has become a Stones’ concert staple). Jump On Top Of Me was also in the soundtrack to the movie Pret-A-Porter (Ready To Wear), a somewhat obscure, critically-carved movie I’ve never seen but it does feature an all-star cast that includes Sophia Loren (who received a supporting actress Golden Globe nomination), Tim Robbins, Julia Roberts and Kim Basinger, among many others.
  1. The Flying Burrito Brothers, High Fashion Queen . . . When I think of or play the Stones, the Burritos often come to mind due to Keith Richards’ friendship with the Burritos’ late leader Gram Parsons. So, here’s the country-boogie Burritos.
  1. Joe Cocker, Don’t Let Me Be Misunderstood . . . First recorded by the immortal Nina Simone (I’ll have to play her version sometime) and turned into a big hit by The Animals, this is Cocker’s also terrific interpretation. It’s from his 1969 debut album, With A Little Help From My Friends.
  1. Fleetwood Mac, Future Games . . . I’ve said it many times: the mid-period Fleetwood Mac featuring American guitarist/singer/songwriter Bob Welch is terrific, if often relatively underappreciated in between the original blues band led by founder Peter Green and the later Stevie Nicks-Lindsey Buckingham commercial juggernaut. This extended, Welch-penned ethereal title cut from the band’s 1971 album, Welch’s first with the group, is an indication. Welch later re-cut it, at less than half the eight-minute length,for one of his solo albums.
  1. The J. Geils Band, Monkey Island . . . A friend of mine texted me last week, excited over his purchase, after all this time (about time, bud, ha) since its 1972 release, of J. Geils’ terrific Full House live album. I’ve mined it for probably all of its eight songs, over time. Great band, and our discussion prompted me to play this spooky title cut from the band’s 1977 album, which didn’t do so well commercially but is for the most part a terrific deep, dark, moody work.
  1. Doug and The Slugs, Drifting Away . . . And we drift away into planning for next week’s show via one of my favorite relationship tunes, a time and place one for me as I was going through an, in the end, definitely ‘for the best’ breakup with a college girlfriend – although she was the one who introduced me to the Slugs.

So Old It’s New set list for Monday, March 28, 2022 – on air 8-10 pm ET

  1. Lou Reed, Rock ‘n’ Roll (live, from Rock ‘n’ Roll Animal) . . . From the liner notes of the year 2000 remastered edition of Rock ‘n’ Roll Animal: “Lou Reed sucks, but Rock ‘n’ Roll Animal rules.” – unsolicited customer review on . . . It wasn’t me, honest! For one thing, if and when I do use Amazon, I use since I’m in Canada although I have been known to go to .com if I can’t find something here. Secondly, I like most of Lou Reed’s stuff and that of the Velvet Underground, most of whose songs he wrote. Like this one. Rock ‘n’ Roll Animal does, indeed, rule. And this live version kicks butt, featuring great twin guitar work by Steve Hunter and Dick Wagner, the latter of Alice Cooper fame.
  1. The Rolling Stones, My Obsession . . . Staccato-type track featuring terrific drumming by the late great Charlie Watts, from 1967’s Between The Buttons album.
  1. Johnny Winter, Silver Train . . . The first of several cover tunes, great artists doing other great artists’ songs, in tonight’s set. This is Winter’s version of the Rolling Stones’ song from 1973’s Goats Head Soup album. The typically Winter-ized version actually preceded the Stones’ release, as the Texas guitar slinger heard a demo of the tune and released it on his Still Alive and Well album that preceded Goats Head Soup by a few months. The song was written by Mick Jagger and Keith Richards in 1970 but was shelved before being polished for Goats Head Soup. Winter, who mined the Stones’ and Bob Dylan catalogs for such tunes as Jumping Jack Flash, Highway 61 Revisited and Like A Rolling Stone, also covered Let It Bleed on Still Alive and Well.
  1. Marianne Faithfull, Truth, Bitter Truth . . . From 1981’s Dangerous Acquaintances album, which didn’t do as well as the hard-act-to-follow Broken English. Faithfull herself said Dangerous Acquaintances was a difficult recording, everyone concerned with the project – Faithfull, her session players and the producer – weren’t always on the same page. Nevertheless, I think it’s a pretty good record, featuring such songs as the singles Intrigue and Sweetheart plus For Beauty’s Sake, Easy In The City, Tenderness and this one, a seven-minute epic that starts as almost spoken word before transitioning nicely into the main tune 1:15 in.
  1. Nazareth, Empty Arms, Empty Heart . . . As someone on YouTube commented, yet another great song (by anyone) that most people will never hear. That’s why Bald Boy is here, to dig into deep cuts like this one from Nazareth’s debut, self-titled album in 1971. It’s almost progressive hard rock, at least in terms of how many time signature changes they cram into a three-minute, 12 second song.
  1. Bachman-Turner Overdrive, The Letter . . .A song The Box Tops took to No. 1 on the charts in 1967 and was later covered by Joe Cocker and Al Green, among others. BTO’s rocked up version, whose main riff calls to mind Neil Young’s Southern Man, was recorded in 1971 as Brave Belt morphed into BTO but wasn’t officially released until the 2-CD BTO Anthology came out in 1993.
  1. Paul McCartney and Wings, Let Me Roll It (live, from Wings Over America) . . . Originally on the Band On The Run studio album, it was the B-side to Jet but may as well have been a single, as it’s one of Wings’ best-known tracks and one McCartney almost never fails to play in concert to this day – it appears on five Macca live albums.
  1. Led Zeppelin, Candy Store Rock . . . A shuddering sort of rockabilly tune, apparently one of Robert Plant’s favorites from 1976’s Presence album. It was a difficult album for Plant, who had suffered serious injuries in a car accident and sang from a wheelchair during the sessions.
  1. Budgie, Napoleon Bona Part One & Two . . . Clever, or silly, title, depending on one’s point of view but nevertheless another excellent almost progressive metal offering from the Welsh pioneers who influenced the likes of Iron Maiden and Metallica. Metallica has covered Budgie songs Breadfan, with its hellacious riff, and Crash Course in Brain Surgery. I’ve played Breadfan before but this reminds me to get to Crash Course in Brain Surgery at some point.
  1. Red Rider, Napoleon Sheds His Skin . . . Having fun with Napoleonic titles but aside from that, this is one of the many good tracks on Red Rider’s 1983 Neruda album.
  1. Patti Smith, Changing Of The Guards . . . Another cover, this one of the Bob Dylan song from his Street Legal album in 1978. Smith did it for her all-covers Twelve (for twelve tunes) album, released in 2007. I’ve played things like the Stones’ Gimme Shelter and Hendrix’s Are You Experienced? from it before but definitely an album worth returning to soon. It’s full of interesting Smith interpretations of such songs as the Jefferson Airplane’s White Rabbit and Nirvana’s Smells Like Teen Spirit, among others.
  1. Blood, Sweat & Tears, 40,000 Headmen . . . The BS & T jazz-rock fusion treatment, applied to the Traffic tune in a nice version from the ‘3’ album. I remember getting the album when my older sister, brother and I were in the Columbia Record Club in 1970 via which we also got Chicago’s second album and Santana’s Abraxas. Things were different, then, but I suppose a record club is really not much different than ordering online now. Speaking of Abraxas, great album: 1. I need to return to it for some songs soon. 2. I always remember playing charades and our mom hilariously doing pantomime trying to describe the poster of the band members that came with the album. We didn’t ‘get’ what she was trying to describe and were in hysterics, but just more evidence that mom was pretty cool.
  1. Traffic, Light Up Or Leave Me Alone . . . Jim Capaldi wrote and sang this one from The Low Spark Of High-Heeled Boys album while usual lead singer/multi-instrumentalist Steve Winwood provides some nice guitar licks. 
  2. Creedence Clearwater Revival, Pagan Baby . . . Some might consider it repetitive. Others, hypnotic. Or, hypnotically repetitive, which to me is a good thing on yet another CCR deep cut that shows that while they were an amazing singles band and are well-served by compilations, the full picture – as with many bands – is revealed via the individual studio albums. This one’s from 1970’s Pendulum.
  1. Faces, You Can Make Me Dance, Sing Or Anything (Even Take The Dog For A Walk, Mend A Fuse, Fold Away The Ironing Board, Or Any Other Domestic Shortcomings) . . . Not sure what’s better, the song or the fun title, the in-parentheses part of which is not always used, but I like to be thorough. I like the song, a typically fun, shambolic Faces outing, which was their charm. It was the final Faces single, peaking at No. 12 in the UK charts.
  1. Gordon Lightfoot, Me and Bobby McGee . . . From Lightfoot’s 1970 album Sit Down Young Stranger, the title later changed to If You Could Read My Mind when that song from the record became a big hit. Lightfoot’s spare version, which was No. 1 on the Canadian country charts and No. 13 on the pop singles list, is one of the first recordings of the Kris Kristofferson song that soon after became a posthumous No. 1 Billboard hit for Janis Joplin. Roger Miller was the first to record it, taking it to No. 12 on the US country charts in 1969. Charley Pride, Jerry Lee Lewis and Kristofferson himself are among the many others who have covered what is simply a great song. Lewis had a No. 1 US country hit with it, a version I played on the show some time ago.
  1. The Grateful Dead, Throwing Stones . . . From the Dead’s 1987 album In The Dark which was a big commercial success thanks in large measure to the hit single Touch of Grey. This extended, jaunty piece about humanity, with lyrics like “a peaceful place, or so it looks from space; a closer look reveals the human race” was also a single but didn’t chart to my knowledge.
  1. Headstones, Cemetery . . . Hard rocker with upbeat lyrics (kidding) from what is still likely my favorite Headstones album, the debut Picture of Health, from 1993. And I have all of this consistently good Canadian band’s material. So we go, deliberately, from Throwing Stones to the Headstones in a cemetery. Yeah, I know, enough nonsense, Bald Boy. Next! Ha.
  1. Steppenwolf, Power Play . . . Little did I know, when at age nine in 1968 a friend played The Pusher from Steppenwolf’s debut album and our group of friends marveled that the lyrics said “god damn”, that I’d become a lifelong fan of the band that originated in Canada as The Sparrows. I’ve just always loved the band’s gritty sound and John Kay’s vocals. Steppenwolf was far more than the endless plays of Born To Be Wild and Magic Carpet Ride one hears on commercial radio. Great songs, but dig a bit, folks.
  1. Drive-By Truckers, 3 Dimes Down . . . As mentioned last time I played the Truckers, I quite enjoy their stuff, like this rocker from their 2008 album Brighter Than Creation’s Dark. Or maybe I decided to play it because of the album title, given I had just watched a documentary about the cosmic dawn, the period when light emerged, millions of years after the Big Bang, to illuminate what had to that point been a dark universe. On the other hand, if I played songs inspired by what documentaries I watch, then I would have played McCartney and Wings’ Spirits Of Ancient Egypt today since I had also recently watched a show about how we’d build the pyramids today as opposed to how the ancient Egyptians (or aliens, or helped by aliens) did it. I thought of doing just that, but then decided Let Me Roll it is a better Wings’ song than Spirits Of Ancient Egypt, so I played that instead. To refresh any failing memories, the Wings’ tune is No. 7 in tonight’s set.
  1. Uriah Heep, Bird Of Prey . . . A friend of mine occasionally has ribbed me when I play Uriah Heep but, what can I say, we all have guilty pleasures I suppose and I don’t even consider Heep a guilty pleasure. I like their stuff, especially the earlier material like this track from 1971’s Salisbury album. Depending on my mood I can do with or without the late singer David Byron’s operatic oohs and aahs but there’s no doubt bands like Queen and, much later, The Darkness were influenced by it.
  1. Rory Gallagher, Ride On Red, Ride On . . . Gallagher’s smokin’ cover of the song from Louisiana Red’s 1963 debut album, The Lowdown Backporch Blues. It appeared on Gallagher’s 1982 album Jinx.
  1. Bob Seger & The Silver Bullet Band, Get Out Of Denver (from Live Bullet) . . . As we, too, get out of here, for another week, riding the rhythms of Seger’s outstanding first live record.

So Old It’s New set list for Monday, March 21, 2022 – on air 8-10 pm ET

  1. The Beach Boys, Add Some Music To Your Day . . . From 1970, when The Beach Boys were past their surfer-hit prime but still making good music that was often ignored. This was a single, only made No. 64, from the Sunflower album.
  1. Chicago, A Hit By Varese . . . Jazz-rock fusion from Chicago V in 1972. Saturday In The Park was the big commercial hit from the album but it’s this kind of funky/jazzy groove tune that made early Chicago so great. Written and sung by Chicago keyboardist Robert Lamm, it’s a tribute to influential composer Edgard Varese, who counted Frank Zappa among his biggest fans.
  1. Electric Light Orchestra, So Fine . . . Ooh la ooh la ooh la ooh . . . Up-tempo tune from 1976’s A New World Record album. Wasn’t a single – tough competition from what were singles from the album, Do Ya, Telephone Line and Livin’ Thing – but a pretty well-known track nonetheless, especially the ooh la intro and the African drumming/percussion middle section played by ELO drummer Bev Bevan on a then-cutting edge Moog processor/synthesizer. Quick side note on Bev Bevan in terms of how versatile musicians can be in what may seem disparate associations: he also played drums/percussion for Black Sabbath during the 1980s, the period between Ronnie James Dio’s and Ozzy Osbourne’s stints in the band when Sabbath carried on, led by forever guitarist Tony Iommi and a sometime cast of thousands.
  1. The Beatles, Dig It . . . Just thought I’d throw this 50-second snippet, the one that appears on the Let It Be album, in front of I’ve Got A Feeling. It segues into Let It Be on the original album. The Dig It that appears on the original Let It Be album is actually a snippet within the longer, four-minute version of Dig It available via the Get Back documentary and on various expanded re-releases of the original record.
  1. The Beatles, I’ve Got A Feeling . . . From Let It Be and the famous rooftop concert. I just (finally) watched Get Back, the current documentary reworking of the original Let It Be movie. It’s excellent and does show that, at least musically, The Beatles (particularly once they repaired to their Apple studio from the cavernous Twickenham) were still an excellent functioning band despite the tensions that tended to be the focus of the original Let It Be movie. The new documentary is broader and, I think, provides a more complete picture. There’s no doubt the band was fractured by this point but musically, when push came to shove, professionalism and shared vision in the fact they knew who they were and what standards they had set, took precedence in producing yet more great music.
  2. Bruce Cockburn, And We Dance . . . From Cockburn’s typically excellent 1981 album, Inner City Front. No particular reason for playing the song, other than it comes from an album thta happened to be on top of a CD pile and therefore in line with tonight’s ‘floor show: top of the ‘to file’ pile’ theme, but one never needs an excuse or reason to play Cockburn’s music.
  3. Garland Jeffreys, We The People . . . Reggae tune from Escape Artist, his 1981 album that featured various members of Bruce Springsteen’s band and Graham Parker’s Rumour.
  1. Leon Russell, Stranger In A Strange Land . . . It didn’t occur to me before programming this song for this week but, and I haven’t read anything to that effect in reading about Axl Rose, but it strikes me that the Guns N Roses singer seems influenced by Russell’s vocal style, albeit in a different milieu.
  2. Pete Townshend and Ronnie Lane, Street In The City . . . I don’t like repeating myself, or at least not too soon between repeats, not that I suppose anyone is necessarily keeping score, but this might be one of the few tracks from the great 1977 Rough Mix album that I have not yet played on the show.
  3. Neil Young/Crazy Horse, Everybody Knows This Is Nowhere . . . Title cut from his 1969 album, a country rocker that seems to indicate that, at that point, apparently disillusioned with his life in California, at least from what I’ve read, Young pondered a return home, to Canada.
  4. Mick Jagger, Hang On To Me Tonight . . . The type of ballad I think Mick Jagger does so well, from his excellent – and most Stones-like – 1993 Wandering Spirit album. Nice harmonica break, too, from Jagger, late in the song, proving what Keith Richards has said, that the purest Jagger is when he plays harmonica.
  1. Buddy Guy with Mick Jagger, Doo Doo Doo Doo Doo (Heartbreaker) . . . A bluesy reinvention – with Jagger on backing vocals – of one of my favorite Stones’ tunes, the second single, behind Angie, from 1973’s Goats Head Soup. Guy’s version came out on a wonderful 2018 compilation, Chicago Plays The Stones, that apparently was a tribute response by Chicago blues artists to the Stones’ own 2016 blues tribute/covers album, Blue and Lonesome. Wonderful stuff, all of it.

  2. Dusty Springfield, Tupelo Honey . . . Perhaps surprisingly, Dusty’s lovely 1973 cover of one of my favorite Van Morrison tunes didn’t make much of an impact on the charts.
  1. Tom Petty and The Heartbreakers, Nightwatchman . . . Funky one, and one of my favorites, from Petty’s 1981 Hard Promises album.
  1. Genesis, Watcher Of The Skies . . . Nightwatchman to Watcher, clever, no? From Foxtrot, 1972. The album truly fit my ‘top of the pile’ theme for tonight but it’s also nice to be able to play this because, as it happens, a Genesis tribute band, The Genesis Experience, was in Waterloo last week. By all accounts, including photos from a friend of mine, the group gave a terrific performance – both musically and visually, a key component of that period of Genesis – that included Watcher Of The Skies. I’m not a shill for tribute bands, but the highly professional ones I’ve seen in my time, Beatles and Pink Floyd for instance, tend to be really good.
  2. Pink Floyd, Set The Controls For The Heart Of The Sun (live, Ummagumma version) . . . Speaking of Floyd . . . Great version from the live, and I maintain best, side of 1969’s Ummagumma album.
  3. Emerson Lake & Palmer, Bitches Crystal . . . Continuing the prog theme…from Tarkus. I thought of playing the title cut, which I have before and will again, but at 20 minutes, the show would be over now. Maybe one day, particularly if I’m feeling lazy, I’ll do a five-song show – Tarkus, Genesis’ Supper’s Ready, Yes’s Close To The Edge, Pink Floyd’s Echoes and then, just to change things up to southern rock/jam band, the Allman Brothers’ 33-minute live version of Mountain Jam. Come to think of it, I’ve over time played each of those epics, just not all within the same show.
  4. Arthur Lee with Band-Aid, You Want Change For Your Re-Run . . . Arthur Lee of Love fame had talked with Jimi Hendrix about possibly collaborating, although they never officially did. But, a couple years after Hendrix died, here came Lee with a solo album, Vindicator, backed by a band of session players he branded as Band-Aid in honor of a name that might have been used for a Hendrix-Love union. Vindicator is a very Hendrix-like album, different from the Love sound of, say, Forever Changes, as evidenced by this track.
  1. Oasis, The Shock Of The Lightning . . . Pulled it from an Oasis comp that was laying atop one of my CD piles. Apparently the first/only Oasis single, from their final album, that didn’t debut at No. 1 in the UK.
  2. Gov’t Mule, Game Face . . . Typically great hard, bluesy rock delivered Mule style.
  1. Status Quo, Gerdundula . . . Great Celtic boogie. I have no idea what the title means, despite searches. Might be some German connection, apparently.
  2. The Allman Brothers Band, Come And Go Blues . . . Wasn’t at the top of any pile of CDs in terms of tonight’s theme but came up while I was plugging in other songs and, well, one can never have enough Allman Brothers, I say.
  3. Deep Purple, Drifter . . . Come Taste The Band album was often derided as being too funky, or soulful, for Deep Purple, when it came out in 1975 after Ritchie Blackmore left to form Rainbow. His replacement, Tommy Bolin, was different, sure, but great in his own way, as was Purple. Great album cover, too, five guys’ faces in a glass of wine and then the glass, empty of course, on the back cover.
  4. Elton John, Sixty Years On . . .One of those examples from EJ’s 1970s period up until 1975 or so, where his deep cuts were as good, often arguably better, as his big solo singles.
  1. AC/DC, Rock and Roll Ain’t Noise Pollution . . . I second AC/DC’s motion.

So Old It’s New set list for Monday, March 14, 2022 – on air 8-10 pm ET

  1. Triumph, Blinding Light Show/Moonchild . . . From the Canadian band’s 1976 self-titled debut, later re-released and retitled In the Beginning. Fast, slow, acoustic interlude, progressive hard rock/metal, great stuff.
  1. Little Feat, Let It Roll . . . Rollicking title track from the band’s 1988 album, a return to studio recording for the band after a nine-year hiatus following the death of founder member and leader Lowell George.
  1. Aerosmith, Round and Round . . . Led Zeppelin-like relentless pounder from Toys in the Attic. As reviewers have said, Aerosmith, sometimes considered an American Rolling Stones, actually is more a Stones/Zep combo, resulting in something that is . . . Aerosmith.
  1. Blackfoot, Train, Train . . . Great harmonica intro by Shorty Medlocke, a blues and bluegrass musician who wrote the song and was Blackfoot leader Rickey Medlocke’s grandfather. The younger Medlocke was originally in an early version of Lynyrd Skynyrd, playing drums, before leaving before the band’s first official studio album to become guitarist and frontman for Blackfoot before winding up back on guitar, and the man can really play, in latter-day versions of Skynyrd. Rickey Medlocke’s drumming with Skynyrd eventually appeared on the archival release, Skynyrd’s First . . . and Last, which was itself eventually expanded and re-released as Skynyrd’s First: The Complete Muscle Shoals Album.


  2. ZZ Top, Goin’ Down To Mexico . . . Late great bassist Dusty Hill handles lead vocals on this typical blues rocker from ZZ’s first album. It’s called, wait for it, ZZ Top’s First Album.
  1. Lighthouse, Hats Off To The Stranger . . . From what could be termed Canada’s own jazz-rock answer to early Chicago and Blood, Sweat & Tears. Or, just a great jazz-rock band, a version of which continues to tour to this day while many of its members have gone on to be successful in various aspects of the music industry and beyond.
  1. The Guess Who, Sitar Saga . . . Early stuff from the band, a cool instrumental with Randy Bachman on sitar and Burton Cummings, who had apparently just learned how to play the instrument, on flute. The track was inspired by the next one in tonight’s set, by a Liverpool mystic.
  1. The Beatles, Within You Without You . . . George Harrison’s song from Sgt. Pepper, reflecting his immersion in Hindu teachings, backed not by his Beatle mates but London-based Indian musicians. It’s interesting how one’s tastes change. I can remember in the original vinyl days, and I wasn’t alone among my friends, picking up the needle to skip this song when playing Pepper. Then I got into Ravi Shankar at least a bit via Harrison’s Concert For Bangladesh and I’ve never skipped Within You Without You since.
  1. John Lennon, Steel and Glass . . . Likely my favorite song on Lennon’s Walls and Bridges album. Unless Old Dirt Road is, or the hit single, Whatever Gets You Thru The Night, or . . . Today, it’s Steel and Glass. Great track from a great album.
  1. J.J. Cale, Hey Baby . . . Typically cool shuffle by the master. Eric Clapton and Dire Straits send thanks for J.J.’s influence on some of their works.
  1. Jeff Beck Group, Tonight I’ll Be Staying Here With You . . . The second, 1970s version of the Jeff Beck Group, with Bobby Tench instead of Rod Stewart on lead vocals, turns Bob Dylan’s country-ish tune from the Nashville Skyline album into a more bluesy, soulful tune. Both versions are excellent.
  1. April Wine, Slow Poke . . . Great bluesy tune. Myles Goodwyn’s lead vocals were actually slowed down in the studio, to better fit the song.
  1. Paice Ashton Lord, I’m Gonna Stop Drinking Again . . . From the one and only album from Deep Purple drummer Ian Paice and keyboardist Jon Lord, and a good one it is, 1977’s Malice In Wonderland. The project also featured late English singer/keyboardist Tony Ashton, whose credits included sessions with Paul McCartney, George Harrison, Eric Clapton and Jerry Lee Lewis before he found his way into the Deep Purple orbit via some collaborations on the various members’ solo projects. Nazareth used the same album title for its 1980 release, the record featuring the hit single Holiday.
  1. The Rolling Stones, Do You Think I Really Care . . . Dead Flowers-ish country tune that got official release status on the 2011 expanded re-issue of the Stones’ Some Girls album.
  1. The Who, Cry If You Want . . . I confess I don’t listen to The Who’s It’s Hard album, from 1982, all that much. I don’t know anyone who does. It’s not a bad album but arguably not up to previous standards as, by that time, Pete Townshend seemed to be holding back his best material for his own solo albums like 1980’s smash Empty Glass and the good but not quite as, 1982 release, All The Best Cowboys Have Chinese Eyes. But, all that said, Cry If You Want, featuring nice drumming by Kenney Jones and angry vocals by Roger Daltrey (maybe pissed at Pete for holding his best stuff back), along with the classic Eminence Front, are top-notch tunes from It’s Hard.
  1. Thunderclap Newman, Accidents . . . Speaking of The Who and Townshend, he produced and played bass (under the fun pseudonym Bijou Drains) on Hollywood Dream, the only Thunderclap Newman studio album. The band, championed by Townshend and Who manager Kit Lambert and featuring future Paul McCartney and Wings guitarist Jimmy McCulloch, is best known for the hit Something In The Air. This is the 9-plus minute album version of Accidents, a pop/progressive piece that was shaved down to three minutes and change and released as the album’s second single.


  2. The Sensational Alex Harvey Band, Framed . . . Title cut, written by the hit factory that was (Jerome) Leiber and (Michael) Stoller, from the Harvey band’s 1972 debut album. It’s amazing how many hit songs – more than 70 chart hits – Lieber and Stoller penned including Hound Dog and Jailhouse Rock. Also amazing is how much like Harvey AC/DC’s Bon Scott sounded, at least to my ears and, at least, based on this track as compared to, say, AC/DC’s Jailbreak.
  1. T-Bone Burnett, Shut It Tight . . . From T-Bone’s 1983 release Proof Through The Night which featured a host of all-star friends including guitarists Pete Townshend, Mick Ronson and, on this track, Richard Thompson on guitar and mandolin. Which is probably why, with Thompson, it could easily be, sounds like, a Fairport Convention song.
  1. Tom Waits, Whistlin’ Past The Graveyard . . . Jaunty, up-tempo tune from the Blue Valentine album, 1978.
  1. Dire Straits, Single Handed Sailor . . . What a great song, about sights and sounds around the Greenwich area of London, England, including the 19th century ship the Cutty Sark – which I first knew to be a brand of whiskey, from a spy novel whose name I can’t remember, read in my early teens. I never developed a taste for the so-called hard stuff so never did try Cutty Sark but perhaps I should. I’ll ask some friends of mine who are into Scotch but I sampled some stuff with them once and they banished me from the room because I kept spoofing their treatment of the tasting as some sort of seance-like religious experience. I didn’t get it, obviously. We’ll see how it goes. If and when they read this, it probably won’t go well. But hey, if you can’t disagree with and have fun with your friends, what kind of friends could they possibly be?
  2. Mountain, For Yasgur’s Farm . . . Dedicated to Max Yasgur, who owned the farm where the 1969 Woodstock Festival was held. He died young, just age 53, of a heart attack in 1973.
  1. Rainbow, Gates Of Babylon . . . Closing out tonight’s set with some harder rock, this epic from Long Live Rock ‘n’ Roll, the last Rainbow album, in 1978, featuring the late great Ronnie James Dio on lead vocals. Aside from the songs All Night Long and Since You’ve Been Gone from 1979’s Down To Earth album with Graham Bonnet on lead vocals, only Dio Rainbow is good Rainbow, in my opinion. Aside from the two tracks I just mentioned, and even they are somewhat dubious, the rest of Rainbow (aside from maybe, maybe, the harder-edged 1995 rebirth Stranger In Us All album with Doogie White on lead vox) is way too poppy and overproduced, blatantly, for the American market at the time, pretty much utter shit. What was Ritchie Blackmore thinking? And then, horrors, he brought his latter-day Rainbow singer Joe Lynn Turner into Deep Purple for one ill-fated album, 1990’s one good song (King Of Dreams) disaster, Slaves and Masters. What in god’s name, Ritchie? People rightly called the album Deep (post-Dio) Rainbow. Sell your soul for rock and roll, I guess.
  1. Black Sabbath, Falling Off The Edge Of The World . . . Here’s Ronnie again, fronting the next band he joined, Black Sabbath. I’ve always said that, while I like Dio with his own band, Dio, I’ve always preferred his work with Rainbow and Sabbath. Seems to me he was best working with outstanding guitarists/songwriters like Ritchie Blackmore and Tony Iommi.
  1. UFO, Lights Out (live) . . . Notice how we started tonight’s set with a Blinding Light Show and conclude it with Lights Out? Clever, huh? God, I’m good. Or silly. From UFO’s terrific 1979 live album, Strangers In The Night. See ya next week, thanks for listening/following.

So Old It’s New set list for Monday, March 7, 2022 – on air 8-10 pm ET

  1. Alice Cooper, Clones (We’re All) . . . I can’t remember the exact genesis of it now but a few weeks back a friend and I got talking about Alice Cooper’s foray into new wave in 1980 via his Flush The Fashion album, from which this was a fair hit. Lots of ‘classic rockers’ were doing similar things at the time, dabbling in new wave sounds, or reggae, or whatever was in then-current fashion.
  2. The Who, 905 . . . Sticking with the clone theme, if you don’t like it, blame my friend . . . Interesting lyrics on this John Entwistle tune, a commentary on cloning but also way beyond that, in my interpretation, at least. The ‘beyond cloning’ thought came to mind just the other day when a friend was opining that nothing, in his view, can ever be truly new anymore given how far humanity has come, which I dispute but in any event prompted an interesting discussion.
  3. Pat Benatar, My Clone Sleeps Alone . . . And so we end the clone segment of songs, from Benatar’s first, and to me still best, album, her debut In The Heat Of The Night, 1979. Not so much on this particular song but on many tunes on the album, there’s that guttural female vocal thing at work that just, well, ‘makes’ the songs. Maybe probably it’s a guy thing to do with possible sexual innuendo, and Linda Ronstadt just a for instance had it, too, especially on a song like You’re No Good.
  1. Ramones, Daytime Dilemma (Dangers Of Love) . . . From 1984’s Too Tough To Die album, a return to the straight ahead punk rock of their early work.
  1. Elvis Costello, Mystery Dance . . . 90 seconds of solid rock from Elvis’s great debut album, My Aim Is True. His aim was indeed bang on.
  1. Joe Jackson, Memphis . . . I turned a female friend on to this tune recently. She wasn’t up on Joe Jackson and had not heard it, arguably few have. Great groove. It’s from 1983’s Mike’s Murder movie soundtrack which followed on the heels and in the same vein as Jackson’s hit 1982 album, Night and Day. I’ve never seen the movie, it’s pretty obscure and I’m not a big movie buff but the soundtrack, all by Jackson, is great and a terrific album on its own.
  1. Flash and The Pan, Atlantis Calling . . .Not sure what more to say that I already over time haven’t about Flash and The Pan, who emerged from the ashes of the Aussie group The Easybeats and were piloted by George Young (older brother to AC/DC’S Young brothers and often producer of their albums) and Harry Vanda in a completely different genre of music.


  2. The Clash, The Right Profile . . . About actor Montgomery Clift. Great lyrics, especially near the end with the “but I prefer alcohol’ and then the “uggooogoobuh” babbling part. It’s Montgomery Clift, honey!! Ah, The Clash. Love ’em.
  1. Talking Heads, The Great Curve . . . I stuck this one in here, good funky/new wave tune, because the show is soon to take a curve in a different direction. You’ll see.
  1. Robert Plant, Too Loud . . . From Plant’s somewhat controversial 1985 album, Shaken ‘n’ Stirred. Apart from the more conventional (for him) hit single, Little By Little, the album was a step outside the box for Plant, more electronic, Talking Heads-ish as Plant remarked. Good album, though, good song, if one keeps an open mind.


  2. Pearl Jam, Glorified G . . Anti-guns song, good tune, from the band’s second album, Vs. Was never released as a single yet made the US top 40.
  1. The Rolling Stones, Long Long While . . . Rare Stones’ track, from the early days, where Mick Jagger is deferential and apologetic to a woman, although he does say he will ‘try’ to apologize. It was the B-side to Paint It Black.
  1. Bob Marley and The Wailers, Baby We’ve Got A Date (Rock It Baby) . . . Friend of mine suggested some reggae a while back so here’s the first of two in the next few songs.
  1. Midnight Oil, Say Your Prayers . . . I like when Midnight Oil does metallic/industrial type songs. Here’s an example.
  1. Steely Dan, Razor Boy . . . Is there a bad Steely Dan song? I usually don’t go for let’s call it slickly produced music, prefer raunch in my roll. But I make an exception for Steely Dan.
  1. Peter Tosh, Stepping Razor . . . Reggae song No. 2 in tonight’s set. See No. 13 for more info.
  1. Elton John, Holiday Inn . . . One of those songs I feel like I played too recently because I’ve dug into the Madman Across The Water album but, investigation suggests, no. In any event, who cares? Great song from a great album.
  1. Led Zeppelin, Down By The Seaside . . . Always loved this one, from Zep’s Physical Graffiti album. Might be my favorite from the record. Today, anyway.
  1. Lee Harvey Osmond, Cuckoo’s Nest . . . From, as anyone who regularly follows the show knows, one of my favorite artists, Tom Wilson of Junkhouse, solo, Blackie and The Rodeo Kings and Lee Harvey Osmond fame. Do you want to, yet again, hear the story of me meeting him in a Kitchener coffee shop after a reunited Junkhouse played our blues festival some years back? Well, for those who haven’t heard, I just happened to run into him as we were both buying coffee, told him how much I admired his work, we chatted a bit, and that was that.
  1. Van Halen, The Seventh Seal . . . From the last full studio album Van Hagar did with Sammy Hagar, the Balance record, 1995. Hagar and the Van Halen brothers were apparently at each other’s throats by this time yet to me, they produced a very good album. This is the opener and my favorite tune on the platter.
  1. Montrose, Bad Motor Scooter . . . Speaking of Hagar, here’s Sammy singing on arguably Montrose’s best-known tune, and a good one.
  1. Fairport Convention, Sloth . . . What a great band. I don’t play them enough. I have, but . . . So much great music, so little time. Epic track from the British folk-rock stalwarts’ 1970 release, Full House.
  1. Jethro Tull, Thick As A Brick (live Bursting Out version) . . . As promised but you’d have to follow me on Facebook to know why. I had Bursting Out on in the car to and from the gym and various errands this past week, Brick came on, and so I decided to play it and announced as much on FB to some nice and welcome feedback. This is a 12:25 minute version, not the studio album-length epic many know and love, but terrific nonetheless.
  1. Neil Young, No More . . . And that’s it, no more tonight as we close on this one from Young’s 1989 Freedom album. Take care, thanks for listening/following.

So Old It’s New set list for Monday, Feb. 28, 2022 – on air 8-10 pm ET

  1. The Electric Flag, Groovin’ Is Easy . . . From the 1968 debut studio album A Long Time Comin’, which came out after the band had already appeared at the 1967 Monterey Pop Festival.  It’s the one and only studio record Electric Flag co-founder Mike Bloomfield appeared on, before the mercurial guitarist of Butterfield Blues Band and Bob Dylan session work fame departed. The band, which also featured co-founding drummer Buddy Miles of solo, Santana and Hendrix’ Band of Gypsys fame, went on for a couple more studio albums before calling it quits.
  1. Eric Burdon & War, Paint It Black Medley (Black on Black in Black/Paint It Black I/Laurel & Hardy/Pintelo Negro II/P.C./Blackbird/Paint It Black III) . . . How I like my covers, a total reinterpretation of the Rolling Stones’ classic into a 13-minute soul funk rock epic.
  1. Keith Richards, Locked Away . . . Soulful ballad from Richards’ great 1988 solo debut album, Talk Is Cheap.
  1. Rush, Hope/The Main Monkey Business/Malignant Narcissism (instrumentals) . . . I strung together the three instrumentals from Rush’s 2007 album Snakes and Arrows. They don’t appear consecutively on the album. A different genre but as with, say, The Allman Brothers, Rush’s instrumentals are great songs all on their own. Hope is a wonderful solo acoustic guitar piece by Alex Lifeson followed by the two full-band instrumentals.
  1. Gillan and Glover, I Can’t Dance To That . . . One of the rockier tunes from the Deep Purple singer and bass player’s 1988 collaboration, Accidentally On Purpose. Dr. John helps out on piano on the album.
  1. David Wilcox, Cactus . . . Will there be cigarettes in heaven? Great opening line to this tune by the Canadian music veteran. And I don’t even smoke.
  1. Screaming Trees, Nearly Lost You . . . Well, alas, we did lose former Screaming Trees lead singer Mark Lanegan last week at just 57. To my knowledge he had been clean for some years but had a history of drug and alcohol abuse. Lanegan also had a solo career and appeared on several Queens of The Stone Age albums. I’ve played it before, relatively recently but to me, it’s Screaming Trees’ best song. So here it is again.
  1. Procol Harum, Long Gone Geek . .. In tribute to another popular music loss, Procol’s lead vocalist and multi-instrumentalist Gary Brooker, who also died this past week, age 76.
  1. Sass Jordan, Leaving Trunk . . . The Sleepy John Estes blues classic, also covered by the likes of Taj Mahal. Jordan did it for her fine 2020 blues covers album, Rebel Moon Blues.
  1. Quicksilver Messenger Service, I Hear You Knockin’ (It’s Too Late) . . . Great bluesy tune that arguably inexplicably didn’t make the cut for the band’s self-titled debut album in 1968.
  2. John Mellencamp, Another Sunny Day 12/25 . . . From 1994’s Dance Naked album, around the time Mellencamp’s sales started to decline as, arguably, his creativity further blossomed.
  1. Duke Robillard, Don’t Bother Trying To Steal Her Love . . . From the Roomful of Blues band founder and former Fabulous Thunderbirds’ guitarist’s 2019 album Ear Worms. I pulled it from a great Stony Plain Records freebie promo compilation I happened upon in my friendly neighborhood record store recently. One of several coming up in the set from that fine collection.
  1. Sue Foley, The Ice Queen . . . From that same Stony Plain compilation, the title cut from the Ottawa blues guitarist/singer’s 2018 album.
  1. Donovan, Season Of The Witch . . . So many people have covered this, including Vanilla Fudge and the Super Session album boys (Al Kooper, Mike Bloomfield, Stephen Stills). This is the original by Donovan, although his sometime collaborator Shawn Phillips has also claimed authorship.
  1. Steve Strongman, Tired Of Talkin’ . . . Title cut from the Canadian guitarist/singer/songwriter’s 2019 album and the last song in tonight’s set pulled from the Stony Plain Records compilation.
  2. The Beatles, Think For Yourself . . . Kick-butt George Harrison-penned tune from what I increasingly as time goes on have come to think of as arguably The Beatles’ finest album, or certainly way up there, Rubber Soul. Of course, there’s so many good ones it’s impossible to choose, but of late it’s the Beatles’ album I have been spinning the most. It’s one of the first non-compilation albums I ever heard, my older sister bringing it home back when it was released. In any event, interesting reading about the track, what with the two bass guitar parts, including one played by Paul McCartney through a fuzz box, which gives the tune its distinct sound.
  1. The Hourglass (precursor to The Allman Brothers Band), B.B. King Medley (Sweet Little Angel/It’s My Own Fault/How Blue Can You Get?) . . . I perhaps cheated a bit for the next few songs. I’ve pulled them all from one of two fine Duane Allman anthologies I have that feature his work with myriad artists including of course the Allmans and their early bands, like The Hourglass, which featured Duane with Gregg on lead vocals.
  1. Wilson Pickett, Hey Jude . . . Duane Allman does the lead guitar honors on Pickett’s Beatles’ cover.
  1. Aretha Franklin, The Weight . . . Duane Allman again, on Aretha’s soulful interpretation of The Band tune.
  1. Duane Allman, Goin’ Down Slow . . . A song that shows that Duane could easily have been a lead singer, too. Allman Brothers late great bassist Berry Oakley also appears on the track.
  1. Wishbone Ash, Time Was . . . Perfect prog track, arguably. Starts slow, then the twin guitar attack of Andy Powell and Ted Turner kicks in as the tempo speeds up. Another one of those long songs, nearly 10 minutes, that doesn’t seem so.
  1. Supertramp, Better Days . . . From the first album, Brother Where You Bound from 1985, that the band did after the departure of Rodger Hodgson, leaving Rick Davies in full command. It’s a good album musically, albeit dated lyrically in many of its 1980s references to people, places and circumstances of the still-ongoing Cold War. To me, the album is harder edged and harkens back to the glory days of Crime of The Century, Crisis What Crisis and Even In The Quietest Moments that preceded the commercial but to me somewhat overly pop-oriented monster that was Breakfast In America which was tailored for the US market. Things got worse with Breakfast’s followup, . . . Famous Last Words, a bland pop album which signified the split between Hodgson, who wanted to maintain that direction and Davies, who wanted a return to the more progressive rock approach of the pre-Breakfast albums.

    I’ll admit that, while I have it, band loyalty I guess, I don’t really know Famous Last Words, the lead single It’s Raining Again (yecch) having turned me off immediately. Maybe I should try again, and I will. In fact I just pulled it up online but it’s a struggle, folks. And I’m not down on Breakfast In America, either. Decent enough album and I saw that tour, amazing but of course it wasn’t just that album’s songs they played. But when people say it’s Supertramp’s best, to each their own but, er, no. Sales don’t necessarily reflect quality or creativity and I suppose a lot of it is how so many of Breakfast’s songs were played to death on radio. I remember at one point with Breakfast thinking, people are crapping all over the Bee Gees for their falsetto vocals on their disco stuff. Yet the yecch “take a look at my girlfriend’ opening salvo of the title cut to Breakfast In America was OK? Honestly, what a candy-ass song and vocal. I mean, this was the same band that did School, Bloody Well Right and so on? I suppose that was my emergence, at age 20, into critical thinking. The three albums that preceded Breakfast easily eclipse it musically. So there. And on that note, see you next week.

So Old It’s New set list for Monday, Feb. 21, 2022 – on air 8-10 pm ET

  1. Fleetwood Mac, Before The Beginning . . . Then Play On, the 1969 album that was Peter Green’s swan song with the band he founded, is likely my favorite by the group. I love blues which were the foundation of Green’s version of the band, but Then Play On had a broader stylistic scope, dabbling in blues rock, folk rock and psychedelia. This Green-penned and sung track is a good example. Not that I ever need reminding of the album but I was prompted to play it by a review list last week on of Mac releases that people who know the band only from the Buckingham-Nicks commercial monster period might not be aware of. And, it’s also worth checking out the band’s middle period, up until 1974 and also mentioned by allmusic, when guitarist-songwriter Bob Welch was a member. It’s a great period I’ve mined before on the show and will again.
  1. Sly and The Family Stone, Family Affair . . . A No. 1 hit single in 1971. I normally don’t play singles on this deep cuts show but figured it fit, in terms of the title at least. The lyrics, not so much.
  1. Family, See Through Windows . . . I just had to get a song in by the band Family. So diverse, Family’s blend of various styles – hard rock, jazz rock, psychedelia – into a stirring stew. Among the members was Ric Grech on bass, violin and cello and he appears at the end of tonight’s set, as a member of Blind Faith. This one’s from Family’s 1968 debut album, Music In A Doll’s House, which prompted a name change for a record The Beatles were working on at the time. The fabs had planned to call their record A Doll’s House but when Family’s album came out in July, The Beatles changed their title to simply The Beatles for the album which has long since become better known as the White Album. It wasn’t released until November of 1968.
  1. Genesis, The Return Of The Giant Hogweed . . . I’ve been trying to get this in for a while but it didn’t fit the tone of the last few shows. Not sure it really does now, but in terms of title it fits a pattern as you’ll see as we move along. Besides, sometimes I’ll play songs that fit a musical theme, other times I like to mix things up, sometimes drastically, like a ballad followed by a metal tune. Not doing that so much tonight though. Deliberately over the top lyrics about the invasive – and dangerous if you’re not careful with its toxic sap – species giant hogweed presented in typical early Genesis progressive style. From Nursery Cryme, 1971. It was the band’s third album and first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett along with lead singer Peter Gabriel, bassist/guitarist Mike Rutherford and keyboard player Tony Banks – the classic lineup of the group’s full-blown progressive rock period.
  1. Bruce Springsteen, Jungleland . . . From hogweed to the jungle, get it? OK, that’s enough of that nonsense with song titles. Maybe. Great tune/lyrics from Born To Run. If a nearly 10-minute song can be too short, this may well be an example.
  1. Jethro Tull, Hunt By Numbers . . . Now, if you listen to the lyrics, a cat is going hunting, maybe in the jungle. Remember, I did say ‘maybe’ with the title stuff. Last one, though. Promise. Good riff-rocker, interesting subject matter, from 1999’s j-tull dot com album, which I’ve been revisiting lately. It received lukewarm to poor reviews from critics but isn’t that generally the case with latter-day albums by veteran bands, with rare exceptions – like the mostly positive reviews Tull’s new album, The Zealot Gene, is deservedly getting. I played a track from the new one a few weeks back and will get back to it at some point as that release grows on me with repeated plays. As for j-tull dot com, it’s typically diverse Tull and I’ve always liked it, but I’m a big fan of all the band’s work – even to an extent their 1984 electronic, synth-laden release Under Wraps. The j-tull dot com (that’s how the title was written) record also stirs fond memories of the tour, my elder son’s first exposure, at age 12, to Tull live in July, 2000 at Hamilton Place. It was a great show, including Hunt By Numbers in the set. We saw the next three tours together, the last in 2007 at Massey Hall in Toronto. Just two years before that, we attended a fantastic 27-song Tull performance at Massey but sadly, Ian Anderson’s voice was pretty much totally shot, at least for live purposes, by 2007 at the same venue. It was still a good show, but my son and I agreed that it was over for us as far as live Tull was concerned.
  1. Gov’t Mule, Helter Skelter (live) . . . Smokin’ live version of the Beatles’ track, from the Mule’s Bald Boy album. Just kidding and more on that in a bit. Actually, it’s from a sprawling 3-CD live album called Mulennium the group recorded as 1999 became 2000, at the Roxy Theatre in Atlanta, Ga. While I like the Mule’s original material, the Allman Brothers offshoot led by guitarist/vocalist Warren Haynes does terrific covers of classic rock tunes so I burned my own CD of them some years ago. Among the tracks, besides this one – King Crimson’s 21st Century Schizoid Man, Humble Pie’s 30 Days In The Hole, Steppenwolf’s Don’t Step On The Grass, Sam, Free’s Mr. Big, Deep Purple’s Maybe I’m A Leo. The list is long, so I’ll have to do my own Vol. II, and beyond, at some point. The band has also done two separate live covers albums dedicated, respectively, to Pink Floyd and The Rolling Stones: Dark Side Of The Mule and Stoned Side Of The Mule. The Stones’ covers album was a limited, vinyl-only release, to my knowledge, for a recent Record Store Day although it’s all available online, at least on YouTube.
  1. David Bowie, All The Madmen . . . If you’re doing a deep cuts show, Bowie’s The Man Who Sold The World album from 1970 (1971 in the UK) is a surefire place to go for material. Brilliant record. No huge commercial hits, not even the title cut which went somewhat unnoticed until Lulu covered it for a No. 3 UK hit in 1974 on a version produced by Bowie and guitarist Mick Ronson. Nirvana covered it and it was released on their acclaimed 1994 MTV Unplugged album.
  1. Robin Trower, A Tale Untold . . . Starts out kinda funky, uptempo, with typically great guitar by Trower and vocals by the late great James Dewar before transitioning into a slow blues for the last minute or so of the five and a half minute song.
  1. Hawkwind, Magnu . . . Epic space rock from 1975’s Warrior On The Edge Of Time album. It was bassist Lemmy’s last album with Hawkwind. He was fired on the eve of the record’s release after an arrest for drug possession. Then came Motorhead.
  1. Glenn Hughes, Into The Void . . . Not the Black Sabbath song, although a then messed-up on drugs and booze Hughes was briefly in Sabbath during a turbulent revolving door lineup period in that band’s history, the mid- to late 1980s after singer Ronnie James Dio departed. This one’s from the former Trapeze and Deep Purple bassist/singer’s 1994 album, From Now On. A touch overproduced for my taste, but a good song, nevertheless.
  1. Blackmore’s Night, Village On The Sand . . . Celtic-type tune from former Deep Purple and (when the band is active) Rainbow guitarist Ritchie Blackmore’s now longtime folk rock/medieval rock project with his lead singer/multi-instrumentalist wife Candice Night.
  1. Carole King, Way Over Yonder . . . This is a deep cuts show but to me there really isn’t a deep cut on Tapestry, one of the greatest albums ever, by anyone. All the songs are well known but we’ll call this a deep cut since it wasn’t one of the singles from the record.
  1. Bobbie Gentry, Okolona River Bottom Band . . . She’s known for the great Ode To Billie Joe. But as I say probably every time I play her, Gentry, who retired at age 40 in 1982 and by choice virtually disappeared from view, is far more than just that one song, a No. 1 hit in 1967. Also a guitarist, she was a trailblazer, among the first female artists, in the United States at least, to write and produce her own material. Like this song, featuring her versatile vocals, in this case taking a sultry, raunchy approach. Gentry, now 79, is living in a gated community in Tennessee. But nobody knows for sure. That makes her forever cool, to me.
  1. The Band, The W.S. Walcott Medicine Show . . . Great shared vocals by Rick Danko and Levon Helm on this jaunty tune from Stage Fright.
  1. Chicken Shack, I’d Rather Go Blind . . . A song co-written and made famous by Etta James and covered by many including Rod Stewart, this version features Christine Perfect (later McVie) of future Fleetwood Mac fame on lead vocals during her brief period, 1968-69, with the British blues band.
  1. The Rolling Stones, Stray Cat Blues (live, from Get Yer Ya Ya’s Out!) . . . A slower, bluesier arrangement than the rocking, raunchy studio version on Beggars Banquet. Equally excellent.
  1. Pat Travers Band, Is This Love . . . A buddy of mine suggested I think Jamaica for this week, implying reggae. I said if you want reggae, get your own show and stop trying to influence mine. Then mentioned I had played Peter Tosh recently so, so there. Kidding around, bud! About the ‘get your own show’ part. I love reggae. Actually I do appreciate suggestions, at least of genres, because they trigger the thought process and I did tell him it was a worthy one. Maybe a reggae show soon, or a segment of one. The risk with a full themed show – although my recent blues show went over big – is that you might lose listeners who might not be into a full genre-based show. And the station does have reggae shows. All of which is a roundabout way of saying I did think Jamaica – Canadian rocker Travers covered this Bob Marley tune on his 1980 Crash and Burn album. A nice version, too.
  1. Steve Miller Band, Jackson-Kent Blues . . . Amazing song in my opinion, both musically and lyrically, about the Kent State and Jackson State shootings of students by the National Guard (Kent) and state police in 1970. Great wah wah guitar, for one thing. It was released on Miller’s 1970 album, Number 5, still a few years before the band transitioned from their early (and terrific) more psychedelic sound to the more melodic rock and pop that brought big commercial success with songs like The Joker and the Fly Like An Eagle and Book of Dreams albums. For those not up on early Miller, it’s worth checking out.
  1. The J. Geils Band, Night Time . . . Cover of a tune by 1960s New York City band The Strangeloves. It appeared on Geils’ 1980 album, Love Stinks. Interesting creation, The Strangeloves, well worth reading about. They were a three-man songwriting and production team comprised of Bob Feldman, Jerry Goldstein and Richard Gottehrer who wrote such hits as My Boyfriend’s Back by American girl group The Angels. They then decided to form a foreign beat group, pretending to be a band of Australian brothers raised on a sheep farm, complete with fictional backstory. Trouble arose when they got successful enough to tour, which they did but were much more comfortable being in the background, writing and doing studio work. So they hired a group of musicians to play on the road while they continued writing. Somewhat the reverse of The Monkees who, at least at first, wrote very little of their own material. Highly recommended reading, about The Strangeloves. All three members are still around, having made a major mark on the music industry including co-founding Sire Records and working with such artists as Blondie, Eric Burdon & War and Marshall Crenshaw.
  1. Blind Faith, Do What You Like . . . I love the one and only Blind Faith album, introduced to me by my older, late brother so many years ago. But I hadn’t played this near-16 minute album-closing epic in ages. Silly me. The reason was, while I always liked the groove for the majority of the tune, I recalled a long drum solo by Ginger Baker. And you know how it can be, say, in a concert, with drum solos. Or any solos, the self-indulgent ones where everything comes to a stop as an artist the audience knows can play has to show us that he or she can, indeed, play. I rarely, for instance, listen to the 16-minute live version of Cream’s Toad on the Wheels of Fire album, with of course Baker drumming. Lots of people love it, Baker was a great drummer, but I much prefer the five-minute version on Cream’s debut album, Fresh Cream where it’s more of an actual song.That’s why I like The Allman Brothers; they’re a so-called jam band but their solos are always incorporated nicely into the song, so they don’t come across as interminable and a good excuse for a bathroom or beer break. I like Santana a lot but I remember seeing the band ages ago in Toronto and sheesh, first Santana himself takes a solo, or maybe it was the drummer but then the bass player got into it, too. Three extended odes to excess, back to back to back. I was there with my then-wife but a friend of mine, also a big Santana fan, and I the next day at work compared notes on the show, which was otherwise great. I asked him what he thought of the solos, knowing he’s a guitarist fanatic. “Oh, I went to the bathroom during that,” he said. But maybe he was referring to the bass or drum solos.

    Anyway, off on another tangent I just went. All,in a ridiculously roundabout way, to stress that my memory of this great Blind Faith tune was faulty. Baker’s drum solo is only about four minutes long, from the nine-minute mark to 12:51 and, Allmans-like, it fits perfectly as part of the hypnotic, extended piece. The rest of the band – guitarist Eric Clapton, bassist Ric Grech of Family fame and singer Steve Winwood – rejoin the parade at 12:51, making this the epitome of an extended supergroup track. I’ll never stop after track five of the six-song album again.

So Old It’s New set list for Monday, Feb. 14, 2022 – on air 8-10 pm ET

I wasn’t going to do a Valentine’s Day-themed show – because I abhor cliches/never like doing what anyone might be expecting. But I was going to dip into it a bit, as maybe an admittedly juvenile joke, and start the show with Zappa’s Dinah Moe Humm followed by The Who’s Trick of the Light, about an encounter with a hooker. Then, lo and behold as I was into show prep on Saturday evening, a friend and show supporter texted me and asked what I might be playing specific to Valentine’s Day. He knows my nature but I did mention to him my Zappa and Who plans, after which he requested The Beatles’ Run For Your Life. That set us off on a  tangent after his Beatles’ suggestion prompted me to think of The Rolling Stones’ Stupid Girl. He then mentioned that a work colleague of his has a playlist he calls Psycho Love Songs. Just having fun. In any event, I wound up going on a quite different path for tonight’s show than my original plans. The result is not so much a Valentine’s Day show but a show whose song titles and lyrics reflect the human condition in the ongoing ups and downs of relationships.

1. Goddo, Cock On . . . The title of this tune, featuring great guitar work from Gino Scarpelli, dates to Greg Godovitz’s days in Fludd. That band wanted to title its second album Cock On, with the group dressed as flashers in trenchcoats on the cover, but it didn’t, er, fly with their record company. Subsequent companies that distributed Goddo’s work weren’t as skittish. I would never have seen Goddo live if it weren’t for a wonderful reunion I had about seven years ago with two brothers with whom I grew up as we spent some of our childhood years together in Peru, where our parents were working from the late 1960s to early 1970s. Hadn’t seen the boys in, by that time, nearly 50 years but we had earlier reconnected via social media, discovered a shared love for music, settled on our reunion get-together being a rock show, and Goddo came through for us at a great show in Cambridge, Ontario.

    1. Frank Zappa, Dinah Moe Humm . . . Yeah, well. The lyrics tell the tale.
    1. The Firm, Satisfaction Guaranteed . . . Nice tune, was a single, from the short-lived Firm featuring Zep’s Jimmy Page and Free/Bad Company’s voice of all rock voices, Paul Rodgers. Chris Slade, best known for drumming on several AC/DC albums including the big seller The Razors Edge (yes, Razors, AC/DC doesn’t believe in much punctuation) that brought us Thunderstruck, was behind the kit for The Firm. Bassist to the stars Tony Franklin held down the bottom end.
    1. Electric Light Orchestra, Little Town Flirt . . . ELO leader Jeff Lynne’s tribute to Del Shannon’s hit. It was played around with on the sessions for ELO’s 1979 Discovery album but never finished and released until the 2001 CD re-issue of the album, which featured the hits Don’t Bring Me Down, Shine A Little Love and Confusion.
    1. The Who, Trick Of The Light . . . John Entwistle’s adventure with a prostitute or, at least, his thoughts on what that might be like. Killer track, loud, aggressive, one of my favorite Who songs from one of my favorite Who albums, Who Are You, the final one with Keith Moon on drums.
    1. The Rolling Stones, Stupid Girl . . . Typical early Stones put down of women. From Aftermath, 1966. Mick Jagger must have just been in an argument with his girl at the time, Chrissie Shrimpton. Shrimpton, a model and actrress, was apparently embarrassed by this song and the similar tone of several tracks on the album, which she figured, with reason, many people associated with her relationship with Jagger. The couple broke up the same year.
    1. Bob Dylan, Idiot Wind (The Bootleg Series Vol. 14 version) . . . Spare, acoustic treatment of what, as the song progresses, goes from a diatribe to shared guilt at the breaking up of a relationship. From ‘you’re an idiot, babe’ to ‘we’re idiots, babe”. Originally released on the Blood On The Tracks album with more instrumentation, there are many versions of this on the various Dylan bootleg series albums. This one’s from More Blood, More Tracks, No. 14. Blood On The Tracks is often considered and reviewed as autobiographical in terms of Dylan’s relationship with his then-wife Sara. Yet he has said his life is not the source material. It makes for interesting reading and analysis of the album. In any event, Blood On The Tracks, and to a slightly lesser extent the follow-up, Desire, particularly in the song Sara, are raw treatments of the emotions of relationships that would resonate with anyone, just brilliant stuff. Pain is, maybe sadly, good for art.
    1. The Beatles, Run For Your Life . . . John Lennon apparently regretted this song, it might be autobiographical, he wasn’t always the nicest individual. Yet musically, I’ve always liked it, despite many critics dismissing it. It was one of the songs that always stood out to me when my older sister brought Rubber Soul home, and played it to death.
    1. Robert Palmer, In Walks Love Again . . . From Secrets, the album that got me into Palmer via the hits Bad Case Of Loving You (Doctor Doctor) and, especially for me, Jealous, great riff tune from a great album, top to bottom.
    1. Robert Plant, Dance With You Tonight . . . Lovely ballad of love and loss from his most recent studio album, Carry Fire, 2017.
    1. King Crimson, Three Of A Perfect Pair . . . Not necessarily about a threesome, I don’t think. Telling lyrics, though, from the third in the set of albums Crimson did upon their return to recording after seven years away, with a new lineup, starting with 1981’s Discipline. Other albums in the threesome are Beat, 1982, and this one, 1984. I’m not alone in calling it the Talking Heads-sound alike version of Crimson although who influenced who, given Crimson’s pedigree, who can say?
    1. The Guess Who, Silver Bird . . . Outtake, with typically beautiful vocals by Burton Cummings, from the Canned Wheat sessions but not released, or at least added, to the album until an expanded re-release in 2000. The track also appeared on a bonus disc on an expanded re-release of the American Woman album.
    1. The Animals, A Girl Named Sandoz . . . This was going to be in my set tonight regardless of Valentine’s Day or a ‘relationship’ set so, while it fits the theme, it’s a ‘survivor’ of my original plan, which also included some prog like early Genesis. But as I went along with the theme, that stuff (Genesis, etc.) just didn’t fit. Next week, perhaps. In any event, what a brilliant, heavy, psychedelic, whatever you want to call it, track by The Animals.
    1. Iron Butterfly, Possession . . . Same with this one, like the Animals track preceding it, was in my original set before ‘the text’ from my buddy set the show off in another direction. Said it before but these guys were so much more than In-A-Gadda-Da-Vida. It’s almost menacing stuff, the sound, to me, including Doug Ingle’s vocals. Deep and dark. Short, sweet or not so sweet, and to the point lyrics. One verse, that’s it. “When a man has a woman and he doesn’t really love her, why does he turn inside, when she starts to love another . . . it’s possession (repeated).”
    1. Stevie Ray Vaughan, Dirty Pool . . . Typical ‘I been done wrong’ lyrics to this great slow blues original from SRV’s debut album, Texas Flood.
    1. Parliament, All Your Goodies Are Gone . . . I love Parliament, and Funkadelic, too. George Clinton is a genius. Haven’t played anything from his collective in a while. Here we are.
    1. Joe Jackson, We Can’t Live Together . . . JJ”s lyrics, on this cut from his 1986 Big World album arguably accurately sum up lots of relationships.
    1. Bobby “Blue” Bland, Ain’t No Love In The Heart Of The City . . . I feel as if I’ve played this beauty fairly recently, too recently, but it fit the show. Whitesnake did a cover I really like, during their early, bluesier period shortly after Deep Purple broke up in 1976 and final (at the time) leader singer David Coverdale formed Whitesnake, eventually incorporating former Purple mates Ian Paice (drums) and Jon Lord (keyboards) into his new band.
    1. Stevie Wonder, Blame It On The Sun . . . Beautiful ballad, touching lyrics of love lost, from Talking Book, which gave us the hit Superstition.
    1. Leonard Cohen, The Guests . . . Genius, really, from this late Canadian icon. Great song, great lyrics, great delivery.
    1. Paul Butterfield’s Better Days, Take Your Pleasure Where You Find It . . . I realized, after I did my blues show last week, that I had not played any Paul Butterfield, a blues icon I admire. I have before of course and in any event, I played 29 songs which of course left out countless others which is why I intend to revisit the blues show soon. And I do include blues throughout my sets, because that’s of course the roots of the classic rock I play. This one, from Butterfield’s later band, Better Days, isn’t necessarily blues, though. It’s a funky cool workout from the second Better Days album, It All Comes Back.
    1. Love, Always See Your Face . . . Despite my natural misgivings about cliches, I could not do a show, on Valentine’s Day, without playing a song by a band named Love, which I planned to do regardless. I love Love, terrific band led by the immortal Arthur Lee. Love never sold a lot but so influential and beyond that, just great to listen to. They, to me, are one of those bands that, when one gets deeper into music, sees an album like Forever Changes which to that point one has not heard, acclaimed as one of the greatest albums in history to which the initial response might be, then why have I not heard it? Well, because it didn’t get played much, for whatever reason. But then you listen to it, and all of the band’s stuff, and you are blown away in fact my favorite Love song if I had to pick one from so many, and which I’ve played on the show before, Signed D.C. , about drug addiction, isn’t even on Forever Changes. It’s on the self-titled debut album. Always See Your Face is from the band’s fourth album, Four Sail, by which time the group was already splintering in terms of membership from the core original band led by Lee that had produced the first three albums.
    1. Van Morrison, Warm Love (live, from It’s Too Late To Stop Now) . . . A hit single of some note originally on the Hard Nose The Highway studio album, this is the live version from Van The Man’s terrific 1974 live album It’s Too Late To Stop Now. Either version is terrific, the live one might be, as live versions can be, slightly more up-tempo; I just happened to pick the concert version.
    1. Mountain, Back Where I Belong . . . Hard rocker from Mountain’s Avalanche album.
    1. The Doors, You Make Me Real . . . Smokin’ track from Morrison Hotel. This one goes out to my old, and renewed acquaintance, high school and college friend 4C (names changed to protect the innocent but it’s his cool nomenclature). A cool guy I’ve known since 1972 (!!) with whom I’ve reconnected via a shared deep love of music. 4C discovered my show at some point and the rest is now not so much history but happening. And through it all I’ve discovered he loves the Doors, likely more than me although I love ’em, and particularly it seems the Morrison Hotel album from which I drew this wonderful track. Only problem with it is it’s too short!
    1. Elton John, It Ain’t Gonna Be Easy . . . Long, slow blues, always been my favorite song from 1978’s A Single Man album and another one I feel as if I’ve played too recently but it fits the show theme so . . . A Single Man album was interesting in that EJ had parted ways with lyricist/collaborator Bernie Taupin, entering into a working relationship with lyricist Gary Osborne for several albums, as EJ’s commercial fortunes faded. To my ears, EJ still had this one good album left in him, particularly this track and others like Part Time Love, the single, and Big Dipper. Then, arguably, he went off the rails, at least to my taste.
    1. John Mayall (featuring Buddy Guy), I Could Cry . . . Guy shares vocals with Mayall – and is directly referenced in the somewhat adjusted lyrics – on this tune from Mayall’s 1993 album Wake Up Call. The original song was written by longtime Guy collaborator and blues legend Junior Wells. Amazing guitar solo but what else would one expect from Buddy Guy. That said, there’s a terrific live version of this song available on YouTube, with Mayall, featuring Coco Montoya, then in the Bluesbreakers and who later went solo, matching Guy’s brilliance.
    1. Ian Hunter, We Gotta Get Out Of Here . . . From Ian Hunter’s 1980 live album, Welcome To The Club. Always credited as a live version, sure sounds like a studio add-on to me and always has. In any case, backup singer/foil Ellen Foley, who was Meat Loaf’s foil on Paradise By The Dashboard Light, just makes the track with her rant near the end.“Oh please I don’t want to go home yet. Come on, can’t you do anything I want to do? . . . What are we gonna do? Go home and watch the (pregnant pause) Super Bowl? (well, yes, actually). Re-runs of the Muhammad Ali, uh, Marlene Dietrich fight?” The uh, plus the pairing of Ali and actress Dietrich, just makes the line. Too funny, worth checking out the whole verse, and the song. And now I’m outta here because as I write this Sunday evening, I actually am going to go watch the Super Bowl.

So Old It’s New all-blues show set list for Monday, Feb. 7/22 – on air 8-10 pm ET

  1. Buddy Guy, Damn Right, I’ve Got The Blues . . . Title cut from the 1991 album that brought Buddy Guy back to mainstream prominence. He had not released a studio album for nine years to that point. Little Feat drummer Richie Hayward was in the core band on the record, which also featured guest spots on assorted tracks by guitarists Jeff Beck, Eric Clapton and Mark Knopfler. The album was the start of a three-album best contemporary blues album Grammy Award streak for Guy, with his next two albums, Feels Like Rain (title cut written by John Hiatt) and Slippin’ In earning Grammy laurels.
  1. Albert King, I’ll Play The Blues For You, Parts 1 & 2 . . . Soulful blues brilliance by one of the three Kings of the blues, the others of course B.B. and Freddie. They weren’t related, in fact Albert’s birth surname was Nelson and Freddie’s was Christian, though he later took the King surname of his mother. But, as B.B. was quoted as saying, about Albert and could be applied to Freddie, “he’s not my brother by blood, but he is my brother in blues.” But Albert is the only King I’m playing tonight. Just didn’t fit the others in and besides, I’ve enjoyed putting this blues show together so much there will be more, perhaps as soon as next week.
  1. Alvin Lee, The Bluest Blues . . . Most of tonight’s show is comprised of cuts from many of the fathers and mothers of the blues from which the inspiration of so many classic rockers came. But I’ve thrown a few from those classic rockers into the set, including this beautiful slow blues from Lee, the late leader of Ten Years After who by 1994 had – aside from a 1989 reunion album of the original band – long since gone solo. This one features Lee’s good friend George Harrison, from some band you may have heard of, on slide guitar. The two met in a pub in the early 1970s, Harrison offered Lee the song So Sad, which appeared on Harrison’s Dark Horse album, Lee used it on one of his records and so began several collaborations between the two artists.
  1. Blind Willie Johnson, Dark Was The Night Cold Was The Ground . . . Speaking of the bluest blues, this is truly deep blues stuff. Spooky gospel blues, written and recorded by Johnson in 1927. I’ve always loved this tune, just the title alone is cool, and somewhat menacing, to me. Throw in vocals that are essentially just humming and moaning, more vocalizations than articulated words, and, well, it’s great. So good that it’s one of 27 samples of music on the Voyager Golden Record, sent into space, as a sort of time capsule, in 1977 on Voyager space probes. The music, sounds and images were selected to portray the diversity of life and culture on Earth to any intelligent extraterrestrial life that might encounter them. Chuck Berry’s Johnny B. Goode represents rock and roll among the classical works by the likes of Bach and Mozart featured on the sounds sent to space.
  1. Muddy Waters, Rollin’ Stone . . . The song that gave my favorite band their name, which leads into an original, and recent, blues tune of The Rolling Stones’ own plus a run of originals of blues songs the Stones, among others, covered. And that’s the beauty of music, isn’t it? It’s arguably the greatest gift humanity has given itself, and it keeps on giving. I can say without reservation that my calmest, most carefree moments come while listening to music I love including putting this show together every week. It speaks to a point made by Keith Richards of the Stones; that being that the greatest legacy a musician – and I would add music aficionados – can have is that they ‘passed it on.” Muddy took from his roots, passed it on to the Stones and so many others, and here we are, enriched forever by it.
  1. The Rolling Stones, Back Of My Hand . . . Mick Jagger is thought of, generally and obviously, as a singer, but as Keith Richards has said, the pure Mick Jagger comes out when he plays harmonica. And he’s become a decent guitarist, too, including his nice slide work on top of his harp playing on this original blues track from 2005’s A Bigger Bang album. It’s the most recent album of original material by the boys, who did release the excellent blues covers album Blue and Lonesome in 2016. Who knows what will happen in the wake of Charlie Watts’ death; the band has always spoken since A Bigger Bang of having lots of material in the can, being worked on, etc. which was actually the genesis for Blue and Lonesome, where they as usual warmed up for a new release by playing old blues tracks until they realized, heck, this is great, let’s release this. As a big fan, I’d love to see them polish up the various tracks they’ve apparently been working on over the years, with Watts drumming, and finally release the long-promised new studio album of originals. I’d also be up for them continuing with studio work with Steve Jordan on the drum kit. Jordan, of course, is an accomplished musician and songwriter who came to widespread prominence playing in Richards’ X-Pensive Winos solo band both live and on studio record, and filled in admirably for Watts, to great reviews, on the most recent Stones’ tour. So, we’ll see, obviously.


  2. Rev. Robert Wilkins, Prodigal Son . . . Ten minutes of hypnotic brilliance. The Stones covered it, in truncated form on the Beggars Banquet album. The Stones also played it on their 1969 American tour, just Keith Richards and Mick Jagger would come out, Richards strumming on a stool and Jagger singing, as an acoustic blues interlude. My own great memory of the Stones playing Prodigal Son live was the 1979 Keith Richards benefit for the blind concert in Oshawa, Ontario, his sentence/penance for the 1977 heroin drug bust in Toronto during the time the Stones appeared at the El Mocambo and were recording tracks that eventually appeared on Love You Live. Anyway, Keith and Ron Wood’s New Barbarians band had completed their opening set, the lights went down, except for a spotlight, back out came Richards on an acoustic and then out of the dark came Jagger, all dressed in white, and the dynamic duo broke into Prodigal Son. Great entrance, and then all hell broke loose, on came the rest of the Stones with Chuck Berry’s Let It Rock and on we rocked in the afternoon show. My buddy and I tried to stay for the evening reprise, hid in an arena bathroom, but security found and tossed us.
  1. Robert Johnson, Stop Breaking Down Blues . . . Covered by many, Stones rocked it up on Exile On Main St. Back in ’72, just 13, it drew me to Robert Johnson.
  1. Mississippi Fred McDowell, You Gotta Move . . . The great thing about bands you like, to me, is digging back into their influences – again, the ‘passed it on’ thing to which Keith Richards refers. It’s how I got into blues, and tracks like this, first heard by me on the Stones’ Sticky Fingers. But as much as I love the Stones, when I listen to the originals, Mick Jagger’s thoughts on Slim Harpo’s I’m A King Bee come to mind, although I have a tough time picking versions, if pressed. “What’s the point of listening to us doing “I’m A King Bee’ when you can hear Slim Harpo do it?” Agreed, Mick. BUT, you guys did it, and tunes like You Gotta Move, and it took many of us back to the originals and hence deeper into the blues greats’ catalogs, to endless reward. It’s actually what often perplexed the Stones and other British Invasion bands like The Beatles, Who and Kinks; that in many respects all they were doing was bringing American music to Americans who already had it, but didn’t apparently appreciate it.
  1. Slim Harpo, Shake Your Hips . . . Speaking of Slim Harpo, not I’m A King Bee but another one the Stones covered for Exile On Main Street. Charlie Watts’s drumming is ridiculous. It’s not just the backbeat; to me it’s the little touches now and then that sound like someone hitting an empty pop can, plastic pail or garbage can or whatever, just the occasional single stroke. Pop! Brilliant. Yeah, sorry; I’m talking more about the Stones than Slim Harpo. Well, my excuse is that among my sources for tonight’s show is an excellent double CD compilation, curated by the Stones, from 2018. It’s called Confessin’ The Blues, features artwork by Ron Wood, and is excellent as an overall blues collection.
  1. Howlin’ Wolf, Little Baby . . . The Stones covered this one on 1995’s Stripped, their excellent semi-acoustic let’s sort of do an unplugged album which was all the rage in the early to mid-1990s. But, we’re the Stones so we’ll do it our way with studio and live cuts including some plugged-in material.
  1. Jimmy Reed, Little Rain . . . Great slow blues from Reed, somewhat uncharacteristic to me from other material I know from him. It’s another I plucked from the CD curated by the Stones and one they covered for the Blue and Lonesome album.
  1. Son Seals, Telephone Angel . . . A modern electric blues guitarist/singer, he definitely led the stereotypical life of the blues. Shot in the jaw by his wife, requiring reconstructive surgery, lost part of his left leg due to diabetes complications, lost his belongings in a house fire while away on tour . . . He died in 2004 at age 62 of complications from diabetes. But he left us much enduring work, like this tune from his 1976 release, Midnight Son, acknowledged by many as his best album.
  1. Bob Dylan, Blind Willie McTell . . . When this Infidels album outtake from 1983 came out on Dylan’s Bootleg Series Vol. 1-3 in 1991, fans and critics alike were amazed and perplexed all at once. How could he have held this back from release at the time? Well, that’s Dylan. Just a brilliant song, with spiritual overtones, like much of Dylan’s work, both musically and lyrically.
  1. Blind Willie McTell, Statesboro Blues . . . And here’s Blind Willie himself, singing those blues as nobody else could or can, on a song The Allman Brothers later took to the masses via their live version on At Fillmore East.
  1. Hound Dog Taylor & The Houserockers, Taylor’s Rock . . . Blistering instrumental featuring Taylor’s great guitar playing, from the longtime bluesman’s first studio album, Hound Dog Taylor and The Houserockers, which came out in 1971 after many unrecorded years on the road.
  1. John Lee Hooker, It Serves You Right To Suffer . . . Spooky Hooker tune, the title cut from his 1966 album. The J. Geils Band later recorded an extended near-10 minute version on their great Live Full House album.
  1. Bo Diddley, Crawdad . . . B-side to Diddley’s Walkin’ and Talkin’ single in 1960; typical of the propulsive Diddley sound. I like it better than the A-side.
  1. Robert Nighthawk & His Flames Of Rhythm, Maxwell Street Medley . . . Nighthawk taught Muddy Waters and our next player, Earl Hooker, slide guitar but never achieved the commercial success of, particularly, Waters. And Nighthawk was influential beyond those two greats; B.B. King adapted parts of this tune for his own Sweet Little Angel.
  1. Earl Hooker, Wah Wah Blues . . . Speaking of Earl Hooker . . . A great wah wah guitar instrumental from 1968.
  1. Koko Taylor, I’m A Woman . . . Taylor’s adapted lyrics answer, from a female perspective, to Bo Diddley’s I’m A Man and Muddy Waters’ Mannish Boy. Terrific stuff, from her appropriately titled 1978 release, The Earthshaker.
  1. Willie Mae “Big Mama’ Thornton, Hound Dog . . . Yes, the Jerry Leiber and Mike Stoller-penned tune that Elvis Presley made famous. But it was a No. 1 hit for Thornton on the R & B charts for seven of the 14 weeks it spent on that list in 1953. Elvis did his more rocked-up version in 1956. Great versions, both.
  1. Zu Zu Bollin, Why Don’t You Eat Where You Slept Last Night . . . Up tempo jazzy blues recorded in 1952 by the somewhat obscure Bollin that I dug up from a great series of blues compilations I own, a multi-volume set called Blues Masters: The Essential Blues Collection. Bollin, a Texas bluesman, worked with such arguably better-known talents as Duke Robillard and Percy Mayfield.
  1. Johnny Copeland, Down On Bending Knees . . . Fun relationship-oriented stuff from Copeland, a T-Bone Walker disciple.
  1. Dinah Washington, Baby, Get Lost . . . Speaking of relationships, Dinah ain’t taking no shit, here. “I got so many men they’re standing in line’ she sings. No kidding. She was married seven (!) times. Or six, depending on your source. All in 39 years on the planet, a life cut short due to hard living, booze and pills she took to battle insomnia, apparently. Her last husband was 1950s and 60s football great Dick (Night Train) Lane. A sad loss of a wonderful, expressive voice.
  1. Lightnin’ Hopkins, Mojo Hand . . . Great up-tempo title cut from the Texas guitarist-songwriter’s 1962 album.
  1. Bessie Smith, Me & My Gin . . . You listen to these old blues tracks and so much of it is so mind-blowing; one can hear the obvious influences on the artists, especially the white blues rock/rock and rollers, that followed. Sight unseen, I hear Janis Joplin in Smith’s terrific raw vocals, and Joplin indeed credited Smith as an influence.
  1. Little Walter, I Got To Go . . . A giant of blues harmonica, a major influence on so many, including Mick Jagger. The Rolling Stones covered it, one of four Little Walter (born Marion Walter Jacobs)-penned tunes, on their 2016 album Blue and Lonesome.
  1. Lead Belly, Good Night, Irene . . . So many versions of this standard, including several by Lead Belly (Huddie William Ledbetter) himself. This is the 2:38-length version I pulled from The Essential Recordings. And on that note, good night until next week.

So Old It’s New set list for Monday, Jan. 31, 2022 – on air 8-10 pm ET

  1. Creedence Clearwater Revival, It Came Out Of The Sky . . . Satirical Chuck Berry-type rock and roller about what happens when a UFO falls on an Illinois farmer’s land. It was a single in some countries but is largely considered a CCR deep cut. It appeared on the band’s third album release – Willy and The Poor Boys – in one year (!!), 1969, just three months after their previous album, Green River, which came out eight months after Bayou Country. CCR lore has it that bandleader John Fogerty pushed the group to continue releasing albums as quickly as possible as he feared the band would be forgotten if they didn’t appear in the charts. This caused friction with the other band members, who chafed at the workload and figured it wiser to spread things out.
  1. Gov’t Mule, Revolution Come, Revolution Go . . . Eight-minute title cut, with a nice groove, from the Mule’s most recent studio album, released in 2017. Gov’t Mule is an Allman Brothers Band offshoot that started in 1994, which sounds funny now since the Warren Haynes-led band has become a much-lauded entity in itself, having released 10 studio albums and a long list of live albums.
  1. Warren Zevon, Hit Somebody (The Hockey Song) . . . A tune that I’d say accurately sums up the role and perhaps plight of enforcers in hockey, particularly up to the time of the song’s release on Zevon’s 2002 album My Ride’s Here. The lyrics were co-written with former sports journalist turned acclaimed author (Tuesdays With Morrie, etc.) and multi-media talent Mitch Albom. David Letterman, a big Zevon fan who had the late great on his show many times, does the ‘hit somebody!’ backing vocals on the track.
  1. Ian Thomas, Painted Ladies . . . Mine is a deep cuts show but I’m not so rigid as to ignore an occasional single, especially one that is now nearly 50 years old! This one came up in the station computer system while, as often happens, I was looking for something else – which often leads to welcome finds. Great song, most of us of a certain vintage know and remember it well. It was a No. 4 Canadian hit for Thomas in 1973. It made No. 34 on the US charts.
  1. Bruce Springsteen, Johnny 99 . . . I was discussing Springsteen’s sometimes harrowing Nebraska album with a friend some time back. I thought I had played this. But I think I just thought about playing it, because I didn’t, my searches show. Now I am. Good tune, lyrics, album – an essential Springsteen release.
  1. The Guess Who, Of A Dropping Pin . . . Jaunty track was the first single from 1969’s Canned Wheat album but barely scraped into the top 100 (No. 98) in Canada. Laughing/Undun, a two-sided single, the big hits off the album although they preceded the full record. Space does not permit but it makes interesting reading: suffice it to say Canned Wheat has an interesting history. The band and the record company haggled over which studio best served the band’s sound, the result being that the Laughing/Undun release was surreptitiously recorded in The Guess Who’s preferred studio while the rest of the record was done elsewhere. No Time, which appears on Canned Wheat, was later re-recorded for the American Woman album and that version became a hit single.
  1. Drive-By Truckers, Zip City . . . I don’t know a lot by the Drive-By Truckers but what I do, I like, like this mid-tempo tune. The band has cool album covers, too.
  1. Ronnie Wood & Bo Diddley, Who Do You Love (from Live at The Ritz) . . . Extended blitz through the Diddley classic, from the live album Rolling Stone Wood did with Mr. Elias McDaniel, aka Bo, or maybe it’s Bo aka Elias, in 1987 in New York. The album was released in 1988.
  1. The Who, How Can You Do It Alone . . . A song about masturbation. A good one, too, the song I mean. It’s from the first post-Keith Moon Who album, Face Dances, with Kenney Jones on drums, from 1981. Despite what some critics say about the post-Moon work, it’s a good album, perhaps leaning towards being a Pete Townshend solo record, but I’ve always liked it.
  1. Metallica, Low Man’s Lyric . . . Bluesy tune from 1997’s Reload album. Metallica took heat from some of their fan base for ‘selling out’ starting arguably with 1991’s Black Album and those criticisms got stronger with the Load (1996) and Reload albums which had a more mainstream sound, certainly for the most part different from the band’s previous thrash leanings. But I agree with a fan’s thoughts on it, via a YouTube comments field. “Metallica took a big chance that would see them look and sound different. Songs such as this were risky but the lyrics to their more accessible songs still had a sharp edge to them and were meaningful. This song is an example.”
  1. Rush, The Way The Wind Blows . . . Beautiful latter-day tune featuring Alex Lifeson’s hypnotic guitar riff, and the late great Neil Peart’s typically fine drumming, from 2007’s Snakes & Arrows album. Peart named it as his favorite track on the record, from a drumming, and listening, perspective.
  1. Spooky Tooth, The Mirror . . . Gary Wright of Dream Weaver and Love Is Alive fame was in Spooky Tooth. So, later and on this tune, was Mick Jones, of Foreigner fame. Great band, could rock, often with a pinch of blues, go psychedelic and prog-ish, just one of those perhaps somewhat under the radar British bands that, to use a British expression, I’ve always fancied.
  1. U2, Silver and Gold . . . Perhaps the best-known version of this pulsating track is the live version from Rattle and Hum. This is the studio version, about a minute shorter and equally good. It was the B-side to the Joshua Tree’s Where The Streets Have No Name single.
  1. John Mayall, Got To Find A Better Way . . . The mantra for my show, one of my catch phrases, has long been: So old it’s new – old bands, old tracks, old bands, their new stuff if they’re still around, alive and kicking. As Mayall is, at age 88 currently on what he’s announced will finally be his last tour. In any event, this is a typically fine, self-penned cut from Mayall’s freshly-released new album, The Sun Is Shining Down, which came out this past Friday, Jan. 28.
  1. Jethro Tull, Where Did Saturday Go? . . . Another new one, from old friends. Ian Anderson has been releasing albums under his own name for about 20 years now but has revived the Tull moniker for a new album, The Zealot Game, which also came out this past Friday. “At last, the new collection of songs you have not really been waiting for,” Anderson quips in his typically witty album liner notes. In many ways, Anderson’s recent work is interchangeable as Tull because in so many respects he has long BEEN Tull, and his solo work has featured current Tull band members. So, one wonders what the difference is, really. Maybe it’s all done for tax reasons for Anderson’s myriad companies, always listed on his work as The Ian Anderson Group of Companies Ltd. But what do I know? I’m just a huge Tull/Anderson fan, musically, even though his sometimes snotty supercilious arrogance in interviews can rub me the wrong way. But hey, leader types can tend to be that way; they have a vision and they’re going to pursue it how they so choose. Anyway, a typical acoustic-type Tull track, this one, and one listen in, a fine addition to the extensive Tull/Anderson album catalog.
  1. The Jimi Hendrix Experience, Gypsy Eyes . . . From Electric Ladyland, an album featuring well-known Hendrix tracks like Crosstown Traffic, Voodoo Child (Slight Return) and of course his immortal reinvention of Bob Dylan’s All Along The Watchtower. Gypsy Eyes is another of the more conventional songs on the album amid some of the interesting experimentation or simple jamming exhibited elsewhere in extended workouts like Voodoo Chile and 1983 . . . (A Merman I Should Turn To Be).
  1. Bob Dylan, I and I . . . “Been so long since a strange woman has slept in my bed . . . Look how sweet she sleeps . . . Think I’ll go out and go for a walk. Not much happenin’ here, nothin’ ever does. Besides, if she wakes up now, she’ll just want me to talk; I got nothing to say, especially about whatever was.” Dylan, arguably nailing relationships, or potential ones.
  1. Santana, Taboo . . . Said it many times, while I like most Santana, the first three albums remain for me the zenith of the band’s work. As evidence, I offer this intoxicating piece from the third album.
  1. Roxy Music, Both Ends Burning . . . A song in the vein of Roxy’s edgier, early work, although the same 1975 Siren album featured their breakthrough, more conventional hit, Love Is The Drug. Oh, and that’s Roxy singer/songwriter Bryan Ferry’s then-girlfriend Jerry Hall, soon to be stolen by Mick Jagger, crawling on the album cover, which also got let’s say somewhat duller as Roxy Music became more mainstream.
  1. The Beatles, Happiness Is A Warm Gun . . . One of my all-time favorite Beatles’ tunes. “She’s well-acquainted with the touch of a velvet hand like a lizard on a window pane…” then shortly after into that great wahhhaaawaaa guitar in what is about three or four songs in one – the intro, I need a fix, Mother Superior, happiness is a warm gun – all with great lyrics, all in two minutes, 44 seconds. Brilliance.
  1. The Allman Brothers Band, Seven Turns . . . Title cut, and a beauty written by guitarist Dickey Betts, from the band’s 1990 album.
  1. Lynyrd Skynyrd, Tuesday’s Gone . . . Another beauty, from another great southern rock band.
  1. The Rolling Stones, Gotta Get Away . . . Short, sweet and terrific early Stones and in some ways a precursor to their later what I call ‘effortlessly and confidently casual’ tunes such as Tumbling Dice, Torn and Frayed and many others. And on that note, getting away until next week.

So Old It’s New set list for Monday, Jan. 24, 2022 – on air 8-10 pm ET

  1. J. Geils Band, First I Look At The Purse (live, from Full House) . . . Probably my favorite J. Geils song and version; they are best served live, terrific band, propulsive track I could listen to 100 times in a row and never tire of.
  1. The Rolling Stones, Rocks Off . . . ‘The sunshine bores the daylights out of me.” etc. That lyric ‘makes’ this song, the opening cut to the Exile On Main St. album, for me.
  1. Groundhogs, Cherry Red . . . Not sure how I got into the Groundhogs, the British blues-rock powerhouse yet something of an underground act. Probably one of those times, ages ago now, I was in a music store, an independent one like Kitchener’s amazing Encore Records, and the band was playing. In any event, glad I did.
  1. AC/DC, Demon Fire . . . Similar riff to Safe In New York City from the band’s 2000 album Stiff Upper Lip but what the heck, it’s 20 years later, this one’s from the most recent record Power Up in 2020 and when has AC/DC not repeated itself – yet remained excellent? And, Angus Young did raid the vaults of unreleased material in putting together the album, which was a tribute to longtime rhythm guitarist and band co-founder Malcolm Young, who died in 2017. He’s since been replaced by Stevie Young, Malcolm’s nephew. The new album was something of a comeback/reunion album for the boys, what with drummer Phil Rudd returning from legal issues, singer Brian Johnson returning from hearing issues and bassist Cliff Williams back in the fold after coming out of retirement. Demonstrating the staying power of classic rock bands, it was a No. 1 album in many countries, including the US, UK and Germany, and was 2020’s sixth-best album, worldwide, in sales counting physical copies, downloads, etc.
  1. Judas Priest, Lightning Strike . . . Smokin’ track from the powerhouse 2018 album Firepower, wherein Priest got away from the somewhat progressive concept metal of their previous two albums, Nostradamus and Redeemer of Souls and largely turned the clock back to the 1970s or 80s. The two previous albums are good, but Firepower is a return to more straight-ahead blistering songwriting, with Lightning Strike, one of the singles from the album, a perfect example. Great stuff, if you like Priest and hard rock/metal.
  1. Black Sabbath, The Shining . . . From The Eternal Idol, from the underappreciated – aside from dedicated Sabbath fans – Tony Martin on lead vocals version of Sabbath. Very interesting period in the band’s history; guitarist Tony Iommi the only constant, holding it all together and producing some terrific, if relatively unheard, material with typically monstrous riffs.
  1. Ozzy Osbourne, Over The Mountain . . . A single and well-known track from Ozzy’s second solo album, 1981’s Diary of A Madman, the second and final Ozzy album featuring the late great guitarist Randy Rhodes. I like the tune, and the album but to me it also marks perhaps the beginning of the overproduced 80s sound that became pervasive in all genres and frankly I don’t like. The sound became the staple of ‘hair metal’ bands, mostly garbage like Poison and Winger and whoever else, Bon Jovi whose success I’ve never understood beyond the song Wanted Dead Or Alive and crap like Motley Crue, which has to be the absolute worst successful band in music history, just shit to my ears . . . OK, stream of consciousness rant over. Ozzy wasn’t shit here, but the sound was getting there. Interestingly, Sabbath, with Dio at the same time doing albums like Heaven and Hell and Mob Rules, avoided the overproduction sound.
  1. Thin Lizzy, Bad Reputation . . . So many great Thin Lizzy songs beyond The Boys Are Back In Town, a great song but which, to some, particularly hockey arena programmers, is the only thing the band ever did. There’s so much depth to Lizzy’s catalog it’s ridiculous. This title cut to the band’s 1977 album is a perfect example.
  1. Rory Gallagher, Big Guns . . . Title cut to a compilation that years ago truly got me deep into Rory Gallagher. The song was originally on 1982’s Jinx album. I love Gallagher’s music and that of his previous band, Taste, but was somewhat late to the party but have long since made up for lost time. I recall Rory auditioning for the Stones at the Black and Blue sessions (that would have been interesting and likely amazing, Rory in the Stones) but more so I recall a college friend late 1970s raving about Rory, which further turned me on to him and so here I am, again, playing the late great guitarist/songwriter.
  1. Pink Floyd, One Of These Days . . . Classic bass line on this one, the well-known instrumental opener from Meddle, the 1971 album preceding the monster The Dark Side Of The Moon.
  1. Traffic, Rock and Roll Stew, Parts 1 & 2 . . . Traffic recorded various versions of this one, which appeared as a four-minute plus track on The Low Spark OF High Heeled Boys album and then, as Parts 1 & 2, as a longer single that later appeared on expanded reissues of the album and on the 2-CD Gold compilation. Great tune from a great band, in any version.
  1. Pete Townshend/Ronnie Lane, Heart To Hang Onto . . . 1977’s Rough Mix, credited to The Who’s Pete Townshend and Faces’ Ronnie Lane helped out by a host of their musical friends including the likes of Eric Clapton and Charlie Watts, is quite simply one of the greatest albums ever, in my book. This is just one of many terrific songs on it.
  1. Jefferson Airplane, She Has Funny Cars . . . Opening track to Surrealistic Pillow, another of those albums handed down to me, so to speak, by my older siblings, in this case my older sister. The hits were the only two top 40 hits the Airplane ever had, Somebody To Love and White Rabbit, eternal classics of course, but the whole album is amazing.
  1. Murray McLauchlan, Sixteen Lanes Of Highway . . . From McLauchlan’s 1971 debut album, Songs From The Street. The track also appears on the wonderful 2-CD compilation, issued in 2007, The Best of Murray McLauchlan: Songs From The Street.
  1. Junkhouse, Burned Out Car . . . Speaking of McLauchlan, his own version of this song about homelessness is on the Songs from the Street compilation. The Junkhouse version, which came out on the Birthday Boy album in 1995, features duet vocals by Sarah McLauchlan and Junkhouse leader and artiste extraordinaire Tom Wilson.
  1. Headstones, Heart Of Darkness . . . From the Picture of Health debut album, 1993. If Headstones did nothing else, and they’ve done lots since, this album alone would cement their legacy and brilliance, in my opinion. Just kick butt rock and roll.
  1. Bruce Cockburn, You Get Bigger As You Go . . . Another from Humans, arguably my favorite Cockburn album and one I tend to dig into for the show every now and then.
  1. Elton John, Midnight Creeper . . . The last in my Elton John series, for now. It started several weeks ago when I couldn’t decide between this song, Have Mercy On The Criminal and High Flying Bird, all from the Don’t Shoot Me I’m Only The Piano Player album, or Slave, from Honky Chateau. So, over the last while, I’ve now played them all.
  1. Ten Years After, If You Should Love Me . . . Still fresh, bluesy and excellent after all these years. From TYA’s 1969 release, Ssssh.
  1. Little Feat, All That You Dream . . . Linda Ronstadt helps out Lowell George on vocals on this cut from 1975’s The Last Record Album, which it wasn’t as the band kept going Somehow I feel like I’ve said the exact same thing fairly recently after playing this song. Oh well, if so. Great band, great tune.
  1. The Band featuring Van Morrison, Caravan (live from The Last Waltz) . . . Originally on Van the Man’s 1970 Moondance album, this is a terrific live version with The Band.
  1. Savoy Brown, Hellbound Train . . . Spooky, hypnotic, nine-minute blues-rock title cut from the band’s 1972 album.
  1. Tommy Bolin, Post Toastee . . . Another nine-minute epic as we close the show with some extended stuff. Great riff on this one from the late great Bolin’s second solo album, 1976’s Private Eyes, after his version of Deep Purple broke up following that lineup’s lone, and fine, album Come Taste The Band.
  1. Deep Purple, Bird Has Flown . . . Any follower of the show by now knows I’m a huge Deep Purple fan, all eras of the band, and its offshoots like Rainbow, early Whitesnake, Gillan, etc. It wasn’t always this way but in recent years, OK, the last 30, ha, I’ve really come to appreciate the early, progressive/psychedelic material produced by the first incarnation of Purple with Rod Evans on lead vocals and Nick Simper on bass. Like this track, from the third and final album before Evans and Simper left to be replaced by Ian Gillan and Roger Glover for 1970’s In Rock.

So Old It’s New set list for Monday, Jan. 17, 2022 – on air 8-10 pm ET

  1. Nazareth, Morning Dew . . . Written by Canadian singer-songwriter Bonnie Dobson and covered by so many, including the Rod Stewart-fronted Jeff Beck Group on Truth, The Grateful Dead, Lulu, Robert Plant, Long John Baldry, early incarnations of what became The Allman Brothers Band and many others. I could do a whole Morning Dew show, or leave it to you, the listener, to try the various versions, all good, that are readily available online including a stirring duet between Dobson and Plant during a 2000s Plant concert. So hard to choose, but Nazareth’s extended seven-minute version from their self-titled 1971 debut album remains among my favorites, particularly for its pulsating, hypnotic, intro. Most of the well-known covers follow the rocked-up pattern of the Tim Rose version, for which he controversially claimed a writing credit after rearranging Dobson’s more pure folk version. Lots of interesting literature about the song, a post-apocalyptic lament Dobson was inspired to write and sing in her ethereal tone by the 1959 movie On The Beach, starring Gregory Peck. It’s a good movie (spoiler alert) about inhabitants of the earth’s southern hemisphere, specifically Australia, awaiting the inevitable as air currents slowly carry nuclear fallout south from the devastated north.
  1. The Beatles, Rain . . . The B-side to Paperback Writer, yet another example of bands as fine as The Beatles having B-sides or album tracks that most bands would sell their souls for. Ringo considers it his best recorded drumming and the song demonstrated the band’s increasing use of the studio as an instrument in itself, what with a backing track recorded at high speed, then slowed down for release, and the opposite being done on John Lennon’s lead vocal. As detailed in a Beatles’ book I own, “the juxtaposition of speed and laziness heightened the unearthly tension of this brilliant record.” Indeed.
  1. The Rolling Stones, Child Of The Moon . . . Spacey track with remnants of the sound of 1967’s Satanic Majesties album, this was the B-side to the Stones’ return to kick-butt rock and roll, Jumpin’ Jack Flash, in 1968.
  1. Paul McCartney/Wings, Famous Groupies . . . Fun little ditty of the type McCartney has always done so well, in my opinion. It just happened to come up while I was plotting this little Beatles-Stones mini-set, so I decided to play it. From 1978’s London Town album.
  1. Ron Wood, Ain’t Rock ‘n’ Roll . . . Terrific cut from, for me, Wood’s best solo album (and he’s got many good ones), 1992’s Slide On This.
  1. The Monkees, Daily Nightly . . . One of my favorite Monkees’ tunes (and there are many), this somewhat spooky 1967 song about the 1966 Sunset Strip curfew riots in Hollywood, penned by guitarist Mike Nesmith and sung by drummer Mickey Dolenz, is apparently one of the first commercial rock/pop songs to feature the Moog synthesizer, played by Dolenz.
  1. Free, Broad Daylight . . . Haven’t played Free in a while. I have played Bad Company, the band which evolved out of the ashes of Free. Bad Co was of course much more successful commercially, but in many ways I (and many others) still prefer the rawer, bluesier, in some cases heavier band that was Free, both groups fronted of course by the incomparably great rock singer Paul Rodgers. Hard to pick between the two bands, though, both great. Nice guitar solo by the late great Paul Kossoff on this one, from the second, self-titled, Free album.
  1. Jeff Beck, Blue Wind . . . Written by Jan Hammer, who by the time of 1976’s Wired album was collaborating extensively with Beck. Great jazz/rock/funk fusion, Beck’s fingers are on fire on the fretboard. You actually used to hear stuff like this on commercial FM radio during the 1970s.
  1. George Thorogood & The Destroyers, Want Ad Blues . . . Nice bass line to open this extended cover of the John Lee Hooker tune. Thorogood, of course, doesn’t write much, but he built a solid career out of his ability, born of his love for the music that inspired him, for choosing and covering/re-interpreting some fine material. All with gloriously ‘dirty’ guitar, of course.
  1. Aerosmith, No Surprize . . . Lead cut telling the story of the band from the kick-ass Night In The Ruts (Right In The Nuts on the back cover) album, 1979. It got critically panned, the band was largely out of it on booze and drugs, guitarist Joe Perry left partway through but many Aerosmith fans, me included, consider it among their best albums. It rocks. The black and white cover of the band, all grimy in a mine shaft, with “Aerosmith” and the album title scrawled on the rocks, is cool and, well, it’s just a great album, critics be damned. One of those examples in rock and roll of a band fraying at the edges yet still producing good music. And the best part, paradoxically, is that because it wasn’t hugely successful, the album has not been overplayed to death over the years so remains fresh. And how can you beat a lyric like “Midnight lady situation fetal vaccinate your ass with a phonograph needle” or the bang-on commentary on the music industry: “Candy store rock and roll corporation jelly roll play the singles it ain’t me it’s programmed insanity” ‘Nuff said.
  1. Humble Pie, I Wonder . . . Out goes guitarist Peter Frampton for a successful solo career, in comes Clem Clempson for 1972’s Smokin’ album, which lived up to its title and, thanks to the hit single 30 Days In The Hole, became the Steve Marriott-led band’s best-selling album. Clempson’s guitar work on this extended slow blues cut ain’t bad, either.
  1. Rod Stewart, My Way Of Giving . . . The Small Faces originally did this one, written by Steve Marriott and Ronnie Lane, before Rod Stewart and Ron Wood came out of The Jeff Beck Group to form what became Faces – many of whom, as was typical of the period, played on Stewart’s solo version of the track, on 1970’s Gasoline Alley album.
  1. Led Zeppelin, Over The Hills And Far Away . . . For some unknown reason, this song, and a good one it is, was playing in my head the other night when I got up in the middle of the night to answer nature’s call. So I went back to bed, got up in the morning and was thinking “what’s the name of that Zep song that starts slow, with ‘hey lady’ and then gets gloriously heavy? I should play it.” So, I am.
  1. Fleetwood Mac, Although The Sun Is Shining . . . Beautiful song, penned by guitarist Danny Kirwan for the final Peter Green-led Mac album, 1969’s brilliant Then Play On. One of the formative records of my youth, among many brought home to me by my older brother, eight years senior. What a resource and influence he was.
  1. John Stewart, Gold . . . Speaking of Fleetwood Mac, remember this hit single by Stewart from 1979? Great tune, nice memories, pulled from a “Fleetwood Mac Family Album” CD I own that features various Mac members and their solo and/or collaborative ventures. Stevie Nicks of Mac is on backing vocals. Apparently Stewart, who also wrote The Monkees’ Daydream Believer, grew to dislike Gold, refusing to perform it live, calling it ‘vapid’ and ’empty’ and having no meaning for him, saying he did it for the money and to please his record company. I can see his view. If you research Stewart he was an accomplished artist and songwriter who then perhaps became associated with one song that to him perhaps became an albatross. But a good tune, nonetheless, and a deserved hit.
  1. Eagles, Hollywood Waltz . . . Not much to say about this one. Hadn’t heard it in a while, came up on the computer while programming something else, nice tune from the One Of These Nights album, decided to play it.
  1. Queen, Sleeping On The Sidewalk . . . I’ve said it perhaps too many times, and I haven’t actually added them up but I’d say most of my favorite Queen songs are those written by guitarist Brian May; this being yet another. Nice bluesy tune from News Of The World, 1977, a terrific album overshadowed by the good, but by now ridiculously overplayed, particularly in sports arenas, hit singles We Will Rock You/We Are The Champions.
  1. Elton John, Slave . . . So, a few weeks back I mentioned I was having difficulty choosing between several Elton John tunes, and would eventually get to them all. Songs on the docket were three from 1973’s Don’t Shoot Me, I’m Only The Piano Player (High Flying Bird, Have Mercy On The Criminal and Midnight Creeper) and this one, Slave, a countryish tune from Honky Chateau in 1972. All that’s now left to play from my list, in an upcoming show, perhaps next week, maybe later, is Midnight Creeper.
  1. ZZ Top, A Fool For Your Stockings . . . One of my all-time favorite ZZ tunes, from 1979’s Deguello, a few years before synthesizers and huge commercial success came into the equation. I read it described by a rock journalist as ‘a fine fetish blues.”
  1. Van Morrison, Tupelo Honey . . . Title cut from Van Morrison’s 1971 album, simply, to me, one of his finest ever songs.
  1. Leon Russell, Out In The Woods . . . Such a funky, cool track; the instrumentation and of course the vocals. It’s obvious and self-evident but vocals, the styling, the tone, the pitch, are such an immense instrument in themselves in music.
  1. Peter Tosh, Equal Rights/Downpressor Man (live) . . . It didn’t occur to me while I was planning the show but perhaps some sort of thing was going on because today, Monday, January 17 is Martin Luther King Day in the United States. And so, unplanned yet fitting, here’s this combo track from Tosh’s great Captured Live album. “Everyone is crying out for peace, none is crying out for justice. But there will be no peace, ’til man gets equal rights and justice.”
  1. Bob Marley & The Wailers, Could You Be Loved . . . Funky reggae from the late great . . . and great lyrics, too, open to interpretation in an individual or collective sense. To each one’s own.
  1. The Allman Brothers Band, Old Friend . . . Fantastic acoustic guitar pickin’ by Warren Haynes and Derek Trucks on this blues cut. Not sure they intended it this way because the band kept up with live performance for many years until retiring in 2014, so there was always the possibility of another studio album. But perhaps in retrospect and appropriately, it’s the last song on the last Allmans studio album, 2003’s Hittin’ The Note. The whole album is terrific but I’m a huge fan. In any event, they did hit the note on what became their final studio release.
  1. Shirley Bassey, If You Go Away . . . Many versions of this song but I love Shirley Bassey’s vocals and she did several James Bond themes including the immortal version of Goldfinger, which I’ve played before and will again, perhaps in another ‘Bond’ set at some point. In any event, this came up as I was sorting CDs and came across a Bassey singles collection I own. Beautiful, sad song. And on that note, going away until next week.

So Old It’s New set list for Monday, Jan. 10, 2022 – on air 8-10 pm ET

  1. Elvis Costello, Welcome To The Working Week
  2. Elvis Costello, Waiting For The End Of The World
  3. The Selecter, On My Radio
  4. Pretenders, Mystery Achievement
  5. Graham Parker and The Rumour, Don’t Ask Me Questions
  6. Talking Heads, Born Under Punches (The Heat Goes On)
  7. Ramones, Beat On The Brat
  8. Blondie, Rip Her To Shreds
  9. Dead Kennedys, Holiday In Cambodia
  10. The Clash, The Guns Of Brixton
  11. BB Gabor, Simulated Groove
  12. XTC, Ten Feet Tall
  13. Teenage Head, Brand New Cadillac
  14. Ian Dury, I’m Partial To Your Abracadabra
  15. The Boomtown Rats, Mary Of The 4th Form
  16. The Cars, Dangerous Type
  17. The Police, Bring On The Night
  18. Joe Jackson, In Every Dream Home (A Nightmare)
  19. The Beat, Tears Of A Clown
  20. The B-52’s, Planet Claire
  21. Nick Lowe, American Squirm
  22. The Specials, Ghost Town
  23. The Sex Pistols, Submission
  24. Love Sculpture, Sabre Dance (single version)
  25. The Rolling Stones, Hey Negrita
  26. Joe Walsh, I Can Play That Rock & Roll
  27. Chet Atkins & Mark Knopfler, Yakety Axe
  28. The Paul Butterfield Blues Band, Lovin’ Cup
  29. J.J. Cale, Crazy Mama
  30. Elton John, Have Mercy On The Criminal
  31. David Bowie, Fascination

It was suggested to me I might play a punk/new wave show and I dabble in such tunes on occasion, what I call my ‘college days’ soundtrack, for me that being 1978-80. But I’ve rarely done the bulk of a show to this extent. So anyway, here it is, happy to do it, followed towards the end by some more let’s say my typical classic rock fare. It was interesting in putting the set together because while I still like the ‘new wave’ tunes, and it was a fun period in my musical life, it also occurred to me that many of the bands represented, to me anyway, were good singles bands but didn’t have much depth to their catalogs. Blondie, for instance. I like the hits but not much else grabs me, the same certainly for The B-52’s – two good songs/singles to me, Planet Claire and even Rock Lobster hasn’t aged well – and XTC whose music, aside from a few cuts, I find to be pretty wimpy Brit pop type stuff. Even The Police, to me, have not aged well and I was a huge fan at one time. Just my changing ears, what can I say? And the Ramones, I dunno, love-hate relationship, I ‘get’ them and their influence I guess but at same time, it’s pretty much all one interchangeable song. Most of the early punk and new wave bands that lasted (The Clash, Joe Jackson, Nick Lowe, Elvis Costello, Pretenders, Talking Heads etc.) wound up doing exactly what some of them initially criticized their forebears for doing – creatively expanding their musical palettes. Nothing wrong with that, in my book.

So Old It’s New set list for Monday, Jan. 3, 2022 – on air 8-10 pm ET

  1. The Mothers of Invention/Frank Zappa, My Guitar Wants To Kill Your Mama . . . Among Zappa’s more conventional tunes, complete with an acoustic guitar solo in the middle and an electric one towards the end. All in three and a half minutes.
  1. Neil Young, Down By The River . . . One of my favorite Neil Young tunes, edited from nine minutes to three for a single release; this is the full version. Simple, repetitive yet hypnotic guitar, starting at five seconds from the two minute mark, makes the tune.
  1. Whitesnake, Sweet Talker . . . Early, bluesier, better (in my opinion) Whitesnake, from 1980 and featuring three fifths of the Mk III version of Deep Purple – Whitesnake leader/singer David Coverdale with old Purple mates Jon Lord on keyboards and drummer Ian Paice.
  1. Deep Purple, You Fool No One . . . And here’s Coverdale pre-Whitesnake, belting out a funky tune in harmony with bassist Glenn Hughes on 1974’s Burn album, the first of the Mk III lineup.
  1. Guns N’ Roses, Estranged . . . A nine-minute epic single, that as far as I’ve researched was not released in any edited form, and a good thing, too, editing would have ruined it. It came out on Use Your Illusion II which, along with Illusion I was released on the same day in 1991. I remember people lining up at record stores to buy the albums, G N’ R was so big at the time. I’ve always liked the way the vocals change from mellow to rock on the second verse “so nobody every told you baby, how it was gonna be…”
  1. The Rolling Stones, Out Of Tears . . . Here I go again, by accident or design, getting into another of these song title things; notice the pattern? First off, Mama is under siege down by the river…then a bunch of relationship titles including this one, not that any of them are necessarily connected and I can say at this point in my life have zero to do with me, but anyway.
  1. Bad Company, Weep No More . . . Sticking with the weeping motif, from Bad Co’s second album, Straight Shooter, in 1974.
  1. Rare Earth, What I’d Say (live) . . . I feel like I played this recently, although my research suggests it wasn’t too recently, although I did play a different Rare Earth song, Long Time Leavin’, some weeks back. I have played the studio version of Rare Earth’s interpretation of this Ray Charles classic. This is the live version, from 1971’s In Concert album, the ‘backpack cover’ one, which is how one of my old friends refers to it.
  1. Blood, Sweat & Tears, I Love You More Than You’ll Ever Know . . . Bluesy cut from Child Is Father To The Man, the first BS & T album, after which founder/leader Al Kooper left, David Clayton-Thomas came in on lead vocals, the band went in more of a pop direction and, for a few albums, was a massive commercial success. Kooper, meantime, went into production and session work. His extensive resume includes producing and playing on early Lynyrd Skynyrd albums as well as releases by The Who, Bob Dylan, George Harrison and Ringo Starr among many others. He also played piano, french horn and organ on the studio version of The Rolling Stones’ You Can’t Always Get What You Want.
  1. Bob Welch, Hot Love, Cold World . . . From Bob Welch’s debut solo album, French Kiss, in 1977. This was the third single from the album and a minor hit behind the two previous singles – Ebony Eyes and Sentimental Lady, which Welch wrote for Fleetwood Mac’s Bare Trees album in 1972 and updated for his solo release.
  1. Bob Dylan, When You Gonna Wake Up . . . There are many opinions on Dylan’s Christian album period from 1979-81 but there’s no denying the quality of the music, and the musicians (like Mark Knopfler and Pick Withers of Dire Straits) he had in his band at the time.
  1. The Byrds, This Wheel’s On Fire . . . The Byrds were great interpreters, especially of Dylan stuff, and I’ve always liked this more rocked-up treatment, great gritty vocals by Roger McGuinn, of a tune written by Dylan and The Band’s Rick Danko. It appeared on The Band’s Music From Big Pink and the Dylan/Band collaboration The Basement Tapes. Three different versions, all excellent.
  1. Tom Petty & The Heartbreakers, My Life/Your World . . . I was discussing Petty deep cuts with a U.S.-based music aficionado acquaintance on Twitter the other day. He was looking for suggestions for a deep cuts playlist, I mentioned this one, so I decided to play it myself. I like what I describe as hypnotic tracks, of which this is a great example.
  1. Joe Cocker, Sandpaper Cadillac . . . Appropriate album title, With A Little Help From My Friends, on which Cocker famously covered The Beatles’ tune. Helping him out on his 1969 solo album debut were such luminaries as Jimmy Page, Steve Winwood, Henry McCulloch of McCartney and Wings fame, etc.
  1. Yes, Heart Of The Sunrise . . . From bluesy to prog to, next track, punk as we steer the show in a couple different directions. Killer riff on this one, from Fragile, another one of those 10-minute songs that, while extended, remains compelling as it goes back and forth between riff rock and the quieter sections.
  1. The Sex Pistols, Holidays In The Sun . . . So, the story goes, the Pistols really did want a holiday in the sun, on the Channel island of Jersey. But they got thrown out and went instead to Berlin, which was still divided by the wall at the time, hence the lyrics. Kick-butt rocker, regardless.
  1. Black Sabbath, Junior’s Eyes . . . Sabbath’s 1978 album Never Say Die seems to get panned by critics and even fans. The band was falling apart, out of it on booze and drugs in large measure, Ozzy had temporarily quit and returned but in view of all that, they still managed to produce some good stuff. Side one of the original vinyl, in particular, is quite good, featuring the title cut, Johnny Blade and this nicely-arranged industrial-type track.
  1. The Who, Pictures Of Lily . . . I was talking about essential Who albums with a friend the other day and we agreed that, although it’s a compilation, 1971’s Meaty Beaty Big and Bouncy is one of them, collecting as it does the band’s 60s singles, like this one, in one tight, intoxicating package.
  1. Jim Croce, Roller Derby Queen . . . I suppose this song, which came out in 1973, could be about Raquel Welch in the 1972 movie Kansas City Bomber but Raquel wasn’t fat and two-fifteen, as go the song’s lyrics. Maybe Croce was disguising it, who knows? I saw the movie ages ago, having watched roller derby a bit as a kid during the early 1970s and, OK, because I wanted to see Raquel, but I barely remember it, much less whether it was any good. Welch, apparently, said it was the first movie she ever did where she actually liked her own performance. Oh, the song’s pretty good, too. Croce, alas, died at age 30 in a plane crash in 1973, while on tour.
  1. Procol Harum, Simple Sister . . . Nice hard rock riff amid the progressive, somewhat operatic leanings of the band.
  1. Chris Whitley, Poison Girl . . . Whitely died of lung cancer in 2005 at age 45 but he left behind a fine catalog of blues and blues rock, including this one from his 1991 debut and I think his best album, Living With The Law.
  1. Nina Simone, Wild Is The Wind . . . Written by composer Dimitri Tiomkin and lyricist Ned Washington for the 1957 film of the same name, it was a hit at the time for Johnny Mathis. Simone did a live version in 1959 and then this more well-known studio version in 1966. David Bowie covered it 10 years later, as a tribute to Simone, on his Station To Station album. I’ve played Bowie’s version before so I figured I’d go with Simone this time.

So Old It’s New set list for Monday, Dec. 27, 2021 – on air 8-10 pm ET

  1. Tramp, Put A Record On . . . Who is Tramp? Well, they were an on again, off again British blues band often comprised of assorted members of Fleetwood Mac like drummer Mick Fleetwood, original bassist Bob Brunning, who formed Tramp in 1969, and guitarist Danny Kirwan. Tramp, fronted by the brother sister guitarist/singer combo of Dave and Jo Ann Kelly, released just two albums. The debut was out in 1969 and then in 1974 came Put A Record On, the title cut of which appears on a Fleetwood Mac Family Album CD I have. The album features the outside and solo work of the various Mac members over the many years and lineups of the parent group. Jo Ann Kelly was so highly thought of that both Canned Heat and Johnny Winter wanted her to join their bands, but she declined due to her desire to stay in England. Sadly, she died in 1990 at age 46 of a brain tumor.
  1. The James Gang, The Bomber . . . Haven’t played the James Gang in a while. So I figured I’d bring them back into the loop via this epic, from the second album, Rides Again.
  1. The Who, The Punk and the Godfather . . . An old friend of mine loves The Who and always swore by Quadrophenia as their best, or at least his favorite album by the band but then he’s into ‘concept’ albums and likes The Lamb Lies Down On Broadway by Genesis, which I’ve never fully gotten into so, there’s that if one is considering sources, ha. He’s also the guy I once got into a fun drunken argument with over whether Genesis was even rock akin to, say, the raunch and roll of The Rolling Stones, his argument being “ever heard The Knife, dammit!” So yeah, I’ve heard The Knife, it’s heavy, it’s on the Trespass album; Genesis can play rock, of a sort though not raunch, so I concede the point but anyway . . . back to The Who. I like Tommy, which is a concept album, but of The Who’s works I’d say I like Who’s Next, Who Are You and yes, The Who By Numbers, which I grew up with, more. But I’m more a song guy than a concept guy, when it comes to music. I do like Quadrophenia, certainly several of the songs from it, like The Punk and the Godfather, so here you go. I’d still take the more well-known 5:15, The Real Me and Love, Reign O’er Me from Quad, ahead of it, though, but this is a deep cuts show. Actually, while I’m writing these commentary notes, I just put on the Lamb and, you know, I could get more deeply into it, actually, and I realize I do know the album pretty well, The Cage, Carpet Crawlers, the title cut, etc. Next!
  1. Bob Dylan, Everything Is Broken . . . Up-tempo Zimmy to kick off his fine 1989 album, Oh Mercy, wall to wall one of his best, any era. But you’ll get that when you hire Canada’s own Daniel Lanois as producer. Anything he touches turns to gold, ask U2, Peter Gabriel, Robbie Robertson, on and on. Lanois is not a bad music maker in his own right, either, judging by his solo albums.
  1. Joan Baez, Diamonds and Rust . . . Speaking of Dylan, this 1975 song is all about him and for my money is one of the finest songs about love, love lost and all that stuff, ever written. Always brings a tear to my eye. It’s brilliant, sung by the voice of an angel. Judas Priest, of course, later in the 1970s covered it in their metal fashion, had a hit with it and Baez liked it. A long time later, in the 2000s, Priest re-did it in acoustic, Baez style to great effect but one would expect nothing less, given Priest lead singer Rob Halford’s pipes.
  1. Leon Russell and Willie Nelson, Heartbreak Hotel . . . Leon and Willie team up on the song Elvis Presley made famous. It’s actually credited to Willie Nelson and Leon Russell but I pulled it from a Leon Russell compilation I own so I put Leon first. Just to be different.
  1. The Kinks, Hatred (A Duet) . . . Famously feuding and fighting brothers Ray and Dave Davies have great fun on this one, from The Kinks’ last studio album, Phobia, which came out in 1993. It’s a great commentary on their always-tempestuous relationship, and society in general. “Why don’t you just drop dead and don’t recover. I’m the mirror to your mood, you hate me and I hate you so at least we understand each other.” Ah, brotherly love. I imagine they had a riot recording it.
  1. Tim Curry, No Love On The Street . . . Great original tune by the multi-talented Curry, who came to fame as Dr. Frank-N-Furter (you’ll recall Sweet Transvestite) in The Rocky Horror Picture show. I was major into the whole Rocky Horror schtick at the time so when I heard Curry’s Fearless album playing in a record store in 1979, I liked it, bought it and soon owned the three albums he released between 1978 and 1981. He always had major music people helping him, too, like producers Michael Kamen and Bob Ezrin and guitarist Dick Wagner of Alice Cooper and Lou Reed fame. Curry, who was a scream in the 1985 movie adaptation of the board game Clue, alas is confined to a wheelchair after suffering a stroke in 2012, although he still does voice work.
  1. Bee Gees, Lonely Days . . . Probably my favorite Bee Gees’ song, essentially three songs in one as it quietly builds to a crescendo, calms down again, then rebuilds to another peak. These guys were so good, yes, even the disco stuff. Just great songwriters.
  1. Steppenwolf, It’s Never Too Late . . . Yet another great one by the Canadian-rooted band which is SO much more than endless classic rock station plays of Magic Carpet Ride and Born To Be Wild, great songs of course but . . .
  1. Bad Company, Company Of Strangers . . . Title cut from the band’s 1995 album, with Paul Rodgers soundalike Robert Hart on lead vocals. An old work colleague of mine once said that Bad Company without Rodgers singing isn’t Bad Company. I agree for the most part, certainly given the overproduced (though commercially successful) schlock they released with Brian Howe on lead vocals during the 1980s, which is when my old work friend commented. But Company of Strangers, which features founding guitarist Mick Ralphs and drummer Simon Kirke, is pretty good, actually. It could pass for the band’s 1970s work with Rodgers, I think.
  1. The Rolling Stones, Sway . . . Great guitar work, especially on the outro, from Mick Taylor on one of those what I term ‘effortlessly and effectively lazy’ Stones cuts, which nobody does better than, well, the Stones. This one’s from Sticky Fingers.
  1. The Guess Who, Key . . . A nice combo of psychedelia and pop rock on this epic, near 12-minute excursion from 1969’s Wheatfield Soul album.
  1. Simon and Garfunkel, Baby Driver . . . Like many 1960s and 70s albums, Bridge Over Troubled Water is so good any of its songs could have been singles. This one wasn’t though, which tells you what a quality work the album was.
  1. Steve Miller Band, Space Cowboy . . . By now this is a well-known Miller tune but it arguably wasn’t when it came out in 1969 on the Brave New World album when the Steve Miller Band was still in its psychedelic/blues rock phase. The band was still some years away from its commercial mid- to late-1970s heyday starting with The Joker album and subsequent releases Fly Like An Eagle, Book of Dreams and the ubiquitous Greatest Hits 1974-78 album. But if you’re looking to sample earlier Miller, I’d recommend The Anthology and The Best of 1968-73 compilations, either physical copies or online.
  1. Blue Rodeo, Diamond Mine . . . I’ve been meaning to get to some Blue Rodeo, was discussing them with a friend recently and mentioned to him that I ought to play them. Reason I haven’t, to be honest, is that my place is an unholy mess, CDs not racked (it’s a forever project) because I’m too lazy to put them away after each show. In a way, I think it helps my set list creativity because I just randomly pick up a disc, yeah I still own CDs, and load them into our station computer. So anyway, was rummaging around and, voila, found a Blue Rodeo disc so I figured I’d play the title cut, probably my favorite song of theirs, from their 1989 album. It’s quite Doors-ish, in my opinion, akin to The End or When The Music’s Over.
  1. Elton John, High Flying Bird . . . Here’s the problem with Elton John in the 1970s and doing a radio show just once a week. How are you supposed to choose among his many great songs and we’re talking deep cuts, let alone hits. So, at first I was going to go with Street Kids, a rocker I like from Rock of The Westies but I realized I’ve played that fairly recently. Then up came Slave, a nice country blues-ish tune from Honky Chateau which I’ve never played I don’t think, but then that CD rummage session revealed Elton’s Don’t Shoot Me I’m Only The Piano Player album so it came down to either High Flying Bird or Have Mercy On The Criminal, and Bird won out. But, now you have an indication of some Elton John titles to look for in future shows.
  1. Bloomfield Kooper Stills, His Holy Modal Majesty . . . From the legendary Super Session album, which features Al Kooper and guitarists Michael Bloomfield and Stephen Stills. It was a two-day session but Bloomfield, who played on this tribute to jazz giant John Coltrane, left – apparently he was having trouble sleeping and wanted to rest – so Kooper scrambled and brought Stills in to finish the album. The whole project, either guitarist, is terrific.
  1. Rory Gallagher, Calling Card . . . Anyone who knows me, and the show, knows how much I like Rory Gallagher, from his days leading Taste to his extensive solo work. Just a brilliant guitarist and songwriter, yet in many ways not well known to the masses. But his brother Donal has kept the late Rory’s music alive over the years via various reissue projects, compilations, concert film re-releases and the like. That’s a good thing. Rory was amazing. Asked once how it felt to be the greatest guitarist in the world, Jimi Hendrix is said to have said, “I don’t know. Go ask Rory Gallagher.”. But of course Hendrix said similar things about Chicago’s late great Terry Kath, and B.B. King said of Fleetwood Mac founder Peter Green that Green was ‘the only living guitarist to make me sweat. He had the sweetest tone I’ve ever heard.” Which really says it all about all these guys; it’s not a competition. It’s about their respective creative muses, and resulting mutual respect and admiration. 
  2. Neil Young & Crazy Horse, Sedan Delivery . . . Kick butt distortion tune, which is what Neil Young does when Crazy Horse is in the building with him. From 1979’s Rust Never Sleeps. Young originally recorded Sedan Delivery during the sessions for his 1975 album Zuma but it didn’t make the cut. The song was offered to Lynyrd Skynyrd for their final pre-plane crash album, Street Survivors, but they passed on it.
  1. Ocean Colour Scene, The Riverboat Song . . . What an infectious, irresistible riff from these Britpop boys. I’m not super up on them but heard them playing in one of my favorite local independent record stores some years back, that would be Encore Records in Kitchener, Ontario, Canada (free plug, boys), bought a compilation and here we are.
  1. Chuck Leavell, Evening Train . . . This is an interesting one, perhaps, in how I came to play it. Pianist/keyboard player Leavell, of course, is a former Allman Brother and has been playing live and on studio records with The Rolling Stones since the 1980s and also at one time fronted the Allmans’ offshoot band Sea Level, which I’ve periodically played. Anyway, I was digging through my stuff and back in 2019, the Stones’ Keith Richards was ‘guest editor’ of MOJO music magazine so the mag included with purchase a CD of some of Keef’s favorite tunes. It’s a diverse disc, featuring stuff like Funkadelic, Buckwhat Zydeco, Dion, Toots and The Maytalls (Richards loves reggae), Jimmy Reed, Chuck Berry and Muddy Waters. And, this bluesy Leavell track from his 2013 album, Back To The Woods, a tribute to the pioneers of blues piano.  
  2. Ringo Starr, Goodnight Vienna/Goodnight Vienna Reprise . . . Title cut, a fun rocker and its short reprise, from Ringo’s 1974 album, written by John Lennon. And on that note, goodnight until next week.

So Old It’s New set list for Monday, December 20, 2021 – on air 8-10 pm ET

  1. Jethro Tull, To Cry You A Song . . . I always listen to music in the gym but been using my workout time lately to dig back into and savor many of my favorite albums, particularly ones I haven’t listened to in a while, because I think what often happens is, for me at least, is you know an album so well that it’s as if you don’t need to play it because you know it in your mind. But then you actually do play it again and you think, wow, is this ever good. Like Tull’s third album, Benefit, from which this song comes. As always, credit to my late older brother for introducing me to Tull all those years ago.
  1. R.E.M., Oh, My Heart . . . Beautiful song from the band’s final album, 2011’s Collapse Into Now. It’s worth reading the Wikipedia entry about the album, which details how the group, which was on the down slope of commercial success, came to the decision to disband and it wasn’t just due to sales. And, also, how they developed the album as they accepted that times had changed concepts of what an ‘album’ meant. To pull a bit from Wikipedia, the group did videos for each song on the album, not just the singles,of which Oh, My Heart was the fourth. Lead singer Michael Stipe: “The idea was to present a 21st-century version of an album. What does an album mean in the year 2011, particularly to generations of people for whom the word ‘album’ is an archaic term? An album for me as a teenager in the ’70s was a fully-formed concept. It was a body of work from an artist I liked or trusted or who excited me. I wanted to present an idea of what an album could be in the era of YouTube and the internet. This is what we do. We put together and sequenced the strongest body of work we could possibly come up with at this moment in time and put it onto this record.” I love listening to creative people discuss their work, whoever it is because, while I like them, I’m not even a massive R.E.M. fan.
  1. George Harrison, I Dig Love . . . Same thing here as with my comments re the Jethro Tull song/album I started today’s show with. I hadn’t listened to Harrison’s All Things Must Pass in a long time but did so in the gym, over two workouts, last week. It’s a sprawling album, of course, three vinyl records in its original configuration as Harrison unleashed his muse after the breakup of The Beatles, using some material that didn’t ‘make’ Beatles’ albums, and his records is filled with gems. Like this very interesting, almost experimental/somewhat unconventional track. Very cool.
  1. The Beatles, She’s Leaving Home . . . Interesting how things change as time offers perspective. I always liked this song, and the whole Sgt. Pepper album, but as time and life experience goes on, it’s moved up to become one of my favorites on the album. Same with George Harrison’s sitar-laden and ultimately influential Within You Without You on Pepper, which in my youth was a song I skipped – and I wasn’t alone – by lifting the needle from the vinyl record (no programming in those days).
  1. Tyrannosaurus Rex, By The Light Of A Magical Moon . . . Great jaunty mid-tempo ballad with some nice guitar from 1970’s A Beard Of Stars, the last of four studio albums by the Marc Bolan-led band before they shortened their name and continued as T. Rex.
  1. The Doors, The Spy . . . Nothing intentional, just developed this way, maybe it’s some Freudian sort of thing, who knows, but many of the songs in the set tonight have to do with relationships. Like this one from the bluesy Morrison Hotel album.
  1. Johnny Cash, No Expectations . . . As I’ve often said, to me the best covers are reinventions, the most famous arguably being Jimi Hendrix’s reinterpretation of Bob Dylan’s All Along The Watchtower. No Expectations by the man in black isn’t as well known, but in 1978 he took the great Rolling Stones’ track from 1968’s Beggars Banquet and gave it the Cash rockabilly-type treatment. Great stuff.
  1. The Rolling Stones, Dance (Pt. 1)/If I Was A Dancer (Dance Pt. 2) . . . And, speaking of the Stones, now for something completely different, from 1980’s Emotional Rescue album. Part 1 was the opening cut on the album but Part 2 didn’t appear until the 1981 compilation, Sucking In The Seventies. I’ve slotted them back to back, and thanks to whoever, on YouTube, for connecting the tunes into one 10-minute package that I’ve used for the usual song clips on my Facebook page.
  1. Elvis Presley, Little Sister . . . Always loved this Elvis tune. And, see how it goes from the Stones’ Dance to Elvis’s Little Sister, a nod to the Stones’ Dance Little Sister? Clever, aren’t I? Ha.
  1. Van Morrison, Precious Time . . . I need to listen to this tune and its lyrics more because I have too many interests, which results in me having difficulty prioritizing, at times. Time is indeed precious, to be used wisely.
  1. Delaney and Bonnie (with Eric Clapton), Comin’ Home . . . Here’s what happens when you dig into a box set you haven’t listened to in a while, in this case Clapton’s 1988 release Crossroads. You remember this band and this song, a good rocker from the group/then married couple of Delaney and Bonnie Bramlett and friends which at various times featured Clapton, Duane and Gregg Allman, Dave Mason, George Harrison (under the pseudonym L’Angelo Misterioso), Bobby Keys, Gram Parsons, on and on and which led to the formation of . . .
  1. Derek and The Dominos, Got To Get Better In A Little While . . . Three members of Delaney Bramlett’s band, who had helped Clapton out on his first, self-titled solo album, had a falling out with Bramlett. So, Clapton scooped up keyboardist Bobby Whitlock, bassist Carl Radle and drummer Jim Gordon and the result was Derek and The Dominos. This is an early version, from the Crossroads box and without Whitlock, of a rocker scheduled for what was to be a second Dominos album, after the Layla and Other Assorted Love Songs album.


  2. Creedence Clearwater Revival, It’s Just A Thought . . . Who says CCR was just a hit singles band? They have many great deep cuts, like this nice groove tune from the Pendulum album.
  1. Blackie and The Rodeo Kings, 49 Tons . . . Cool shuffle from the Canadian combo of Stephen Fearing, Colin Linden and Tom Wilson. What began as something of a fun side project by guys with their own gigs – Fearing solo, Linden lots of production work and some solo stuff and Wilson with Junkhouse and assorted other projects – soon became a full-fledged band, and a good one.
  1. Rod Stewart, Stone Cold Sober . . . I feel like I’ve played this one too recently, although I can’t find it in 2021 shows but in any event, what the heck. Good, fun rocker from Stewart’s 1975 Atlantic Crossing album, his first after he moved to the United States and first without most members of Faces as his backing band for his solo work. The album was the first of a great run in Stewart’s second distinct solo period, one that brought him great commercial and critical success up until about 1980, after which he lost the plot, went schlock, and lost me.
  1. Joe Jackson, What’s The Use Of Getting Sober (When You’re Gonna Get Drunk Again) . . . J.J.’s version of a song Louis Jordan took to No. 1 on Billboard’s ‘race record chart’ (really, a ‘race’ record chart) in 1942. It appeared on Jackson’s 1981 jump blues/swing album Jumpin’ Jive, at which time, after his early angry young man punk/new wave period, I realized Jackson was an artist I wanted to follow in his various directions. He’s never disappointed me.
  1. Heart, White Lightning and Wine . . . I like most Heart stuff but prefer the 1970s stuff, like this album track from 1976’s Dreamboat Annie, to the band’s (typically for the period) at least somewhat overproduced 1980s sound, although that sound gave Heart huge commercial success for a few 80s albums.
  1. Mark Knopfler, Why Aye Man . . . I prefer Dire Straits to Knopfler’s solo material, which some friends remember I drunkenly and loudly proclaimed one day a few summers ago while throwing back beer on a lakeside patio. But I do like his solo work, like this tune, and need to dig back in.
  1. Dire Straits, Telegraph Road . . . One of those epic tunes, 14 minutes worth, that is so good the time just flies by.
  1. Buddy Guy, It’s A Jungle Out There . . . Written by Guy, the lone self-penned cut from his terrific 2001 album, Sweet Tea, which deservedly was nominated for a Grammy Award for Best Contemporary Blues Album.
  1. Bruce Cockburn, Tibetan Side Of Town . . . From the Big Circumstance album in 1988, nice groove and guitar picking by Cockburn and a nice sax solo by Richie Cannata, a member of Billy Joel’s band during my favorite Joel period, the mid- to late 1970s.
  1. The Allman Brothers Band, Instrumental Illness . . . Typically great extended (12 minutes) Allmans instrumental, from what turned out to be their last studio album, 2003’s Hittin’ The Note, although the band continued playing live until retiring in 2014.

So Old It’s New set list for Monday, Dec. 13, 2021 – on air 8-10 pm ET

  1. 54-40, Music Man . . . Apparently a single, I don’t remember it being such.  Nice groove including the wah-wah guitar. Got into 54-40 via the first two singles – Nice To Luv You and She La – from the Dear Dear album in 1992, from which I took this song. I saw them about a decade later, good show.
  1. Romantics, Open Up Your Door . . . A cover of the 1966 hit by Richard and The Young Lions released on the Romantics’ 1983 album In Heat. Good time, good rock and roll.
  1. Deep Purple, What’s Going On Here . . . Great boogie rock tune featuring nice dual vocals from David Coverdale and Glenn Hughes, from the first Mk. III Purple album, Burn. Already getting funky, Purple was, to the great distaste of mercurial guitarist and arguably de facto leader Ritchie Blackmore, yet he plays brilliantly on the album.
  1. The Allman Brothers Band, No One To Run With . . . Jaunty sort of tune from the reconstituted band’s 1994 album, Where It All Begins, guitarist Dickey Betts’ last studio work as a Brother. Speaking of the studio, Gregg Allman didn’t like recording in studios, preferring the live arena so, the story goes, producer Tom Dowd arranged for the band’s full concert setup to be housed on a Florida film sound stage owned by actor Burt Reynolds and the band recorded that way, as a live unit, rather than as many albums are done, with parts done individually and then mixed.
  1. Spooky Tooth, That Was Only Yesterday . . . Yet another great one from the Spooky Two album, which I think ought to be retitled No. 1 since it’s arguably the band’s best work.
  1. Tommy Bolin, Bustin’ Out For Rosey . . . From the late great Bolin, solo artist, replacement guitarist for Joe Walsh in the James Gang and Ritchie Blackmore in Deep Purple but a brilliant artist in his own right, gone too soon as a result of his drug demons.
  1. Genesis, Eleventh Earl Of Mar . . . Epic track from the second post-Peter Gabriel album, Wind and Wuthering, and the last one with guitarist Steve Hackett before his departure left Genesis a trio (Tony Banks, Mike Rutherford, Phil Collins) that would go on to huge commercial heights.
  1. Can, Spoon . . . Typically propulsive Can track, among their more accessible works in fact if you’re not into ‘weird’ stuff I’d recommend picking up, or listening to online, their Can: The Singles album, a good run-through of the band’s more conventional work.
  1. King Crimson, Larks’ Tongues In Aspic, Part 1 (abridged) . . . Slow build on this instrumental title cut to the 1973 album, until the heavy, metallic assault at the 3:45 mark and then again a minute later. The song is nearly 14 minutes long on the album but for tonight’s show I used bandleader Robert Fripp’s just under seven-minute, tighter abridged version which in some ways I like better; depends on my mood.
  1. Soft Machine, All White . . . By the time of the ‘5’ album, Soft Machine had dispensed with vocals and was essentially a jazz, or jazz-fusion band; this slow-building cut a great example.
  1. Iron Maiden, Hallowed Be Thy Name . . . I like Iron Maiden well enough but sometimes Bruce Dickinson’s somewhat to me overwrought ‘operatic’ vocals can be irritating. Not on this one, though. Early Maiden progressive metal I suppose one would call it, which they’ve expanded upon and continue to do, to great effect, on their latter-day releases. One of those bands I have great respect for in that they’ve maintained a high standard throughout their now 40-plus year career.
  1. Metallica, Poor Twisted Me . . . As described by one You Tube commenter, it’s a blues metal tune. This one from the Load album, a controversial release at the time because many Metallica fans still wanted thrash but the band was evolving into a more commercial entity.
  1. Pretenders, Bad Boys Get Spanked . . . From Pretenders II, released in 1981 when people were still pogo-ing on dance floors to punk and new wave music and this would be a perfect tune for that. It occurred to me for the first time in all these years, in playing it, that Concrete Blonde’s 1992 song Ghost Of A Texas Ladies Man, which I’ve played before on the show, has a very similar rhythm, to my ears, anyway. Not saying Concrete Blonde ‘pinched it’ as the Brits might say, and Concrete Blonde is a band I really like, but there it is. Interesting that I never really noticed it until now but I think that’s because I’ve actually played the Concrete Blonde tune more often.
  1. The Kinks, National Health . . . From Low Budget, 1979, great album that got lots of people back into The Kinks. And, around the same time, Kinks’ leader/chief songwriter Ray Davies was romantically involved with the Pretenders’ Chrissie Hynde, and Pretenders recorded the Kinks’ Stop Your Sobbing on their 1979 debut album. So, I must admit when I slotted in the Pretenders’ track that The Kinks came to mind, so there you have it. Besides, I can never get enough Kinks. Or Pretenders, for that matter.
  1. Chilliwack, Guilty . . . I’ve always liked the band’s 1979 Breakdown In Paradise album, or at least most of it, including this track featuring some nice piano playing amid a nice arrangement. The two other songs I really like on the record are Communication Breakdown (not the Zeppelin tune) and 148 Heavy, both of which I’ve played over time on the show. The album didn’t do well, though, thanks in part to promotion issues born of Mushroom Records’ financial problems at the time.
  1. BTO, A Long Time For A Little While . . . I played Madison Avenue from BTO’s first post-Randy Bachman album Street Action last week, which prompted a full re-listen to the 1978 effort for which the band brought in former April Wine stalwart Jim Clench on bass, with C.F. (Fred) Turner moving from bass to rhythm guitar along with lead axeman Blair Thornton and drummer Rob Bachman. It’s a good album, including this song, which reminds me a bit of Looking Out For No. 1, albeit heavier.
  1. Peter Frampton, Jumping Jack Flash (live) . . . Frampton covered the Stones’ tune on his 1972 studio album Winds of Change. I pulled this extended seven-minute version from Frampton’s breakthrough live album, Frampton Comes Alive.
  1. The Rolling Stones, Loving Cup . . . This completes my little Exile On Main St. trilogy, spread over about five weeks. Some weeks ago I couldn’t decide between Torn and Frayed, Let It Loose and Loving Cup from Exile, so decided to play all three, over a period of weeks, in and around some other Stones’ stuff (Have You Seen Your Mother, Baby, Standing In The Shadow and Salt Of The Earth). So, here’s Loving Cup.
  1. Pete Townshend, The Sea Refuses No River . . . Two singles – Face Dances Pt. 2 and Uniforms – were released from Townshend’s 1982 album All The Best Cowboys Have Chinese Eyes. I think he picked the wrong two. This song, and Exquisitely Bored, which I’ve played before and should again soon, are clearly better in my opinion.
  1. The Flying Burrito Brothers, Christine’s Tune (aka Devil In Disguise) . . . Posting YouTube clips of the songs I play often helps my commentary, given some of the comments one sees about songs. Like this one, about this track: “This is where country should have gone instead of morphing into sewage”. I’m not super up on modern country, know some of it, and the criticisms, so I’d have to agree with the sentiments expressed.
  1. Quicksilver Messenger Service, Fire Brothers . . . Spooky and haunting, enough said.
  1. Ten Years After, Let The Sky Fall . . . Was listening to TYA’s A Space In Time album in the gym the other day, this came on and I made a mental note to play it this week. Alvin Lee was always rightly revered for his guitar playing, but he’s no slouch as a singer, either. Always liked his bluesy vocals.
  1. Dire Straits, Where Do You Think You’re Going? . . . Journalism critics can be ridiculous. One wrote that Communique, the band’s second album and source for this great track, was nothing more than a pale imitation of the first Dire Straits album. Well, if that were true, then just about every J.J. Cale album is an imitation of the previous ones, yet Cale never released a poor album and neither did Dire Straits.
  1. Peter Gabriel, Home Sweet Home . . . From Gabriel’s second solo album, at the point at which all his albums were called “Peter Gabriel’ so people started ascribing titles to them based on the cover art, in this case, Scratch. No hits to speak of on the second one, after Solsbury Hill had charted on his debut solo album, but Scratch is nevertheless a good album and worth checking out.

So Old It’s New set list for Monday, Dec. 6, 2021 – on air 8-10 pm ET

  1. Joe Jackson, Alchemy . . . From J.J.’s most recent album, 2019’s Fool. He opened (and closed, with a short reprise) his shows supporting the album with this track, a perhaps now typical late career jazzy excursion from one of my favorite artists. Jackson just announced another tour, starting in March, 2022.
  1. Deep Purple, Caught In The Act (Going Down/Green Onions/Hot ‘Lanta/Dazed and Confused/Gimme Some Lovin’) . . . From the new Turning To Crime covers album, short excerpts from each song to form a seven-minute medley during which the band, as on the entire album, is clearly having lots of fun. Purple has played Green Onions on various tours since Steve Morse joined on guitar, replacing Ritchie Blackmore, in the mid-1990s so no surprise it’s included in the medley. As I mentioned last week about covers albums, I prefer new original material by bands I like, like Purple, but – as with the Stones’ Blue and Lonesome covers album – it’s clear the boys had great fun putting it together and there are some interesting takes on the various tunes, in Purple’s case, like Bob Dylan’s Watching The River Flow, Love’s 7 and 7 Is and Peter Green-era Fleetwood Mac’s Oh Well. Also interesting, given the pandemic, IS how they recorded it as detailed in the album liner notes – mostly from each band members’ home studios aside from singer Ian Gillan who went into an an outside studio.
  1. Ohio Players, Jive Turkey . . . I just wanted to look at sexy Ohio Players album covers, in this case Skin Tight. No, seriously, I love funk, and the Players, and this came up during a station computer search of stuff I’d previously downloaded, hadn’t played the Players in a while, so here we are.
  1. Gov’t Mule, She Said She Said . . . I love it when the Mule does cover tunes in fact I pulled this off a CD I burned for myself long ago that features the Allmans offshoot doing covers of various classic rock tunes over the years. This one, from The Beatles of course, begins a mini-set of covers from the Revolver album, concluding with The Beatles themselves.


  2. Phil Collins, Tomorrow Never Knows . . . From Collins’ debut album, Face Value, in 1981 after which he started concurrent careers while becoming arguably as big, or bigger, solo as was Genesis.
  1. The Beatles, I’m Only Sleeping . . . Always liked this one, from Revolver, to conclude our little mini-set of Beatles’ tunes. Sgt. Pepper gets most of the hype but Revolver and Rubber Soul, when the boys – perhaps taking Dylan’s little dig at Lennon that ‘your songs don’t say anything’ seriously – really went to another level creatively, are easily as good.
  1. John Lennon, Bring On The Lucie (Freda People) . . . “All right boys, this is it, over the hill.” Lennon’s first line is worth the price of the album. Good song, too, from the Mind Games album, 1973.
  1. Groundhogs, Strange Town . . . I love the ascending, hypnotic riff to this tune by these Brit blues-rock boys, from 1970’sThank Christ For The Bomb album.
  1. BTO, Madison Avenue . . . An almost progressive tune, for this band at least, from the first post Randy Bachman album, Street Action, 1978. I remember having it on vinyl, almost out of curiousity at the time, and some years ago got it as a two-fer paired with the 1979 followup Rock ‘n’ Roll Nights. And you pretty much knew Randy had left simply by the album cover, of a woman, on the street, perhaps a hooker, which I doubt the strait-laced Bachman would ever have allowed. The band replaced Bachman with former April Wine member Jim Clench, who took over on bass while bassist C.F. (Fred) Turner moved to rhythm guitar alongside lead guitarist Blair Thornton and drummer Rob Bachman. And Turner handled most of the lead vocals, which suited me because I always liked the BTO songs he sung best and outside of, off top of my head, Takin’ Care of Business and You Ain’t Seen Nothing Yet, maybe Looking Out For No. 1, Randy Bachman’s vocals (Rock Is My Life, This Is My Song, anyone, yecch) are pretty much embarrassing in my view.
  1. Robin Trower, A Tale Untold . . . Trower was amazing during his heyday (he’s still going) in the 1970s, especially with the late great James Dewar on bass/lead vocals. This typical tour de force is from the For Earth Below album, which featured the typically cool Trower album covers of the period.
  1. Social Distortion, I Was Wrong . . . My favorite Social Distortion tune and the one that got me into the band, late, 1996 via the White Light, White Heat, White Trash album (cool cover) which by that point was their fifth studio platter but hell, when before this more commercial single was released did anyone ever hear Social Distortion on mainstream radio? Or ever again? They also did a nice cover of Johnny Cash’s Ring Of Fire, too, but I decided to go with this song, this time. Ring Of Fire maybe another week.
  1. Ozzy Osbourne, Diary Of A Madman . . . Almost prog metal, this title cut from Ozzy’s 1981 album. Iron Maiden, at the time just one album into their career, was probably listening, learning and being influenced.
  1. KK’s Priest, Hellfire Thunderbolt . .. Founding member/guitarist K.K. Downing left Judas Priest under acrimonious circumstances in 2011. In the meantime, he wrote a book about the band, and this kick butt metallic rocker is from his first post-Priest album, out just recently this year, featuring former Priest singer Ripper Owens on lead vocals. Owens, of course, famously was found by Priest in a Preist covers band when the group was searching for a replacement for Rob Halford, who left Priest for a few years to go solo during the mid-1990s. Owens did two studio albums with Priest, which I liked, before returning to relative obscurity (until now) once Halford returned for a reunion tour in 2004 (which I saw, good show) and subsequent studio work.
  1. Judas Priest, Blood Red Skies . . . And here’s Priest before all of the drama, a kinetic extended piece from the Ram It Down album, 1988.
  1. Marianne Faithfull, What’s The Hurry . . . Was listening to Faithfull’s terrific Broken English album, for first time in a long time in its entirety, in the gym the other day, had somewhat forgotten this propulsive track from that record.
  1. The Rolling Stones, Salt Of The Earth . . . Keith Richards croaks out the opening line in one of his early forays into singing on Stones’ tunes, then in comes Mick Jagger on this closer to 1968’s Beggars Banquet which marked the beginning of a whole new phase of brilliance from the band.
  1. The Tragically Hip, Born In The Water . . . I wanted to play a Hip song today. Road Apples album is always a good source.
  1. Headstones, Where Does It Go? . . . See the Hip reference above. Love these guys, Headstones, maybe more than I like the Hip, actually. Darker, dirtier, harder, rougher. . . maybe, to employ a cliché, akin to a Beatles-Stones thing although there, too, I love both bands.
  1. Tom Waits, Jockey Full Of Bourbon . . . I don’t even drink bourbon. Nor does Waits, anymore, apparently, having kicked booze. But drinking songs are great, aren’t they?
  1. Rare Earth, Long Time Leavin’ . . . Had my parents not sent we kids off to day camp, a ‘thing’ back in the early 1970s, perhaps still is, who knows how or if I would have gotten into Rare Earth. But, I did, because one of the camp counselors kept playing the shit out of Rare Earth’s live album. So, here we are. Speaking of day camp, mentioning it brought to mind an old Peanuts cartoon where Charlie Brown and Linus are celebrating the last day of school only to have Lucy immediately herd them onto a bus headed for summer camp, to which Linus asks, “whatever happened to going home?”
  1. U2, Last Night On Earth . . . OK, so I do a ‘deep cuts’ show with allowances (my rules) to play the occasional single, which this is, one of six, (SIX) U2 released out of 12 tracks on their 1997 album Pop.
  1. The Doors, When The Music’s Over . . . And off we go, for another week, via this epic Doors’ track from their second album, Strange Days. Akin, somewhat, to The End from the first studio album by the band. Great tunes, both.

So Old It’s New set list for Monday, Nov. 29, 2021 – on air 8-10 pm ET

  1. Ian Hunter, Noises . . . Let’s make some noise, starting with this experimental-type track from Hunter’s 1981 new wavish-album, Short Back ‘n’ Sides. And it presages, later in the set, some late 1970s-early 1980s my college days new wave, including one by The Clash, whose Mick Jones co-produced the Hunter album while Clash drummer Topper Headon played on a few tracks.
  1. Led Zeppelin, Night Flight . . . Always have liked the intro to this one from Physical Graffiti. The whole song, too, from a great album. Every major band seems to have a great what were then double vinyl studio albums. Zep has this one, Beatles’ White Album, Stones’ Exile On Main St., The Clash London Calling, just to name a few.
  1. The Rolling Stones, Let It Loose . . . Speaking of Exile…Two weeks ago I played the great Torn and Frayed from the album, settling on it from among a group of personal choices that week that included Let It Loose and Loving Cup. So you can probably expect Loving Cup next week, or soon.
  1. Molly Hatchet, Bounty Hunter . . . One of those tunes, and a great up tempo track it is, that I had previously loaded and came up in our station computer when I was looking for the Ian Hunter song, Noises, that started tonight’s show.
  1. Deep Purple, Fools . . . Played this one long long time ago, from the Fireball album,which prompted a show follower to comment that I play a fair bit of Deep Purple. True. I love Deep Purple, every version of the band. Which reminds me, I have to pick up their new covers album, just out. It’s called Turning To Crime and features a diverse set of tracks including Love’s 7 and 7 is, Little Feat’s Dixie Chicken, Bob Dylan’s Watching The River Flow and Fleetwood Mac’s Oh Well, among others. When I heard they were doing a new album, then heard it was covers, I was a bit disappointed as I prefer original material but I’ve heard it online and it’s good, but I still like getting physical copies of albums by bands I like.
  1. Warren Zevon, Genius . . . I first heard this typically great Zevon track on a latter-day compilation titled Genius: The Best of Warren Zevon, which prompted me to fill in some blanks I had in his catalog and get the song’s parent album, My Ride’s Here. Both the compilation and the studio album were released in 2002. And Zevon came to mind via yet another recent fun Twitter discussion with fellow music aficionados.


  2. Bruce Cockburn, All’s Quiet On The Inner City Front . . . And so, master singer-songwriter Zevon propels us into a mini-set by notable Canadian singer-songwriters, starting with this one from Cockburn’s 1981 Inner City Front album.
  1. Gordon Lightfoot, Hangdog Hotel Room . . . I played Songs The Minstrel Sang in a recent show, which prompted me to dig back into Lightfoot’s 1978 Endless Wire album, from which this track also comes. I like the guitar work but at the risk of erring, am loath to credit any one of the three session players, plus Lightfoot, who play the instrument on the album.
  1. Murray McLauchlan, Harder To Get Along . . . Speaking of some nice guitar work, here’s a fine one with a nice sort of descending rhythm motif, from McLauchlan’s 1976 On The Boulevard album. Typically good lyrics, too.
  1. The Guess Who, Got To Find Another Way . . . A nice ballad from the American Woman sessions that didn’t originally make the cut but was later included in various remastered re-releases of the album.
  1. Steve Winwood, Spanish Dancer . . . Difficult to pick a favorite tune from Winwood’s smash 1979 album Arc Of A Diver, it’s so good front to back but this song has always been right up there for me.
  1. Roxy Music, Angel Eyes . . . There are at least three versions of this tune. The one I’m playing, and prefer, is the more rock-oriented album cut from 1979’s Manifesto. A re-recorded, shorter and more disco-type version was later released as a single along with an extended near seven-minute dance remix.


  2. Elvis Costello, The Bridge I Burned . . . I pretty much gave up on Costello after his early, angry young man phase though I recognize he’s a great artist. Yet, unlike say, where I’ve followed his contemporary Joe Jackson’s various muses over the years, I really didn’t ride with Elvis much beyond about 1986. Then I recently found the perfect thing for me, a compilation, Extreme Honey, I had not to that point even heard of but found cheap in a used CD store. It came out in 1997 so is obviously already way out of date but for me it’s great because it collects tracks from albums like Spike and Mighty Like A Rose and beyond that, that I tried but gave up on. Yet by distilling it all down, it’s more palatable, for me, anyway. This song wasn’t on any of those albums, though. Costello wrote it, new, for the compilation after initially recording Prince’s song Pop Life only to have Prince deny Costello the right to release it. So, Elvis wrote and performed The Bridge I Burned in an arrangement he had envisioned for the Prince tune.
  1. Linda Ronstadt, Girls Talk . . . Speaking of Costello, Dave Edmunds made great hay with this Elvis-penned tune on his 1979 album Repeat When Necessary. Ronstadt did it a year later on her new-wavish Mad Love album. And so it launches us into a little new-wave themed set. Costello himself released Girls Talk as a B-side to his drastically rearranged 1980 single I Can’t Stand Up For Falling Down, originally popularized by Sam and Dave in a soul ballad version, 1967. And all of this research got me listening to a bunch of Sam and Dave tunes.
  1. Martha and The Muffins/M + M, Several Styles Of Blonde Girls Dancing . . . From 1983’s Danseparc album, the start of a brief period when, due to a spat between then-current and former band members, the Muffins briefly went by M + M, but the new moniker never really took hold and both names, as a compromise, appeared on the album cover, after which the band soon reverted to going by Marth and The Muffins.


  2. Ian Dury, Wake Up And Make Love With Me . . . I got into Dury, this tune and the album New Boots and Panties!! a year after its September 1977 release. One of those horizon-expanding college things where a classmate was driving us both to a party and threw a cassette of the album into the player. And so began my foray into Dury and all kinds of similar stuff that was breaking big at the time.
  1. Teenage Head, Somethin’ Else . . . Kick butt, and what else is Teenage Head but kick butt, version of the Eddie Cochran tune, from 1980’s Frantic City album, and a great album it is.
  1. Graham Parker and The Rumour, Howlin’ Wind . . . Title cut from Parker’s 1976 debut album, produced by Nick Lowe at the beginning of that period that would soon lead to Parker, Elvis Costello, Joe Jackson and Lowe himself breaking big as leaders of a new wave of artists.
  1. Talking Heads, Cities . . . Propulsive track from Fear Of Music, one of those albums one buys for a hit single (Life During Wartime) and then wind up liking the whole thing. Cities was actually the third single released from the album (the second was I Zimbra) but I don’t remember ever hearing Cities on radio, my memory perhaps dulled by time.
  1. Flash and The Pan, War Games . . . I’ve always played Flash and The Pan’s first two albums, the self-titled debut and Lights In The Night the most. They’re arguably the group’s most popular to this day but the more I’ve listened to Headlines, 1982’s third release, over the years the more I think it’s as good. And this short epic, if short can be construed as epic, is among many of Headlines’ fine tunes.
  1. The Clash, Police On My Back . . . From the sprawling (3 vinyl records upon release) 1980 album Sandinista! Written by Eddy Grant (well known for his 1983 smash hit Electric Avenue), it was originally done by his band The Equals, during the 1960s. Yet another example of what the Stones’ Keith Richards has said about the best thing musicians can do, pass it on. So you’re a college student immersed in The Clash at the time and then you dig into some of their source material for a cover tune and discover The Equals. And while you might not become a huge fan, you’re at least aware of them and might become one.
  1. The Police, Shadows In The Rain . . . I’ve always liked this hypnotic track from 1980’s Zenyatta Mondatta. Sting sped and jazzed it up in a rearranged version on his 1985 debut solo album, The Dream Of The Blue Turtles, which I had, and while his solo version is good, I much prefer the Police take on the tune.
  1. Jethro Tull, Baker St. Muse . . . And back we go, and run out the show, with more let’s say traditional fare, for me in terms of bands like Tull, the Stones etc. who I grew up on and will forever listen to. This is a true epic, 16 minutes and change, from the Minstrel In The Gallery album. But, like say The Allman Brothers Band albeit in a different context and genre, Tull can do epic tracks like this yet in such a way that it’s never boring and doesn’t seem like it’s 16 minutes long. A story song, in Ian Anderson’s words “a series of little observations on the pavements of Baker Street (London, where he was living at the time) and its surrounding area – the people you meet, the things you see.”

So Old It’s New set list for Monday, Nov. 22, 2021 – on air 8-10 pm ET

  1. Black Sabbath, Turn Up The Night . . . Kick butt Ronnie James Dio era Black Sabbath to start us off, from the Mob Rules album, 1981. I remember that album especially from working on a construction crew winter of 1981-82 in northern Alberta, minus-50 (really, OK was just one day it got that low but was usually at best minus-30; had to go in to the lunch trailer for regular breaks to avoid frostbite). Anyway, one of my colleagues, another Ontario transplant then, raved about the album at a time I wasn’t much into Sabbath, any version of the band. That soon changed.
  1. The Rolling Stones, Have You Seen Your Mother Baby, Standing In The Shadow? . . . Long ago now hit single, 1966, and I don’t play singles much but hey the show is called So Old It’s New and this is so old it’s new and when’s the last time you heard it on the radio or, for that matter, the last time the Stones played it live (Mick Jagger did on a solo tour years ago)? Quite possibly if my memory serves, first Rolling Stones track I ever really remember, via the Ed Sullivan Show and my older sister’s Flowers compilation. “Some good dances’ I remember her labeling her copy. In later years, she would presage Billy Idol’s Dancing With Myself by dancing to Zep’s Misty Mountain Hop and other Zep IV tracks in my older brother’s basement stereo room but that’s a whole other time and place. Anyway, after initially growing up on The Beatles, this was akin to metal, which hadn’t even been ‘invented’ yet, at the time, for me anyway and upon hearing it, I wanted to hear more from the Stones.
  1. Ted Nugent, Stranglehold . . . One of those tunes I got into via working in a bar during college when we had a DJ to play tunes between band sets. Often better than the bar bands themselves. The often-stoned, laid-back DJ we had, perhaps ironically seemed to have this rotating bunch of hard rock albums he drew from. Nugent’s Double Live Gonzo was one of them, along with Sabbath’s Heaven and Hell, Judas Priest’s British Steel and AC/DC’s Back In Black and Highway To Hell, among others. This, though, is the studio version of Stranglehold. Takes me back to those fun days and times of misspent youth.
  1. AC/DC, War Machine . . . AC/DC has a reputation as being a hard rock band, which they are, and metal, which to me they are not. In fact to me they’ve always been essentially a harder, heavier version of The Rolling Stones, same basic lineup – singer, two guitarists, bass and drummer and the Stones are big fans, especially Keith Richards, and have toured with them. Anyway, what to me separates AC/DC from your so-called average hard rock band is their groove, funk, even. As Richards has so wisely said, the ‘roll’ to go with the rock. Sounds crazy maybe I know but stay with me; to the uninitiated and I can see it, all AC/DC songs sound the same but…they’re not. Many of them have a sort of funk edgy groove, like this one from a recent effort, 2008’s excellent Black Ice album.
  1. Judas Priest, Victim Of Changes . . . Who can even describe this one other than to listen to it and think of it in one’s own way. The initial riff, Rob Halford’s voice in various forms including his typical banshee wail, the changing tempos of the song itself; just an epic composition and performance.
  1. Moby Grape, Changes . . . Deliberate song choice to change the pace of the show here, from the hard rock/metal first five tracks to a perhaps more traditional, for me, bluesy rock and so on approach for the rest of the set. Up tempo tune from a San Francisco band that never quite achieved the widespread admiration or commercial success of their contemporaries like the Grateful Dead or Jefferson Airplane, but were arguably as good.
  1. Commander Cody and His Lost Planet Airmen, Lost In The Ozone . . . Digging through my disorganized CDs that I keep lazily not organizing and up comes the Commander’s greatest hits album, from which I pulled this manic country rock music.
  1. Bonnie Raitt, Green Lights . . . Big oversight not playing Bonnie in long long time. Now rectified with this one from her earlier days. Saw her late 1980s, Toronto, during her hits commercial period, great show. Blues/R & B greats Ruth and Charles Brown guested, played a couple songs each, and were terrific. Wonderful concert.
  1. John Mayall, Ain’t No Brakeman . . . Later period Mayall, just nearly 30 years ago now, ha, from his 1995 Spinning Coin album. I saw him first in late 1980s in Toronto with former Stone and Bluesbreaker Mick Taylor opening, then joining Mayall’s band for a few songs, and then Mayall at a recent Kitchener Blues Festival, both great shows.
  1. Atomic Rooster, Broken Wings . . . And here’s progressive/hard rock band Rooster with their take on a favorite Mayall track of mine I’ve played before on the show. Mayall’s version, on his 1967 almost entirely solo The Blues Alone album, was spare, beautiful and so is the Rooster’s beautiful but they add their progressive and hard rock touches for the type of cover I always like, a re-interpretation that honors the original.
  1. Vanilla Fudge, Season Of The Witch . . . Here’s the second in a three-song little prog set, Vanilla Fudge’s spooky extended rendition of the Donovan song. The Fudge was so good at covers, including Beatles tracks like Ticket To Ride and Eleanor Rigby.
  1. FM, One O’Clock Tomorrow . . . From Black Noise, apparently inspired by an interview about space travel with Timothy Leary on The Tomorrow Show with Tom Snyder, which during its 1970s heyday came on at 1 am. I default to raunch and roll but gradually over the years came to prog, and in many ways the FM album may have stimulated that, er, progression in my listening habits.
  1. Lee Harvey Osmond, Lucifer’s Blues . . . Coincidental that today, Nov. 22, is the anniversary of the JFK assassination in me playing a Lee Harvey Osmond tune, because I’ve been thinking of and trying to get one in over the last few weeks since as show followers know I am a huge fan of everything Tom Wilson is involved in. Just a brilliant artist, Canadian or otherwise and of course he emerged with Junkhouse before going solo and with Blackie and The Rodeo Kings and Lee Harvey Osmond. Great bluesy track.
  1. The Byrds, He Was A Friend Of Mine . . . Now this one I did intend to play today, in memory of JFK. It’s an old folk tune, some lyrics rewritten by Jim aka Roger McGuinn in the wake of the assassination.
  1. Melissa Etheridge, Like The Way I Do . . . The beauty of this show, increasingly I find as time passes and it’s wonderful, is the feedback received, via in-person conversations and on social media which often triggers my brain to new tunes or artists I may have neglected or forgotten. Like Etheridge, whose music I came to, like many, via her first hit single, Bring Me Some Water in the 1980s. This tune, Like The Way I Do, was also a hit, but when’s last time you heard it, so it fits my ‘so old it’s new’ motif, to me anyway. I decided to play it,or at least something by Etheridge, after a friend of mine reported on his latest flea market cheapie CD run wherein he wound up getting some Melissa albums. I’ve long had her first two, and an excellent compilation which features Tom Petty’s Refugee and Another Piece of My Heart made famous by Janis Joplin, which are now back in my up front memory banks for future possible plays.
  1. Guns N’ Roses, 14 Years . . . I played some Izzy Stradlin solo stuff a while back. Here he is on lead vocals with backing by Axl Rose on a track I like from the Gunners’ Use Your Illusion II album, which came out on the same day as Illusion I in 1991. Remember that brief trend, which Bruce Springsteen followed a year later with his Lucky Town and Human Touch albums? I remember people lining up at record/CD stores to buy the Guns N’ Roses albums. Remember those days, we of a certain vintage? People lining up for albums, concert tickets, etc. Kind of a cool thing, actually, in some ways at least, or maybe it’s memory making things seem better or cooler. I remember getting tickets for the first Rolling Stones show I ever saw, 1978 in Buffalo. I lived in Oakville, Ontario at the time but had to go to the next city over, Burlington, to a mall with a ticket outlet, line up . . . People camped overnight, some came up with some ‘list’ they figured would assure them a place in line (it didn’t). I always remember a police officer at the door as people started getting rowdy, assuring them they were ‘in’ to get tickets. “Calm down! You’ll get tickets!” Then I recall a guy way up in the line, getting his and waving them triumphantly to the still-waiting crowd. You don’t get that sort of experience these days, such as it was, ordering online. Anyway, I did manage to get tickets to a great show.
  1. Canned Heat, Get Off My Back . . . Vocals by Alan Wilson on this, from the final incarnation of the original band. Love the fading in and out of the guitar breaks, just a cool bluesy rock song that goes through many tempo changes in five minutes yet remains a coherent whole.
  1. Steely Dan, Haitian Divorce . . . inspired by yet another Twitter conversation about great bands.
  1. Peter Green, Just For You . . . From the late great original Fleetwood Mac leader’s In The Skies album, beautiful blues rock.
  1. Little Feat, Dixie Chicken (live) . . . Twice the length of the studio version and featuring the Tower of Power horns, this great version features a terrific piano solo by Bill Payne, then horns, then a guitar duel between Lowell George and Paul Barrere to close things out. From one of the great live albums, Waiting For Columbus.
  1. George Harrison, Simply Shady . . . I was digging through my Harrison stuff and realized I had not mined the Dark Horse album in ages, if at all, for listening pleasure or the show itself. I remember a period in my life when I was major into Harrison’s solo work, as it came out, and I still always am but hadn’t listened to this album in a while. I think this very confessional tune as he examined himself at that particular time in his life, 1974, is arguably the best on a good album journalism critics found wanting, yet it’s quite good in my estimation. He took criticism over his perhaps ragged vocals on the album and particularly this track but apparently he had been suffering from laryngitis and in any event, I think the vocals actually add feeling to the song.
  1. The Tragically Hip, Fiddler’s Green . . . Beautiful track from one of the Hip’s best albums, Road Apples. It wasn’t a hit, not a single. Yet so revered among Hip fans that it made it onto the Yer Favourites compilation, partly selected by fan vote, and justifiably so.
  1. Kansas, Lonely Street . . . I got talking about Kansas on Twitter with some music acquaintances the other day and their Song For America album and its title cut came up. And it’s great, Song For America, and I like Kansas’s prog music, and they’re a prog band but more widely known in the mainstream for what really are somewhat uncharacteristic hits like Carry On Wayward Son and Dust In The Wind. At any rate, they can obviously do it all, which is why I wound up choosing this perhaps atypical bluesy rocking cut from that same Song For America album.
  1. J.J. Cale, Carry On . . . And we carry on to next week via J.J.’s typically brilliant shuffle. I have all his stuff and the guy to me was amazing; how he essentially mined the same groove song after song, album after album, yet never sounded repetitive.

So Old It’s New set list for Monday, Nov. 15, 2021 – on air 8-10 pm ET

  1. Emerson, Lake & Palmer, Fanfare For The Common Man (single edit) . . . So much of my life has revolved around my love for The Rolling Stones. So while I likely knew Aaron Copeland’s 1942 composition by osmosis, I first cottoned to it via its use as the intro music on the Stones’ 1975-76 Tour of the Americas/Europe, and the Love You Live album commemorating the tour. They were still using it when I saw them for the first time, in 1978 in Buffalo, N.Y. ELP did a 10-minute version on their 1977 Works Vol. 1 album.
  1. Hawkwind, Sonic Attack . . . Crazy nutty fun spoken word stuff from the boys, reflecting my nutty mood as I put together tonight’s show, at least the early tracks. “Do not panic!” etc.
  1. Frank Zappa, The Central Scrutinizer . . . Here comes the narrator of Zappa’s epic 1979 concept album, Joe’s Garage.
  1. Frank Zappa, Joe’s Garage . . . His mama was screamin’ “Turn it down! No. We won’t. This song still never fails to crack me up.
  1. Saga, The Security Of Illusion . . . Nice progressive rock type ballad from the Canadian band, from my hometown of Oakville, Ont. Arguably more popular in Europe than North America, they were also huge in . . . Puerto Rico.
  1. King Crimson, 21st Century Schizoid Man . . . From the brilliant 1969 debut album, In The Court Of The Crimson King and something of an anomaly on the record, easily its hardest-rocking cut.
  1. Queen, Brighton Rock . . . Queen kicking butt in 1974 on the Sheer Heart Attack album. The sort of back-and-forth guitar riff, at least in the early part of the song, makes me think that’s how it feel be to be careening along in a bobsled run at the Olympics.
  1. Alan Parsons Project, (The System Of) Dr. Tarr And Professor Fether . . . Cool track from Tales Of Mystery And Imagination, the Edgar Allan Poe-themed debut album by the Project, in 1976. The personnel on this particular project ran the gamut from Arthur Brown of The Crazy World Of Arthur Brown fame to movie maven Orson Welles, doing narration on the 1987 remix of the record.
  1. Electric Light Orchestra, Dreaming Of 4000 . . . I feel like I’ve played this too recently, although I couldn’t find exactly when in my searches. Whatever, I like the killer riff on the song, from the 1973 album On The Third Day.
  1. Genesis, Another Record . . . So we go from a lot of progressive rock-oriented stuff to a song by a prog band that by the time of this release, on 1981’s Abacab album, had almost abandoned the genre. I like the Abacab album and all phases of Genesis, one of those bands I traveled with, so to speak, and they never completely lost me . . . aside from Illegal Alien or the title cut from Invisible Touch which I can see are nicely constructed songs but, yechh.
  1. Todd Rundgren, Hello It’s Me . . . Not super into Rundgren, although I do like his hits, like this one. So, even though it’s a deep cuts show, how often do you hear Rundgren on the radio, especially nowadays?
  1. Robert Palmer, Can We Still Be Friends? . . . And here’s Robert Palmer doing a Rundgren tune, a by-the-book version I’m more familiar with but only because I heard the Palmer version first, via his Secrets album.
  1. Gordon Lightfoot, Songs The Minstrel Sang . . . One of those tracks I threw into our station system some time back and forgot all about until I was searching something else for tonight’s show and saw it. Nice tune and wah wah guitar on this one from the Canadian icon.
  1. The Plastic Ono Band, Yer Blues (live, from Live Peace In Toronto 1969) . . . I thought of being silly and playing some shrieks from Yoko Ono ‘singing’ from her bag on stage, from this concert album but then thought, why waste good minutes in a two-hour show? Nice work on the John Lennon-penned Beatles cut from Lennon, Eric Clapton, bassist Klaus Voormann and drummer Alan White. As you can see in the video, taken from the concert film, Yoko is holding a lyric sheet while she wails along with John. Why she needed it, who knows; I guess to time her shriek spots. I love how she’s credited on the album under personnel: ‘wind, presence, backing (notice it doesn’t say vocals), art.” I don’t mind Yoko, really.
  1. Pete Townshend, Cat’s In The Cupboard . . . Another one I feel like I may have played too recently, or was that I Am An Animal, from Townshend’s terrific Empty Glass album, 1980. No matter. Imagine you were in The Who at the time, coming off the great 1978 Who Are You album, Keith Moon is gone and Pete’s going solo with this, instead of using at least some of the great Empty Glass songs for a Who album instead of what was left for the decent, but weaker, Face Dances Who album that came out in 1981. No wonder they broke up shortly after, for a while at least.
  1. The Rolling Stones, Torn And Frayed . . . One of my favorite cuts from Exile On Main St., just a great groove. Most bands would kill to have something like this as a single.
  1. Ry Cooder, Down In Hollywood . . . Indeed a ‘boppy’ tune from Cooder’s 1979 album Bop Till You Drop album which, aside from this song, was a covers album of early R & B and rock and roll classics. Bop Till You Drop is also significant in that it was, apparently, the first all-digitally recorded major label album in popular music.
  1. Flash And The Pan, California . . . This came up due to the searching for the Cooder track, so stuff to do with California came up in the system. A good thing, because I can never get enough Flash And The Pan.
  1. Buddy Holly, Learning The Game . . . I played Blind Faith’s version of Holly’s Well All Right last week, prompting a discussion with a friend about early rock and rollers and how great they were and in some cases still are. So I thought I’d go with a Holly tune, which in this instance I pulled off a compilation of rock and roll tracks that inspired the Stones. Keith Richards did this one live in Texas (naturally, since Holly was born there) in 2005 during his usual two-song set within a Stones’ concert in Austin.
  1. Jerry Lee Lewis, Me and Bobby McGee . . . Very cool arrangement, by The Killer, of the Kris Kristofferson classic made immortal by Janis Joplin. Lewis’s version came out in 1971 and to me is how covers ought to be done – reinterpret them as to make them almost an entirely new song. Good examples of that are Hendrix’s take on Dylan’s All Along The Watchtower and Devo’s version of the Stones’ Satisfaction.
  1. Bruce Cockburn, How I Spent My Fall Vacation . . . I’ve played so many tunes on the show over time, obviously, that I keep thinking I’m repeating myself. Probably for the most part not, although I have often dug into Cockburn’s magnificent 1980 album Humans. Not a bad track on it. Here’s yet another good one from that platter.
  1. Elton John, Tell Me When The Whistle Blows . . . One of my favorite Elton John songs, period, hit or deep cut. This one’s from the Captain Fantastic album in 1975, coming to the end of a run when everything EJ did was, indeed, fantastic.
  1. Rod Stewart, The Killing Of Georgie (Part I and II) . . . From Stewart’s hit album Tonight’s The Night, 1976. Space does not permit but . . . It’s worth reading up on the song, about a gay friend of the Faces who was killed, and the coda’s resemblance to the Beatles’ Don’t Let Me Down, starting at about the five-minute mark, and John Lennon (‘the lawyers didn’t notice’) and Stewart’s reaction to it. I had never actually thought about the similarity until fairly recently, all these years later.
  1. Savoy Brown, Leavin’ Again . . . It was cool that a Twitter acquaintance I’ve developed over shared love of music mentioned he’d gotten into some Savoy Brown via various discussions, so I thought I’d play some…again. Love the band, including this long bluesy jam.
  1. Steve Earle, Goodbye’s All We Got Left To Say . . . Another from Twitter discussions about various great artists. And that’s indeed all that’s left to say, for this week.

So Old It’s New set list for Monday, Nov 8, 2021 – on air 8-10 pm ET

  1. The Moody Blues, Veteran Cosmic Rocker . . . Not sure how much or if I’m cosmic, but definitely, by now, having grown up with what’s now classified as classic rock, a veteran rocker. This one’s from arguably my favorite Moodies album because, aside from hits compilations, it’s the studio album I know track-for-track, having grown up with it in 1981 when it was high on the charts. 
  2. Joe Jackson, Man In The Street . . . Playing this for a good friend, who recently found the Big World album, from 1986, cheap at a flea market and is enjoying it. Great album by a great artist, show followers will know JJ is one of my favorites; no matter the various directions he’s taken in his eclectic career, he’s never lost me yet. I saw the Big World tour at Kingswood Music Theatre at Canada’s Wonderland and this was the closing track in a 26-song set, extended from its 5-minute studio length as Jackson seemed transported into another realm by the music.
  1. Boston, Hitch A Ride . . . I remember when the first, self-titled Boston album came out, a bit of a backlash later ensued as critics started accusing the band, led by MIT-trained engineer Tom Scholz, of using computers and synthesizers to achieve their sound. So on the second album, Don’t Look Back,the band made a point of noting that no computers or synthesizers were used. Nobody gives a damn about that, these days, the use of computers, samples, etc being widely accepted though not everyone is fond of such developments. Anyway, hard to pick a deep cut on Boston’s debut album because just about all of it has been played, and played, and played, on classic rock radio since 1976 when it was released. So, this is the song I decided on. Might be the first time – or certainly first time in eons – I’ve played Boston on the show. To be honest their music hasn’t aged all that well to me, sort of a guilty pleasure by now but loads still love ’em and I don’t begrudge that.
  1. Joe Cocker, Many Rivers To Cross . . . Nice interpretation of the Jimmy Cliff tune on Cocker’s reggae-tinged Sheffield Steel album in 1982 that featured the noted rhythm section of drummer Sly Dunbar and bassist Robbie Shakespeare.
  1. The Band, Across The Great Divide (live) . . . From the great live album, Rock of Ages.
  1. John Mayall, Nature’s Disappearing . . . I remember my older brother, who I often cite here because he was such a huge musical influence on me, bringing home Mayall’s USA Union album. “No drummer!’ my brother said. This was during the period Mayall indeed used no drummer, although if you didn’t know that, listening to the album, you probably wouldn’t have noticed. Anyway, it was Mayall (guitar, vocals, harmonica and piano) guitarist Harvey Mandel of Canned Heat and Stones’ Black and Blue album sessions fame, Larry Taylor on bass and Don “Sugarcane” Harris on violin. Good stuff. And an early environmental initiative statement, to boot.
  1. Gov’t Mule, Monkey Hill . . . Another one from one of my favorite Mule albums, the Tri-Star Sessions. It’s a set of more raw recordings, the actual original demos for much of what became the Allman Brothers offshoot’s self-titled debut album, in 1995.
  1. Buddy Guy, Tramp . . . Buddy’s take on the Lowell Fulson-Jimmy McCracklin tune, first recorded by Fulson in 1967. This version of the soulful blues track is from Guy’s excellent 2001 album, Sweet Tea.
  1. Deep Purple, Lazy . . . Great albums become so well-known that those of us who grew up with them can play them, mentally, in our sleep hence maybe don’t play them so much anymore. Then you do – which of late I’ve been doing – and you’re reminded just why they’re so great, every track a gem. Like Purple’s Machine Head, of course, which I listened to in the gym the other day. Lazy is just another example of Purple at their best with that amazing blend of all instruments and vocals.
  1. David Baerwald, Hello Mary . . . Nice relationship, or former relationship, song. It’s from Baerwald’s debut solo album Bedtime Stories, released in 1990 after David + David (with David Ricketts) broke up after their fine debut album, Boomtown, in 1986. Ricketts, who co-wrote a couple tunes on Bedtime Stories, but not this one, went into mostly production work while Baerwald has released sporadic solo work while writing musical scores for film and TV. Both Davids played on and co-wrote many of the songs on Sheryl Crow’s debut solo album, Tuesday Night Music Club, in 1993.
  1. The Rolling Stones, Wish I’d Never Met You . . . Another bluesy cut from the Stones’ B-side collection, this one was the flip of the Terrifying single, from the Steel Wheels album, in 1989. It later appeared on the live album Flashpoint + Collectibles disc in 1991 and in 2005 on the Rarities 1971-2003 collection.
  1. Keith Richards, Heartstopper . . . Nice boogie type tune from his 2015 solo release, Crosseyed Heart.
  1. Marianne Faithfull, For Beauty’s Sake . . . And we conclude the little Stones, Inc. interlude with this one from 1981’s Dangerous Acquaintances, which continued a hot streak that began with the previous ‘comeback’ album, Broken English, in 1979. It wasn’t as successful, critically, as Broken English (which would be difficult to top) and Faithfull herself described the recording process as an arduous affair, but it’s got lots of good stuff on it, for my money.
  1. Blind Faith, Well All Right . . . Blind Faith’s take on the Buddy Holly classic. Another from the older-brother-as-huge influence file, which also happened to get me more into Buddy Holly beyond some of his perhaps more obvious hits.
  1. David Bowie, Blackstar . . . Terrific, extended title cut from Bowie’s final album, released in 2016. He died two days after its release. The song reached as high as No. 61 on some charts, remarkable for a 10-minute track but the song is akin to, in my view, the title cut to his Station To Station album. Someone in the comments field on YouTube had a nice description, suggesting Blackstar is like, and Bowie knew he was dying, a sort of retrospective look at the myriad styles he tried and embraced throughout his career.
  1. Pink Floyd, A Pillow Of Winds . . . From Meddle, one of those great albums some of us get into from a band after embracing a later work, in this case the next one, the monster The Dark Side Of The Moon. Then, you go back. Or, forward in a way because, older brother influence reference again, I first became aware of Pink Floyd when he brought home Ummagumma, which I found weird at first but have grown to embrace and play on the show and will again. The coolest thing about Ummagumma, at first glance, is the cover as each band member trades positions and if you know the cover you know what I mean.
  1. Pat Travers Band, Born Under A Bad Sign . . . Off we go into a bit of a blues phase in the show, via Canadian artist Travers’ take (great guitar work) on the blues classic. Saw him at the Kitchener Blues Festival some years back now, good show.
  1. Arc Angels, Sent By Angels . . . Out of the ashes of the late great Stevie Ray Vaughan’s band Double Trouble came Arc Angels with their terrific (and lone) 1992 self-titled album. Featured were two members of SRV’s band, drummer Chris Layton and bassist Tommy Shannon, plus guitarist/singers Doyle Bramhall II (later in Roger Waters’ touring band) and Charlie Sexton. Arc Angels lasted just the one album in terms of recorded work, apparently due to some drug issues within the band which led to various other issues.
  1. Stevie Ray Vaughan, Texas Flood . . . And here’s SRV himself…Terrific artist. Like the next guy I’m playing, another Texan who at the time brought blues and let’s say more commercial blues rock back to prominence.
  1. Johnny Winter, Lone Wolf . . . Kick butt song to end our Texas trio of tunes, from his 2004 I’m A Bluesman album. I finally saw Winter, in his later days but he was still delivering, even sitting down, when he appeared at the 2011 Kitchener blues festival. That one had one of the fest’s best-ever lineups, which is saying a lot but we had Gregg Allman, John Mayall and the Winter brothers, although Johnny and Edgar did separate sets on different days.
  1. April Wine, Mama Laye . . . Always liked this Latin/calypso type track from the Forever For Now album in 1977.
  1. Alannah Myles, Our World Our Times . . . Myles had huge success, largely via the monster Black Velvet single, with her debut self-titled album in 1989. But I think her follow-up, Rockinghorse, is as good and this hypnotic, pulsating track is evidence of that.
  1. Chicago, Free Form Guitar . . . I was debating whether to play this 6-minutes plus of guitar wank from the late great Terry Kath, from the debut Chicago album, Chicago Transit Authority but then thought, WTF, this show does what FM radio used to do but no longer seems to, at least not commercial rock radio. You used to hear let’s call it acid rock like this. Some think it’s creative, some think it’s self-indulgent crap, all I think would agree Terry Kath was a great guitarist. So, here you go.

So Old It’s New set list for Monday, Nov. 1, 2021 – on air 8-10 pm ET

  1. AC/DC, Let There Be Rock . . . Scorcher from the early, Bon Scott days, perfect for the hard rocking start to tonight’s set.
  1. Led Zeppelin, We’re Gonna Groove . . . Kick butt rocker from 1969/70 first appeared officially on the 1982 compilation of outtakes album, Coda. 
  2. Uriah Heep, Gypsy . . . Not a huge Heep fan but when I listen to ’em, I like what I hear but confess to knowing mostly just the early stuff, like this. The Heep did make a great contribution to music journalism criticism, though. When the band first appeared, Rolling Stone magazine critic Melissa Mills began her review: “If this group makes it I’ll have to commit suicide. From the first note you know you don’t want to hear any more.” Funny but on other hand pretty insensitive comment, first off, about a serious issue and no word on what Melissa did, since Heep did make it big.  And Rolling Stone has rarely been kind to heavier music.
  1. R.E.M., Crush With Eyeliner . . . Speaking of which, I like R.E.M. especially when they lean towards the heavy side, like on this one from the Monster album, released in 1994.
  1. Ted Nugent, Baby Please Don’t Go (live) . . . Smokin’, breathless version from Double Live Gonzo! of the Big Joe Williams tune, done by many, including an absolutely scorching studio version by AC/DC I must return to soon. 
  2. Heart, Bebe Le Strange . . . This title cut from Heart’s 1980 album was an unsuccessful single, only made it to No. 109, but I like it. Maybe not ‘hooky’ enough to be a big hit but it kicks butt, in my opinion, in a propulsive way. And Ann Wilson could, as the saying goes, sing the phone book (are there still phone books?) and I’d listen. What a voice.
  1. The Yardbirds, Evil Hearted You . . . To me, there seemed to be a period – and maybe it was evolving and improving recording techniques – where 60s pop started becoming rock, and this is another song from 1965 (like the Stones’ Satisfaction and much of The Beatles’ Rubber Soul album) that suggests that. Great Jeff Beck guitar playing and love the vocals by Keith Relf on a song penned by Graham Gouldman, who wrote the previous Yardbirds hits For Your Love and Heart Full Of Soul and went on to become a member of 10cc. 
  2. Cream, Swlabr . . . The B-side to Sunshine Of Your Love from 1967’s smash album Disraeli Gears, and a well-known tune in its own right after appearing on several Cream compilations. The letters of the song title are an abbreviation for She Walks (or Was, depending on the source) Like A Bearded Rainbow.
  1. U2, Trip Through Your Wires . . . Always liked this one from the monster hit album The Joshua Tree. The album had 11 songs, five of which (not this one) were released as singles and they all could have been, the album is that strong.
  1. ZZ Top, 2000 Blues . . . Typically great bluesy cut, what ZZ Top to me has always done best, from the 1990 album Recycler. It was in large measure a continuation of the big hits synthesizer sound of the previous two albums that yielded hits like Legs and made ZZ Top music video stars. But Recycler was recorded in two different sets of sessions and by the second go-round, when this track was recorded, the band was in a different place, recording material like this blues cut. As a result, Billy Gibbons has said the band considers the album their Tres Hombres/Eliminator album.
  1. David Wilcox, Cheap Beer Joint . . . Makes you want to either be sitting in that cheap beer joint or lying on the floor, headphones on, drink beside you, thinking of being in that cheap beer joint.
  1. Murray McLauchlan, Out Past The Timberline . . . I played this terrific paean to Canada as recently as my Canada Day show this year but was inspired to play it again as I was in the car the other day and switched over to and heard it. Another DJ was using a song I’d uploaded, one of thousands although I’m still waiting for my royalty residuals for filling the station library, ha ha. Just kidding around, management, happy to contribute my collection.
  1. Rush, Natural Science . . . Typically great Rush instrumental passages in this extended outing from 1980’s Permanent Waves album. Another fairly recent repeat but I thought of this one due to a Twitter discussion the other day about great Rush tunes, and this one was mentioned by several people. So many to choose from, obviously.
  1. Bruce Springsteen, Johnny 99 . . . From the spare, dark, mostly acoustic and purely solo, Springsteen alone with his guitar and various other instruments album Nebraska, released in 1982. Early Dylan-like, but uniquely Springsteen, and excellent.
  1. The Rolling Stones, Fancy Man Blues . . . Great original blues by the boys, originally released as the B-side to the Steel Wheels album single Mixed Emotions, although to me this is clearly the better tune. But a blues single likely wouldn’t wash (although the Stones had a No. 1 in the UK in the early days with Little Red Rooster). The song was also the lead cut on After the Hurricane, a George Martin of Beatles fame-produced album to benefit victims of Hurricane Hugo in 1989. The song is also on the Collectibles portion of the expanded release of the live album Flashpoint and on the Rarities 1971-2003 compilation, if anyone’s still buying physical product.
  1. Don Henley, Workin’ It . . . Typically caustic Henley lyrics on this one from the Inside Job album in 2000. It wasn’t a single although I do remember some airplay. In any event, it’s my favorite from that album.
  1. Eddie Money, Baby Hold On . . . Mine is a deep cuts show but occasionally I’ll throw in a hit single or at least one that hasn’t been heard in a long time, or didn’t do so well. This one did, one of Money’s two big hits, the other being Two Tickets To Paradise. It came to mind as I got in the car the other day, older car, no satellite radio and other such accouterments, and needed some music to listen to. So I pulled out a CD of material I had burned ages ago, and this was on it. Great tune.
  1. Robin Trower, It’s Only Money . . . Just thought I’d play it since it came up via key words while I was looking up the Eddie Money tune. I feel as if I’ve played this too recently, so risking a repeat but not according to my searches. In any event, so what, I can never get enough of Trower’s blues rock, particularly the 70s halycon days with the late great James Dewar on bass and vocals.
  1. Warren Zevon, Lawyers, Guns and Money . . . Another that came up thanks to the word ‘money’. Great stuff from the Excitable Boy album which, via Werewolves of London, broke Zevon big. “I went home with the waitress, the way I always do…How was I to know she was with the Russians too.” … “send lawyers guns and money, the shit has hit the fan.” I could listen to Zevon all day.
  1. The Kinks, Misfits . . . Title cut from the 1978 album, just before the Kinks’ commercial resurgence with the next album, Low Budget. This was a B-side. A B-side. Most bands would kill to have this as an A-side. The only single that charted from this album was A Rock ‘n’ Roll Fantasy, great tune I’ve played before, which only made No. 30 or so. But of course, chart success isn’t necessarily indicative of quality.
  1. Jeff Beck, Ice Cream Cakes . . . The version of the Jeff Beck Group fronted by Rod Stewart with Ron Wood on bass, the group that released the Truth album in 1968, tends to get the most accolades. But the later version, with Bobby Tench (vocals), Max Middleton (keyboards), Clive Chaman (bass) and drummer to the stars Cozy Powell was no slouch, as proven by this progressive/rock/bluesy track.
  1. Dickey Betts & Great Southern, Back On The Road Again . . . As described by an AllMusic reviewer of Betts’s 1978 album Atlanta’s Burning Down: “Allman Brothers guitarist Dickey Betts moves back into the deep-fried Southern boogie that the Brothers are (in)famous for and serves it up with just a smidgen of country and comes out with another winner.” Agreed.
  1. The Beatles, Abbey Road Medley (You Never Give Me Your Money/Sun King/Mean Mr. Mustard/Polythene Pam/She Came In Through The Bathroom Window/Golden Slumbers/Carry That Weight/The End/Her Majesty) . . . Played this to end the show long ago, figured I’d do it again after listening to it while in the gym. This is the original version, with Her Majesty, then a hidden track not listed (and I still have an original copy) on the album cover. A recent expanded re-release of Abbey Road puts Her Majesty where it originally was, in the middle of the medley, between Mustard and Pam, but Paul McCartney didn’t think it worked back then and I tend to agree, having listened to the re-released version. It’s still good, but . . . That said, it’s likely because we’ve become so used to the original released sequence that any adjustments seem out of place.