Viewpoints

New Radio Program | Viewpoints | A national radio show exploring local contentViewpoints is the latest news magazine produced by the Community Radio Fund of Canada. It provides an overview of what’s happening across Canada, thanks to some 20 radio reporters posted across the country (British Columbia, Alberta, Ontario, North West Territories, Québec, New Brunswick and Nova Scotia) and working for the Local Journalism Initiative (LJI). The Local Journalism Initiative supports the production of original civic journalism news content that covers the diverse needs of underserved communities across Canada. Politics, society, environment, community, arts and culture take the air on «Viewpoints» hosted by Boris Chassagne. The Community Radio Fund of Canada works in collaboration with the National Campus and Community Radio Association (NCRA/ANREC).

Viewpoints is syndicated on Radio Waterloo from the NCRA’s !earshot Digital Distribution System, and currently airs on CKMS-FM 102.7 on Mondays from 2:30pm to 3:00pm.

From the Void #2 – July 12th 2022

If you are familiar with Into the Void – then you might be prepared for From the Void. I will push the boundaries and conventions of radio every Tuesday night. While preparing for this show I realized that this isn’t going to just be a show about Experimental music, it’s going to be experimental radio. You won’t know what has been pre recorded or is happening live. You won’t know if it is original or if it’s a top 40 band. You won’t know if you are getting older or getting younger. Time doesn’t exist, sound is subjective and taste isn’t even a consideration. The best part about sounds from the void is you won’t be able to hear it…unless you are already in the void.

show logoFrom The Void is Experimental Music — soundscapes and audio experiments to lose your mind to.

From The Void airs on Tuesdays from 10:00pm to 11:00pm.

 

Subscribe to the Podcast

Indek Khut ma Indek Sheel

show logoIndek Khut ma Indek Sheel presents the Sudanese music and culture with a brief analyses of songs and cultural practices from different regions in Sudan. In addition, it makes connections with the youth and adults to tackle some cultural challenges, questions, concerns that they face in Canada in order to better cope with Canadian core values such as democracy, peace, freedom of faith, respect of the law and local regulations, cross-cultural relationships, social responsibility as good citizens, etc. English is the main language of the show. Also, the show makes interviews with opinion leaders of the Sudanese community in Canada and  from Sudan, musicians, artists, etc.

Indek Khut ma Indek Sheel is a famous motto in Sudan that means “if you have money you can donate, but if you don’t have money, you can take what you need from this unguarded basket.” It was coined by young women and men in the famous Sit-in that took place in front of the Sudanese Armed Forces Headquarters in Khartoum in 2019 and continued for months. It was ended up by a massacre against protesters on Monday June 3, 2019, more tragically in the Holy Month, Ramadan. The Sudanese  widely accuse The Military and Rapid Support Forces, both of them are in power now in Sudan,  of committing this humanity crime.

This program is not intended for donations or any financial purposes, but it uses this motto,  as a representation of the Sudanese major traditions of collective work for public interest, social cooperation and integration, and promotion of of the Sudanese identity.

Indek Khut ma Indek Sheel is not currently on the schedule.



So Old It’s New set list for Monday, July 11, 2022 – on air 8-10 pm ET

  1. The Kinks, Juke Box Music . . . A single from the 1977 Sleepwalker album that, as with so many great Kinks’ songs it seems, didn’t chart. Absurd! So, it’s a deep cut, says me.
  1. New Barbarians (Ronnie Wood, Keith Richards and assorted members of Rolling Stones, Inc.), Rock Me Baby (live) . . . Drunken, stoned, ramshackle, sloppy, raunchy, beautiful rock and roll on the blues standard tune by the New Barbarians. That was the band Wood put together to tour in support of his 1979 album, Gimme Some Neck. The lineup of Wood, Richards, jazz fusion bassist Stanley Clarke, drummer Joseph Zigaboo Modeliste of funkmeisters The Meters, Faces keyboardist Ian McLagan and Stones’ henchman saxophonist Bobby Keys toured the United States but first appeared at a show I somehow was lucky enough to get tickets to, the April, 1979 Oshawa charity concert Richards did for the Canadian National Institute for the Blind as penance for his 1977 drug bust while the Stones were in Toronto for their El Mocambo shows. Those two nights were famously captured on one side of the Love You Live album and, more recently, the full club show release, which is excellent. The Barbarians opened the Oshawa concert, then on came the Rolling Stones for a short set, maybe an hour which is interesting because Mick Jagger long ago was quoted as saying that the best concert would be an hour or less, hit ’em hard, in, out, leave them wanting more. Which is what the Stones did that day. Anyway, I pulled this not from that show, which has never been officially released (many bootlegs available) but from a 2006 release on Wooden Records (get it?) called Buried Alive: Live In Maryland, from the Barbarians’ U.S. tour. The one-off group later opened for Led Zeppelin at Zep’s final big show, the Knebworth Festival in August, 1979.
  1. Carlos Johnson, Out Of Control . . . From a covers CD I picked up some time back in my music travels, Chicago Plays The Stones. This is a, I’ll call it rockabilly blues reinterpretation by guitarist Johnson, and I love it, of the Stones’ tune from their 1997 Bridges To Babylon album. Which proves two things: Reinterpretations are worth listening to at least once (and more, in this case) and that latter-day Stones’ albums – like those of many major artists still doing it – are well worth anyone’s open-minded while.
  1. Tommy Bolin, Bustin’ Out For Rosey . . . Great riff and song from the late great guitarist, often a replacement member (Deep Purple, James Gang) but an amazing talent in his own right. His playing is well worth checking out on Purple’s Come Taste The Band album, his James Gang records and his solo stuff – this one from the Private Eyes album.
  1. AC/DC, Sweet Candy . . . So, having played Bustin’ Out For Rosey as the previous track, one would expect me to, if going with an AC/DC song next, to play Whole Lotta Rosie, no? Well, no. Hah. I admit I did consider it of course but . . . that’s . . . just what you’d be expecting. So I went with a more recent AC/DC tune, from 2014’s Rock Or Bust album. It’s a good one and fits with my show mantra, old bands, old tracks, old bands, their new stuff if they’re continuing to produce material.
  1. The Beatles, Wait . . . I was listening to Rubber Soul the other day. So . . . Want to hear my story – again – about how my sister had the album when it came out, which is how I got into it? Well, that’s pretty much the story. And she liked dancing to it, as mentioned before; she even wrote she liked dancing to it on her copy of the album. “Good dances”. Enough. On to the next track.
  1. Pretenders, The Wait . . . I was watching one of my Pretenders’ concert DVDs the other night once I got tired of reading and couldn’t watch TV due to my we’ll let them go unnamed but everyone knows who it is, internet provider’s screwup, and the band did a rousing version of this live so I decided to play the studio cut, from the debut album.
  1. Led Zeppelin, Baby Come On Home . . . Blues track that was recorded in 1968 but did not appear officially until the 1993 Boxed Set 2 compilation.
  1. Graham Parker and The Rumour, Empty Lives . . . The Up Escalator, the 1980 album from which this song comes, tends to get critically trashed, especially in comparison to Parker’s previous offering, Squeezing Out Sparks. To each their own; I like both albums equally and in fact was introduced to Parker via The Up Escalator.
  1. Eagles, The Sad Cafe . . . Same thoughts as with the Parker tune and album, above. This one’s from The Long Run, which followed the monster Hotel California and was critically panned and also criticized by the band itself, yet I like each album equally, little to choose between them, for me. And The Long Run made No. 1 as well in most countries, so . . . ?
  1. Chicago, Loneliness Is Just A Word . . . From the pre-schlock glory days (my opinion) of Chicago, the first three albums especially, this one from III, and up until Terry Kath’s passing.
  1. Jefferson Airplane, Lather . . . The typewriter song. Listen, you’ll hear it, along with Grace Slick’s typically great vocals.
  1. Bruce Cockburn, Understanding Nothing . . . Spooky track from his 1988 Big Circumstance album.
  1. Elvis Costello, Beyond Belief . . . This one, from Imperial Bedroom, is on various Costello compilations yet while well known, wasn’t a single. Could easily have been.
  1. Headstones, Pretty Little Death Song . . . Perhaps they’ll play this upbeat (ha) tune when they play the Kitchener Blues Festival in August.
  1. Link Wray, Climbing A High Wall . . . I can only smile in appreciation and admiration of the razor-like guitar assault on this tune, one of the few with vocals from one of the fathers of distortion. The guy was amazing and so influential to the point where one thinks, this is Hendrixian stuff yet Wray came first, so maybe Hendrix, who I really like, was in many ways Wray-ian.
  1. Iggy Pop, Cold Metal . . . Had to play this one when, while playing the Wray track online, I noticed a comment suggesting Iggy Pop/Stooges ought to be paying Link Wray royalties. A worthy thought. This one’s from Pop’s 1988 Instinct album. The record company expected a pop album, given, er, Pop’s previous pop-oriented and commercially successful Blah Blah Blah album. Naturally, Pop ignored the company and delivered a hard rock/metal record. Good for him.
  1. Black Sabbath, Eternal Idol . . . Title cut from the band’s 1987 album during a state of flux period where guitarist Tony Iommi was the lone remaining original member. Yet while unsuccessful commercially without the lead vocals of original singer Ozzy Osbourne or great replacement Ronnie James Dio, it’s still a great album. Lead vocals by Tony Martin, for anyone with an open mind willing to listen to it and many of the Sabbath albums of the period. And that’s a testament to Iommi’s perseverance and, of course, amazing heavy riffs.
  1. The Electric Flag, Another Country . . . From the Mike Bloomfield-led psychedelic jazz blues band. I love the transition around the 4:15 mark of this extended piece, from psychedelia back to more conventional jazzy rock.
  1. Neil Young and Crazy Horse, Country Home . . . Raunchy track, typical of the distortion-heavy 1990 album Ragged Glory. It was originally recorded in the 1970s but didn’t appear on a studio record until Ragged Glory.
  1. The Guess Who, Old Joe . . . Obscure one from Canned Wheat, but that’s what we’re about here – often obscure but nevertheless great tunes, this one written by and featuring typically great Burton Cummings vocals.
  1. Buddy Guy, She Got The Devil In Her . . . Guy’s Sweet Tea album, 2001, is so good. Here’s yet another example.
  1. George Harrison, Behind That Locked Door . . . A rare country-ish tune by Harrison, from All Things Must Pass and apparently written for Bob Dylan as encouragement for Dylan to return to the concert stage, which he did for Harrison’s Concert for Bangladesh. Dylan hasn’t stopped since on what’s become known as the Never Ending Tour.
  1. Bob Dylan, Sad Eyed Lady Of The Lowlands . . . Forever memories for me of getting into the Blonde on Blonde album in 1981 (yes I know, late to the 1966 party despite my older brother’s influence), lying on a couch in a shared residence with friends, alone as everyone else was out on a Sunday afternoon, listening to my buddy’s cassette tape of the album. I knew Dylan’s hits of course, but that day prompted me to go back and get all the studio albums I’d missed, and moved on with the artist from there.
  1. Dickey Betts, Long Time Gone . . . Ramblin’ Man-ish tune (and why wouldn’t it be, he wrote it) from the Allman Brothers Band guitarist, from his 1974 debut solo album, Highway Call. And on that note, we call it a night, for another week.

FROM THE VOID

If you are familiar with Into the Void – then you might be prepared for From the Void. I will push the boundaries and conventions of radio every Tuesday night. While preparing for this show I realized that this isn’t going to just be a show about Experimental music, it’s going to be experimental radio. You won’t know what has been pre recorded or is happening live. You won’t know if it is original or if it’s a top 40 band. You won’t know if you are getting older or getting younger. Time doesn’t exist, sound is subjective and taste isn’t even a consideration. The best part about sounds from the void is you won’t be able to hear it…unless you are already in the void.

show logoFrom The Void is Experimental Music — soundscapes and audio experiments to lose your mind to.

The Void (*Archives) airs from the Radio Waterloo archives alternate Saturdays 3:00am to 4:00am, including both From The Void and Into The Void.

CKMS sunflower logo with wavies coming out the sidesSubscribe to the podcast!

Recent Episodes

FROM THE VOID #104 June 25th Welcome to Episode #104 of From the Void Tonight is a farewell! Love From the Void….see in FOREVER! My new podcast with Co – Host Peri Urban is on YouTube, it’s called The Listening Eyebrow and its about EVERYTHING!!! ALSO!!! I released  a new album. Hear the Future.  You Tube,  Bandcamp,  Spotify, Apple Music or where ever … Continue reading FROM THE VOID #104 June 25th →
FROM THE VOID #103 June 18th Welcome to Episode #103 of From the Void Tonight is all about inspiration! Steven Wilson, Opeth, Devin Townsend, Mike Patton, Mars Volta and King Gizzard My new podcast with Co – Host Peri Urban is on YouTube, it’s called The Listening Eyebrow and its about EVERYTHING!!! ALSO!!! I released  a new album. Hear the Future.  You … Continue reading FROM THE VOID #103 June 18th →
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FROM THE VOID #99 May 21st Welcome to Episode #99 of From the Void Tonight is all about the Korean music! Because I’m in Korea My new podcast with Co – Host Peri Urban is on YouTube, it’s called The Listening Eyebrow and its about EVERYTHING!!! ALSO!!! I released  a new album. Hear the Future.  You Tube,  Bandcamp,  Spotify, Apple Music or where … Continue reading FROM THE VOID #99 May 21st →
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FROM THE VOID #96 APRIL 30th Welcome to Episode #96 of From the Void Tonight is all about Rock and Roll – Zepp, Floyd, Beatles, Stones, Deep Purple, Doors, etc My new podcast with Co – Host Peri Urban is on YouTube, it’s called The Listening Eyebrow and its about EVERYTHING!!! ALSO!!! I released  a new album. Hear the Future.  You Tube,  Bandcamp, … Continue reading FROM THE VOID #96 APRIL 30th →
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See all previous episodes.

From the Void #1 – July 5 2022

If you are familiar with Into the Void – then you might be prepared for From the Void. I will push the boundaries and conventions of radio every Tuesday night. While preparing for this show I realized that this isn’t going to just be a show about Experimental music, it’s going to be experimental radio. You won’t know what has been pre recorded or is happening live. You won’t know if it is original or if it’s a top 40 band. You won’t know if you are getting older or getting younger. Time doesn’t exist, sound is subjective and taste isn’t even a consideration. The best part about sounds from the void is you won’t be able to hear it…unless you are already in the void.

show logoFrom The Void is Experimental Music — soundscapes and audio experiments to lose your mind to.

From The Void airs on Tuesdays from 10:00pm to 11:00pm.

 

Subscribe to the Podcast

 

 

So Old It’s New set list for Monday, July 4, 2022 – on air 8-10 pm ET

  1. The J. Geils Band, (Ain’t Nothin’ But A) House Party (live) . . . “We are gonna blow your face out!’ is singer Peter Wolf’s intro to this song, giving the live album from whence it came, its name. And they did. As always, J. Geils Band best served live via this album, the earlier Full House and the later, less-renowned but very fine, Showtime! There’s also a great latter day from the archives CD release of a Rockpalast show from Germany, plus of course various songs and gigs available online at YouTube and elsewhere.
  1. Bruce Springsteen, Independence Day . . . It’s July 4. Of course I’d play this, for my American friends in what is a sort of Can-Am show, given that Canada Day kicked off the weekend.
  1. John Mellencamp, Justice and Independence ’85 . . . And this, re Independence Day, title-wise, anyway.
  1. The Tragically Hip, Yawning Or Snarling . . . A brooding track from 1994’s somewhat dark Day For Night album.
  1. Rush, Jacob’s Ladder . . . From Permanent Waves, it embodies the progressive side of Rush on an album that to some was a move away from that aspect of the band to tighter, more commercial songs – which ironically is what they started with before drummer Neil Peart joined the band after the first album.
  1. Ted Nugent, Writing On The Wall . . . A then relatively unknown Meat Loaf handles lead vocals on this one, from the 1976 album Free-For-All. A year later, Meat Loaf unleashed Bat Out of Hell on the world while Nugent carried on with albums and songs like Cat Scratch Fever.
  1. The Beach Boys, Hang On To Your Ego . . . Alternate version and original title of I Know There’s An Answer, from Pet Sounds. Written by Brian Wilson about an acid trip, the lyrics were rewritten after singer Mike Love refused to sing it as originally presented due to his objections to drug use. Space doesn’t permit, but it’s worth reading about the song which, musically, I like in both versions.
  1. The Doors, Waiting For The Sun . . . Another of those songs, like Sheer Heart Attack by Queen, or Houses of the Holy by Led Zeppelin, where an apparent title cut isn’t on the album in question but is placed on a later album. Waiting For The Sun, the song, appeared on Morrison Hotel, two years and two albums after Waiting For The Sun, the album. Houses of the Holy was originally recorded for that album, which was released in 1973, but the song was shelved because at the time it was thought to be too similar to other tracks, like Dancing Days, on that album. Sheer Heart Attack, originally intended for that album in 1974, was unfinished so was delayed until the News of the World album in 1977.
  1. Aerosmith, Bone To Bone (Coney Island Whitefish Boy) . . . Coney Island is where the annual US Independence Day hot-dog eating contest is held so, in keeping with my somewhat Can-Am theme today, here’s the Aerosmith tune from the raucous Night In The Ruts album.
  1. Led Zeppelin, Hot Dog . . . Speaking of hot dogs, here’s Zep in fun rockabilly mode from In Through The Out Door.
  1. The Guess Who, Orly . . . A fairly successful single, it made No. 21 in Canada in 1973 although it’s arguably relatively underplayed, if not at the time certainly by now when all you’ll likely hear on classic rock stations by The Guess Who is Undun, American Woman and No Time. I happened to be listening to it a while ago on a Guess Who personal compilation I made of hits, lesser hits and album tracks, so decided to play it. Good tune and another indication of how Burton Cummings is one of those distinctively great singers whose voice is an instrument in itself, more than that of most vocalists outside of people like, say, Van Morrison.
  1. FM, Black Noise . . . Prog/space rock, this 10-minute title cut from the debut album, in 1978 of the Canadian band from whence Nash The Slash came.
  1. Eric Clapton, Mean Old Frisco . . . Cover of the Arthur (Big Boy) Crudup blues track that Clapton cut for his 1977 release, Slowhand.
  1. Peter Tosh, Legalize It . . . Tosh won, though he didn’t live to see pot being legalized in many countries by now. Title cut from his 1976 album.

     

  1. David Wilcox, Blood Money . . . I played What’s The Buzz/Strange Thing Mystifying from the 1970 Jesus Christ Superstar soundtrack last week, resulting in me playing this track this week. Why? Because of how my mind works. One of the songs on the JC Superstar record is Damned For All Time/Blood Money, where Judas, performed outstandingly by Murray Head, is tormented by his coming betrayal of Christ. And that track was under my consideration for last week’s show. I didn’t play it, as it’s so difficult for me to choose from that amazing soundtrack. It stuck in my mind, though, hence the Wilcox tune, if that makes sense. It does to me.
  1. Steve Miller Band, Baby’s House . . . Miller is deservedly well known for his irresistibly catchy big hits of the 1970s starting with The Joker and proceeding through the Fly Like An Eagle and Book of Dreams albums that made him a fixture on top 40 radio. But his earlier, progressive/psychedelic and bluesy stuff, like this extended piece from 1969’s Your Saving Grace album, is equally compelling in its own way, and it’s as if by a completely different artist.
  1. Bobbie Gentry, Apartment 21 . . . I only played this because she references my favorite band, The Rolling Stones, in the lyrics. No, not really. It’s just another cool cut by an artist who is fascinating to me and many. A woman known of course for her amazing 1967 hit song Ode To Billie Joe but she was so much more, such great music but more importantly a woman who took charge of her own career during a time when it wasn’t a woman’s place to, for the most part, write, produce and record her own material. Gentry did so, was a star for a while, then did another cool thing – she essentially disappeared off the face of the earth, having had enough of that life.
  1. The Band, Back To Memphis . . . A live cover of the Chuck Berry tune that appeared on the now out of print double-CD To Kingdom Come compilation, although this version of the tune is available on YouTube and other online avenues. I already had this in my show but it’s interesting in that later, after my planning was done, a buddy of mine over the weekend sent me a shot of his day 1 of vacation fun, a glass of of some sort of whiskey, can’t remember what, probably Scotch of some sort after a séance (inside joke) sitting beside his turntable while playing a Chuck Berry album. This friend of mine is often an inspiration as our music chats tweak my brain to things but don’t tell him because then he’ll start or keep offering more and more suggestions to which I then have to put my foot down and say, yeah, thanks but it’s my show, I’ll put it under advisement, I’ve probably already thought of it so shut up and leave me alone to create.
  1. The Rolling Stones, Crazy Mama . . . Great Stones ‘belter’ as saying goes, or at least I read from a rock critic once, from Black and Blue. As often mentioned here, it’s a diverse and excellent album trashed upon release now considered a classic, but albums age like fine wine, as Keith Richards has said and he’s right. Many of the critics who originally carved Black and Blue to pieces now rank it as at least a 4 out of 5.
  1. Steppenwolf, Renegade . . . Great tune, lyrics about lead singer John Kay’s fleeing, with his mother, his dad having been killed during World War II, from the then East Germany and the Iron Curtain of Soviet oppression in 1949. Previous to that, in 1945, Kay and his mother had fled the advancing Soviet troops, not knowing then that where they wound up would fall under the Iron Curtain. Eventually, of course, he settled in Canada, moved to California and Steppenwolf was born.
  1. The Allman Brothers Band, It’s Not My Cross To Bear . . . Gregg Allman-penned blues cut from the debut album that, unless one knew Allman wrote it, could easily be misconstrued as another brilliant cover of the many blues artists the Allmans rightfully worshipped and were inspired by. As Keith Richards of The Rolling Stones has said, perhaps the best thing that an artist can do, or the best that can be said about an artist, is that ‘they passed it on’. Message received, by the Allmans, proven by this track, and then they obviously passed on their own genius.
  1. The Doobie Brothers, I Cheat The Hangman . . . Great stuff from the Stampede album, well before the Michael McDonald schlock stuff set in. That said, and I’ve always said, McDonald is a brilliant artist who saved the band in the late 1970s by stepping in on lead vocals as founding member Tom Johnston’s health faltered. And his Takin’ It To The Streets remains one of my favorite Doobies tracks. After that, they went schlock but like Chicago in similar fashion, were more commercially successful but mostly to a new audience as the old guard fans abandoned their new sound. The Doobies have been back together for some time, with both Johnston and McDonald in the band, touring and releasing new studio albums, the most recent in 2021. The music is a sort of hybrid between the earlier, rockier Johnston-led sound and the later soulful stuff with McDonald. Decent, to me. But not worth me buying. Good thing the internet exists.
  1. Paice Ashton Lord, Ghost Story . . . Cool track from the one and only album, 1977’s Malice In Wonderland, by this short-lived one-off offshoot of Deep Purple, featuring drummer Ian Paice and keyboard player Jon Lord along with singer/keyboardist Tony Ashton. Although not credited in the band name, soon to be Whitesnake member Bernie Marsden is the album’s guitarist as the family tree of Deep Purple expanded in various ways to include Rainbow, Whitesnake and Gillan/The Ian Gillan band. Nazareth, meantime, later used the same album title for its 1980 release that featured the hit Holiday.

 

CKMS Community Connections for 27 June 2022 with Woody Woodburn

Show Notes

Woody Woodburn in front of a microphone, with a guitar
Woody Woodburn

Woody Woodburn joins Bob Jonkman in the studio for a Live, On-Air, In-Studio performance and interview.

The interview starts at 4m05s.

Online:

Upcoming Events

Podcast

Download: ckms-community-connections-2022-06-27-episode098.mp3 (53 MB, 58m00s, episode 098)

Index

Exclusive tracks recorded in the CKMS-FM 102.7 Radio Waterloo Studio are now available! Right-click on a linked track title to download!

Time Title Album Artist
0m00s Theme for CKMS Community Connections ccc CKMS Sunflower logo (yellow petals surrounding a black centre with white wavies all on a teal background)
CKMS Community Connections
Steve Todd
0m45s Better Man Today Woody Woodburn (stylized golden W logo above white text)
Live, On-Air, In-Studio
Woody Woodburn
4m05s

The music scene in Rockwood, with Ian Reid. Better Man Today is about Woody’s jump into full-time music writing and performance at the age of 44. The album ideas came from the process of thinking about leaving his day job. The songs were written with Matt and Chris Gormley. The album’s six songs were written in three days by Woody, Matt, and Chris at a cottage retreat. The producer is Carl Jennings of Freedom Train. The four are amazing on stage, but most of Woody’s performances are solo.

Woody held Drive-in concerts during the pandemic with EJSE Studio and Anthony Andrews of Party Cinemas. Headlining Jim Cuddy, and bringing local talent like Sohayla Smith, whos’ been featured on Radio Waterloo‘s Musician’s FAQ. Woody also did online concerts with Zoom for Weight Watchers, which really expanded his fan base. Covid was successful in that regard; Woody lets the universe look after things. Live concerts are a different thing, but some of the same people are in the audience — Woody met some people in person that he’s previously met online. Playing upcoming concerts in Kitchener for the first time at Rich Uncle Tavern and Fall’s Road Pub.

Introducing I Am Enough, which was originally labelled Am I Enough?. One of the few songs Woody wrote solo. This should be out in a seven-song collection in October or November; just awaiting the submission process from FACTOR.

19m07s I Am Enough Woody Woodburn (stylized golden W logo above white text)
Live, On-Air, In-Studio
Woody Woodburn
22m55s

The last line of the song answers the question “Am I Enough?”. Woody doesn’t read music, but works with musicians who are fluent in music, and they write their own parts. The songs benefit from the extra creative input. Woody did learn to read music twice before, but his passion is singing and writing, not musical theory. Carl Jennings is Woody’s musical producer at Westmoreland Studios who drills Woody through vocal takes and who is an amazing bass player.

Upcoming gigs in Kitchener are solo, but on 8 July 2022 at Stonewall’s Restaurant the gig is a trio with Matt and Chris Gormley. Woody has been very busy now that post-Covid bookings are coming back. Playing nursing homes, other gigs, sometimes six or seven a week. Much more fulfilling to work for yourself playing music than being at an office job. Russell Scott helped Woody make the decision to be a musician full-time, along with the support of Woody’s wife.

There is Woody Woodburn merchandise: The Woody Hoodie! The VW microbus artwork is by Woody’s uncle, and there’s musical merch too. The merch is a small part of the revenue stream, the gigs are the main income. Woody hasn’t fully accepted that people want to wear his logo and merchandise, although he’s coming around to telling people they might enjoy his music. There’s some streaming revenue, all done through CD-Baby, which also does social media posting, distributing to other outlets. Woody is quite happy to get his music heard by other people on free streaming sites. People are buying CDs and probably don’t even have a CD player, but they’re supporting Woody’s music.

Introducing Dad, released on Father’s Day for Woody’s dad.

37m04s Dad Woody Woodburn (stylized golden W logo above white text)
Live, On-Air, In-Studio
Woody Woodburn
39m54s

A tough song for Woody to get through, but Woody’s Dad is his biggest fan. Woody varies his set list depending on the crowd’s vibe, sometimes Dad is an opener, sometimes it’s a finale. Woody can gauge the vibe by audience response, people coming up and talking. Every venue is different, even when the audience is unresponsive Woody approaches it by believing something amazing will happen, and it usually does. Some gigs are for playing the bills, and Woody plays cover songs the audience knows. But Woody tells the story of quitting his day job, and here’s the song he wrote about it. And Woody puts his own spin on cover songs.

Is Better Man Today a concept album? In theory; it’s about what’s important in life. Most of the songs come from Woody’s experiences, the feelings from within. But there’s one different song, a party song on the EP, but it’s still a meaningful song about the writing trip to the cottage. Woody doesn’t write traditional love songs. There is a theme that runs through all songs. The party song is Bottle of Rum.

48m53s Bottle of Rum Woody Woodburn (stylized golden W logo above white text)
Live, On-Air, In-Studio
Woody Woodburn
50m58s

This sure sounds like a Cape Breton traditional song. Woody has a family connection to Cape Breton — people here ask “Are you from the East Coast?” but people there say “You’re not from around here…”

Woody broke a guitar string playing Bottle of Rum, the weather, humidity and air conditioning isn’t good for guitars. Woody’s guitar needs some service from Folkway Music, Woody’s guitar shop.

Woody’s music room is sparse, other rooms are in use for other things. Woody wants to have a proper at-home studio. There’s a piano, but Woody’s only had one piano lessons from local musician Andrea LeBlanc of My Living Room Live.

Woody covers his upcoming events, several at breweries which have become popular recently. Then Woody plays some music to take us out while Bob gives the end credits.

CKMS Community Connections Hour One airs on CKMS-FM 102.7 on Monday from 11:00am to Noon, and Hour Two airs on Friday from 3:00pm to 4:00pm.

Got music, spoken word, or other interesting stuff? Let us know at office@radiowaterloo.ca or leave a comment on our “About” page.

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Bonus Footage

YouTube: CKMS Community Connections for 27 June 2022

Show notes and podcast interview content is Copyright © 2022 by the participants, and released under a CC BYCreative Commons Attribution Only license. Copy, re-use, and derivative works are allowed with attribution to Radio Waterloo and a link to this page. Music selections are copyright by the respective rights holders.

So Old It’s New set list for Monday, June 27, 2022 – on air 8-10 pm ET

  1. Jesus Christ Superstar A Rock Opera (various artists, 1970 version), What’s the Buzz/Strange Thing Mystifying . . . Ian Gillan of Deep Purple fame as Jesus, Murray Head as Judas, Yvonne Elliman as Mary Magdalene, etc including Mike D’Abo – who wrote (and sang) the classic Handbags and Gladrags as brilliantly interpreted by Rod Stewart – as King Herod and the late Spooky Tooth, Grease Band and Paul McCartney and Wings guitarist Henry McCullough. Fantastic, timeless album, one of my all-time favorites by anyone.
  1. Max Webster, Battle Scar . . . I wanted to play a Rush song this week, and a Max Webster tune. So in the end, I combine the two – all three members of Rush – singer/bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart – helping out on this wonderfully heavy track from Max’s Universal Juveniles album.
  1. The J. Geils Band, Sanctuary . . . Take It Back was the single from the Sanctuary album, was hailed by critics but naturally for Geils during their brilliant but pre-hit 1970s days it did nothing on the charts. Perhaps they should have released the title cut, a much better song – tougher, grittier, better groove – in my opinion.
  1. Elton John, Tower Of Babel . . . I must subconsciously be into various forms of religious or spiritual imagery today given I’ve delved into Jesus Christ (Superstar) and now the Tower of Babel. I’m actually a-religious or, in the fun phrase I’ve long since stolen from an old friend, a recovering/recovered Catholic but in any event, been meaning to get back to some Elton John the last few weeks but haven’t managed to, until now. From Captain Fantastic and The Brown Dirty Cowboy. Next week? Maybe Medley: Yell Help/Wednesday Night/Ugly from Rock of the Westies, which a good friend of mine raved about to me on a text trip down memory lane last week. To which I replied, yeah, thanks bud, all good, played it before, does not preclude of course me playing it again. But, if I do I’ll have to, as is my custom, regale and/or bore readers and listeners with my tales of tough workouts with football teammates in the high school weightlifting gym where Rock of the Westies was one of just three albums we had to play, and endlessly did – the other two being a Stones’ compilation, Through The Past, Darkly (Big Hits, Vol. II) and a Beatles’ US Capitol Records compilation, Something New. Or, I may ignore Elton John altogether next week, just to piss my friend off – the likely scenario.
  1. Spooky Tooth, Fantasy Satisfier . . . Rocker from The Mirror album in 1974, after which the band split (only to later reunite, of course, as bands do) with guitarist Mick Jones (not the Clash’s Mick Jones) going on to form Foreigner while Gary Wright went solo to big success with the Dream Weaver album and title cut single, along with Love Is Alive.
  1. Eric Burdon & War, Pretty Colors . . . What a combination of talents that gave us the funky, soulful albums Eric Burdon Declares War and The Black Man’s Burdon, this one from the latter record.
  1. Billy Joel, Travelin’ Prayer . . . What a great banjo-fueled kick-butt country/bluegrass tune, a single that went relatively nowhere, didn’t crack the top 50 anywhere, from Joel’s 1974 Piano Man album which of course yielded his first big single, the title cut. That said, maybe surprisingly because it’s so well known, but Piano Man made ‘just’ No. 25 but that’s actually true of many hit singles people tend to assume made No. 1 when they didn’t, although they were major hits and naturally the artists who wrote or performed them include them in their concert sets.
  1. Chris Whitley, Narcotic Prayer . . . Whitley did a 180 on his second album, Din of Ecstacy. He pivoted from the brilliant acoustic blues rock of his debut, Living With The Law in favor of the grungy guitar attack of the appropriately-titled Din. Critics disparaged it, I like it. But I’m like that with artists I like, appreciate and admire. I’ll travel with their muses, if and until they lose me, which rarely happens.
  1. The Guess Who, Friends Of Mine (alternate version) . . . This is the alternate, about a minute longer, darker lyrically version of the 10-minute Doors-inspired cut that appeared on Wheatfield Soul. It’s terrific psychedelic stuff, un-Guess Who like if all one knows of The Guess Who are their brilliant singles. They were brilliant in long-form material, too. This is from the outakes, demos and other early stuff release, The Guess Who? This Time Long Ago compilations that came out in 2001.
  1. Budgie, Breaking All The House Rules . . . Typically great extended rocker from the brilliant but, sales wise, underappreciated if influential Welsh wonders.
  1. T Bone Burnett, Trap Door . . . Title cut from an EP the noted producer but a great artist in his own right released in 1982. Great lyrics.
  1. The Beatles, Savoy Truffle . . . Came upon this one while searching for Savoy Brown songs. The George Harrison-penned Beatles’ track from the White Album, about Eric Clapton’s sweet tooth, came up in the computer system, I listened to it again for first time in long time and, yeah. So, I’m playing it.
  1. Joni Mitchell, The Reoccurring Dream . . . About the shallowness of consumerism. Mitchell apparently pieced it together by recording TV commercials for two weeks. The track appeared on her 1988 album Chalk Mark In A Rain Storm and she put it on her “Misses” deep cuts self-selected compilation that accompanied her “Hits’ release in 1996.
  1. Saga, Book Of Lies . . . From my hometown of Oakville, Ontario comes Saga, a Canadian band somewhat in the vein of, say, Rush yet not nearly as successful although, given their progressive rock stylings, Saga has been hugely popular in various European countries, Germany in particular. And Puerto Rico, go figure. This track, from their 2007 release 10,000 Days (yes, they’re still at it) is a fine combination of prog and rock elements including great guitar soloing by Ian Crichton.
  1. Savoy Brown, Money Can’t Save Your Soul . . . Thought I’d forgotten about Savoy Brown when I mentioned them a while back, during my Beatles’ song commentary, didn’t you? It is to laugh. I have a great memory and creative mind if one permits me some bullshit arrogance, with a twinkle in my eye, of course. Anyway, one of my favorite Savoy songs, with obvious relationship-resonating lyrics for anyone, depending on one’s own circumstances.
  1. Marianne Faithfull, The Blue Millionaire (extended version) . . . Eight-plus minute version of the 5-mins and change track that originally appeared on her 1983 album A Child’s Adventure. I’m forever fascinated by the creative process, given I create, in a manner of speaking, myself. It’s just interesting how many song forms there are that are appealing, like this hypnotic song, no real chorus or hook, arguably like some Dylan trips, yet all so compelling for that fact.
  1. Concrete Blonde, Walking In London . . . Haven’t played Concrete Blonde in a while but, thankfully, stumbled upon the band in my usual prepping show trip through songs I’ve loaded into the station’s computer system. I can never get enough of Johnette Napolitano’s powerhouse, sexy, sultry and seductive vocals. For evidence, check out the transition at the 1:11 mark of this spooky title cut from the band’s 1992 album, then again at 3:27 – Desire!! Why this band wasn’t bigger than their one brief moment in the sun, 1990’s Bloodletting album and the single Joey, is one of music’s mysteries. Napolitano now apparently lives quietly in California, composing music for films, working as a gallery artist and tending to horses.
  1. Family, Between Blue and Me . . . Love the somewhat tortured vocals by guitarist and band leader Roger Chapman. John Wetton, before becoming a longtime member of King Crimson and Asia with pit stops in Wishbone Ash, Uriah Heep and Roxy Music, handles bass and background vocals duties. Which reminds me, as I keep trying to remind myself, about time I got back to some Wishbone Ash. We’ll see. As I often say, in just two hours per week, so much music, so little time. But eventually I get to all I want to get to. Usually, given all the myriad show ideas that run through my undisciplined mind.
  1. Pete Townshend, Time Is Passing . . . It is indeed, isn’t it, time passing I mean. From Townshend’s first solo album, 1972’s Who Came First. Terrific stuff, but then most Townshend tunes are, Who or otherwise.
  1. The Moody Blues, Eternity Road . . . Another band I’ve been trying to fit in over the last few weeks and finally today is their time. Overdue. Sounds crazy, perhaps, in terms of fitting songs into the two-hour slot, ie just put the damn things in but easier said than done. Why? Because you have thoughts in mind, you plug songs in, others come up and it’s like, yeah, haven’t played/heard that in a while either and before you know it, given the flow of the show or even if there’s no deliberate flow, you’re soon at 22-26 songs which typically is the two-hour song length, and it’s on to the next week which I always ‘push ahead’, to be filtered, or not, for the next show. Enough pseudo-creative babble. Ride on to the next track.
  1. The Rolling Stones, Ride On, Baby . . . From the Flowers compilation which my older sister owned which, along with Big Hits (High Tide and Green Grass) she also owned, is how I got into what became and remains and always will be my favorite band. She was, as all young people were then, major into The Beatles and, slightly less so, the Stones and also The Monkees (whereas big brother was the Zep, Tull, Hendrix, Cream, Purple etc. influence and glad for it). And, beating Billy Idol’s Dancing With Myself by many years, my sister went dancing with herself to the various albums she owned. You should have seen her going, in 1971, to Led Zep’s Misty Mountain Hop which I’ve mentioned before but anyway . . . I’ll always remember her ‘rating’ note scrawled in black magic marker on the back cover of Flowers: “some good dances”. Rubber Soul by The Beatles had “good dances’ written on it, so I discerned from that, that she liked Beatles better. At least for dancing. No competition, I love both bands but was interesting 10 years or so later when, for my 16th birthday I got The Beatles’ 1967-70 ‘blue album” compilation and the Stones’ ’70s comp Made In The Shade as presents and all sister wanted to play was the Stones. Of course, she had just seen them on their 1975 tour appearance in Toronto so, obviously, she was on a concert high and major into them. Funny thing was, The Beatles’ tunes were more familiar to my younger brothers and I then so we wanted to hear the 67-70 album more than the Stones sbut for my youngest brother and me, that quickly shifted to Made In The Shade, the buying of every pre- and post-Stones actual studio albums and the rest is history.
  1. Steve Winwood, Night Train . . . I love Traffic (and have played them a lot although not lately, see ‘so much music, so little time”) but not so much into Winwood’s solo stuff aside from Arc of A Diver album. The rest of it is too overproduced for my taste/ears, and Arc borders dangerously on that overproduced precipice but avoids it enough to make for a great album, great track. I feel I’ve played it too recently but so what, if so? And off into the night, on this train, we go . . . until next week. Cheers and take care, all, and thanks for listening/following.

At the 2022 KW Multicultural Festival

Broadcasting Live-To-Air from the DJ booth at the KW Multicultural Festival on 25 and 26 June 2022.

CKMS at the 2022 Multicultural Festival - the booth
CKMS at the 2022 Multicultural Festival – the booth
CKMS at the 2022 Multicultural Festival - Riley Powis, Carmelo Farrugio, Joga, Nat Persaud
Riley Powis, Carmelo Farrugio, Joga, unknown, Nat Persaud
CKMS at the 2022 Multicultural Festival - Riley Powis, Carmelo Farruggio, Joga, Nat Persaud
Riley Powis, Carmelo Farruggio, Joga, unknown, Nat Persaud
CKMS at the 2022 Multicultural Festival - Nat Persaud, Carmo Farruggio, Chico, Riley Powis
Nat Persaud, Carmo Farruggio, Chico, Riley Powis
CKMS at the 2022 Multicultural Festival - Nat Persaud, Carmelo Farruggio, Riley Powis
Nat Persaud, Carmelo Farruggio, Riley Powis
CKMS at the 2022 Multicultural Festival - Carmelo Farruggio
Carmelo Farruggio
CKMS at the 2022 Multicultural Festival - Bob Jonkman, Riley Powis, Joga, Carmelo Farruggio
Bob Jonkman, Riley Powis, Joga, Carmelo Farruggio

CKMS at the 2022 Multicultural Festival - Riley's Car
Day Two of the KW Multicultural Festival – Riley brought his car! Just the right colour for a CKMS-FM logo!

And some Facebook video from Felix Ranchero:

Radio Waterloo at the KW Multicultural Festival, 25-26 June 2022

Come to the City Hall Clock Tower in Willow River ParkKW Multicultural Festival and meet the DJs and Show Hosts from CKMS-FM!

We’ll be broadcasting Live-To-Air both Saturday and Sunday, playing all the local hits by local hit musicians.

Have you ever wanted to try radio? Take a seat in our open-air DJ booth, then announce and spin one of your favourite tunes. If you catch the radio bug then you can Start Your Own Show!

When: Noon to 6:00pm on Saturday and Sunday, 25 & 26 June 2022
Where: Willow River Park, aka Victoria Park Map


CKMS-FM Schedule KW Multicultural Festival 25-26 June 2022
Saturday Sunday
Noon Live To Air Radio Boorama
Community news and religious programming from Somalia
Host: Hamud Elmi
1:00pm Wadio Wam!
Curated playlists from the minds of Will and Sam (WAM)
Hosts: Will Hardie and Samuel Johnston
2:00pm Sauti Za Africa
Great music from the continent of Africa
Host: Yasin Dewji
3:00pm Live To Air Live To Air
4:00pm Bollywood Mirchi
Bollywood hit music and current news topics
Host: Andy Nagpal
5:00pm Live To Air

City Hall Clock Tower Victoria Park Kitchener by JustSomePics from Wikimedia Commons is used under a CC BY-SACreative Commons Attribution Sharealike 4.0 International license.

Wadio Wam! Episode 13 – Love Is In The Air

Heyo Wammers! I’ve been quite busy the last couple weeks and haven’t been able to upload the last few shows, so get ready for another massive upload. Here’s a show I did by myself on some of the greatest love songs, check it out!

Spotify Link – https://open.spotify.com/playlist/4SvzKz1kjhtxB0JLNNQ2CQ?si=27d58ee785314e13

So Old It’s New set list for Monday, June 20, 2022 – on air 8-10 pm ET

  1. Johnny Winter, Rock and Roll People . . . Written by John Lennon, from Winter’s 1974 album John Dawson Winter III.
  1. David Bowie, Let’s Spend The Night Together . . . Faster version of the Stones’ hit, from Bowie’s Aladdin Sane album released in April 1973. I like both versions. Interesting that just six months later, with his record company wanting another album by Christmas 1973 to cash in on Bowie’s commercial success,he released a full-blown covers album, Pin Ups.
  1. Blue Oyster Cult, Cities On Flame With Rock and Roll . . . I stole this apropos comment about BOC from a YouTube field: “A versatile band – as heavy metal as Iron Maiden, dark and ominous as Black Sabbath, as progressive as Pink Floyd, as smart as Rush and as pop as any top 40 band.” Great riff to this one, too.
  1. Rainbow, Gates Of Babylon . . . a great one, but aren’t they all, from the Ronnie James Dio on lead vocals era of Rainbow.
  1. The Rolling Stones, Miss Amanda Jones . . . Down and down she goes. Great tune from Between The Buttons which, over time, has become one of my favorite Stones’ albums. I read it derided once by a critic as being too Kinks-like but so what if it is, and what’s wrong with the Kinks and besides it’s a cool, funky, diverse album, the last of their poppier ones before Satanic Majesties and then the deeper, dirtier blues rock of Beggars Banquet and subsequent albums.
  1. The Mamas & The Papas, No Salt On Her Tail . . . Beautiful harmonies on this one.
  1. Bachman-Turner Overdrive, Stayed Awake All Night (extended version) . . . Eight minutes plus version of a this pulsating, driving rocker from BTO’s debut album. The extended cut was released on the 2-CD BTO Anthology that came out some years back and featured a few unreleased tracks. I usually much prefer BTO songs where C.F. (Fred) Turner takes lead vocals with his gruff, tough style but this is one where Randy Bachman shines. There’s a nice live version of this available on YouTube featuring the Bachman-Turner (sans Overdrive) band that segues into American Woman, from a concert in Rama, Ontario – with Turner howlin’ up a storm. If you’re up for some great Bachman-Turner stuff featuring some Guess Who tracks as well, highly recommended is Bachman & Turner Live at the Roseland Ballroom, NYC, available on DVD and YouTube.
  1. Bruce Springsteen, 57 Channels (And Nothin’ On) . . . Told you I was going to play this soon. If you don’t follow the show, you’ve no idea what I’m talking about but a few weeks ago I played Pink Floyd’s Nobody Home from The Wall, which contains the lyric “I’ve got 13 channels of shit on the TV to choose from” and I mentioned Springsteen picked up on that theme years later on his 1992 Human Touch album. And, by now there’s unlimited channels of, often, nothing of substance on the tube and streaming services.
  1. Paul Rodgers, Cut Loose . . . Title cut from Rodgers’ first solo album, 1983, after the original version of Bad Company broke up. Sounds like Bad Company, which is good, and why wouldn’t it, since Rodgers was the exquisite voice of that band and, of course, Free before it.
  1. Rory Gallagher, A Million Miles Away . . . Heard this playing in a music store the other day so I decided to play it, besides which I love Rory Gallagher’s music. Always loved this tune, the lyric “this hotel bar is full of people, the piano man is really laying it down…even the old bartender is high as a steeple . . . ” Just puts you in a smoky booze joint, late at night, with all that entails and what might ensue from it.
  1. Joe Jackson, Zemeo . . . Jazzy, extended (11 minutes) instrumental cut from an album I often return to, JJ’s soundtrack to a movie few people (including me) ever saw, starred Debra Winger, Mike’s Murder, 1983. Essentially a musical followup for Jackson from his chart-topping Night and Day album of the year before. It’s a terrific listen.
  1. Bryan Ferry, A Fool For Love . . . What would the word be, luscious, in terms of the sound of this track from Ferry, from his 2002 album Frantic.
  1. Jethro Tull, Bends Like A Willow . . . Blow me down. I’m a big Tull fan but didn’t realize until I decided to play this song from the 1999 album J-Tull Dot Com that it was the single (went relatively nowhere) from that album. A ‘dated’ album title now given how ubiquitous the internet has become, but interesting in terms of the context and year of the album’s release. Essentially, the title trying to encourage people to visit the band’s then relatively new website. Also a significant album for me because I saw the tour with my then age 11 son, who quickly became my Tull-concert going partner.
  1. Love, A House Is Not A Motel . . . A band I, er, love but one I have not played in a while. Great lyric: “The news today will be the movies for tomorrow” – and of course distorted usually beyond recognition by Hollywood, yet becomes for so many people the actual (often false) narrative of people and events they describe. For instance, there’s a new Elvis Presley biopic coming to theatres soon. I hate biopics. Never watch them. No interest. They’re not real, and yeah it’s ‘just a movie” yet too many people form their opinions of the people they depict from Hollywood’s ‘creative licence” descriptions. Such is life, I guess.
  1. Cry Of Love, Peace Pipe . . . Why this 1990s band wasn’t bigger remains a mystery to me. Free-like. But then, besides All Right Now, Free was never a big commercial success, either.
  1. Gordon Lightfoot, Cherokee Bend . . . Not as celebrated as, say, Lightfoot’s The Wreck of the Edmund Fitzgerald but, musically and lyrically (in a different context), just as touching and meaningful. Brilliant artist.
  1. Genesis, Ripples . . . From A Trick of the Tail, first album post-Peter Gabriel when people wondered about the future of Genesis. They had one.
  1. Steely Dan, Dirty Work . . . One of my favorite Steely Dan tunes. For whatever reason I always think of a bar band/Steely Dan tribute band playing this in a pub when I hear it. Probably because I never saw Steely Dan live.
  1. Streetheart, Miss Plaza Suite . . . Three things. 1. This is a great song. 2. Someone on YouTube, in a comments field on this song, said Streetheart was an underrated band. I really wish people would learn the difference between underrated and underappreciated. Streetheart had lots of hits. They weren’t underrated. Underappreciated, maybe. 3. They also had great album covers. Check out Meanwhile Back in Paris, Under Heaven Over Hell and Quicksand Shoes, for starters. The album Miss Plaza Suite comes from, simply called Streetheart, has a good cover, too, but the aforementioned three are my favorites.
  1. Santana, Blues Magic . . From the IV album, released in 2016 and a reunion of most of the original Santana band members who made the band’s first three albums, which remain my favorites. IV is right up there and naturally would be, given who made it and how it sounds in a throwback way. Gregg Rolie does his best Peter Green vocal impression on this track to the point where I continue to check the liner notes to see if it actually wasn’t Green singing. And of course Green, via Fleetwood Mac, gave Santana its biggest early hit with Black Magic Woman.
  1. Canned Heat, Lookin’ For My Rainbow . . . Gospel artist Clara Mae Ward, beautifully, shares lead vocals with the Heat’s James Shane on this one, from the band’s 1973 album The New Age.
  1. Beck Bogert, Appice, Black Cat Moan (live) . . . From the power trio’s live album, issued only on Japan so something of a rarity although that album is available online and this track also is on Jeff Beck’s Beckology box set.
  1. Linda Ronstadt, Rescue Me . . . From her self-titled 1972 album which was a landmark in leading to the formation of the Eagles, whose original members – Glenn Frey, Don Henley, Randy Meisner and Bernie Leadon – had backed Ronstadt on a tour and then were among the session musicians on her record.

81 82 83 84 Season 1 Episode 40: Is It Love?

Here I am baby, come and take me.

 

The setlist for this show follows these great photos from local K-W 1980s concerts, retrieved from the University of Waterloo Library, Special Collections & Archives. From the K-W Record Photographic Negative Collection.

Click on thumbnails to see full images!

Teenage Head at Bingeman Park roller rink 23 May 1980

The whole gang
Frankie Venom aka Frank Kerr, a great performer. RIP

 

Gang of Four at Super Skate Seven 5 March 1983

Jon King on vocals, Andy Gill on lead guitar (RIP), Sara Lee on bass
The riveting Jon King, always energetic, always frenetic
Sara Lee on bass (rejoined Gang of Four for their 2022 tour – other collaborations include Robert Fripp’s League of Gentlemen, the B-52s, Indigo Girls, and Ani diFranco)

 

UB40 at Super Skate Seven  on 9 March 1984

the full crew, photo credit Bernard Weil
Earl Falconer on bass, Robin Campbell on guitar, photo credit Bernard Weil

 

So Old It’s New set list for Monday, June 13, 2022 – on air 8-10 pm ET

  1. The Paul Butterfield Blues Band, Come On In . . . Back to my song-title connection ways, but hey, they’re all good songs. Like this short single from Butterfield and the boys, Mike Bloomfield and Elvin Bishop on guitars. About time I got back to the Butterfield Band. So much music, so relatively little time each week.
  1. Trooper, We’re Here For A Good Time (Not A Long Time) . . . A hit single, which I typically am reluctant to play since it’s a deep cuts show, but followers/listeners know every now and then I’ll play a single. And by now they are, er, So Old It’s New, and in this case fits the early set list theme. But you probably picked up on that.
  1. Ry Cooder, On A Monday . . . Cooder gives to me what sounds like the Little Feat treatment to this Lead Belly tune. It appeared on Cooder’s 1972 Into The Purple Valley album.
  1. Van Halen, Push Comes To Shove . . . Nice bluesy cut, one of my favorites from the somewhat dark, which is why I like it, Fair Warning album. David Lee Roth’s spoken word intro, asking for a cigarette, another swig if anything’s left in the bottle, makes the tune.
  1. Bill Wyman, Every Sixty Seconds . . . Former Rolling Stones bassist Bill Wyman is my Rolling Stones, Inc. selection this week. Critics seem to like Wyman’s first solo album, 1974’s Monkey Grip, much more than his second, Stone Alone, which was released in 1976. I imagine because I heard Stone Alone first, I’ve always liked it better, and this is one of my favorite tunes from it. The album is called Stone Alone – which Wyman later used as a book title for one he wrote about the band – but the personnel list to the record is bursting with big-name musical friends. Among the contributors are Van Morrison, Joe Walsh, Dr. John, Bob Welch, Ronnie Wood, Nicky Hopkins, Jim Keltner, on and on. Wyman later re-recorded Every Sixty Seconds for one of his Rhythm Kings albums with R&B/soul singer Beverley Skeete nicely handling lead vocals.
  1. Tom Wilson, What A Bummer . . . From Wilson’s 2001 solo album, Planet Love. Typically great stuff from one of my favorite artists and mainstay of such bands as Junkhouse, Blackie and The Rodeo Kings and Lee Harvey Osmond.
  1. Jimi Hendrix, Lover Man . . . There are so many different versions of Hendrix songs around given the ongoing re-release program by his estate. This dynamic version of Lover Man was cut live in the studio by the Band of Gypsys (Billy Cox on bass, Buddy Miles on drums) about two weeks before their appearance at New York’s Fillmore East on New Year’s Eve, 1969 that resulted in the Band of Gypsys live album. This version is available on 2018’s Both Sides Of The Sky compilation of previously unreleased material. 
  2. The Black Keys, Howlin’ For You . . . However it was I got into the Keys, I’m glad I did. Probably hearing them in a music store and asking the staff who it was on the sound system. Or just reading about them, in search of new music (for me). I don’t have or know all their stuff, being a 60s/70s classic rocker coming relatively late to the party, but what I have I like given the raw, distortion-fueled sound of much of their stuff. This one’s from Brothers, in 2010. They recently released their latest album, Dropout Boogie. I have some catching up to do on my listening. I just gave it a quick listen online, no real impression yet but fans seem to think it’s mediocre. They do seem to have smoothed out their sound, to my ears, since Brothers, though. I like the distortion stuff best.
  1. AC/DC, Soul Stripper . . . Pulsating, hypnotic track from the smokin’ hot ’74 Jailbreak EP.
  1. Blodwyn Pig, Dear Jill . . . Great blues from the band guitarist Mick Abrahams formed when he left Jethro Tull after their first album, This Was. Abrahams wanted to continue in a blues direction. Ian Anderson had other ideas and obviously has been hugely successful with them. I like both sides of their ‘argument’.
  1. Goddo, Drop Dead (That’s Who) . . . The funny intro, ‘take 75’ is almost worth the price of admission from these Canadian rockers.
  1. Alice Cooper, Killer . . . Title cut from the 1971 album, by the original band. Dark, epic, eerie, spooky, superb.
  1. Blue Cheer, Out Of Focus . . . B-side to the band’s breakout 1968 single, their raucous cover of Eddie Cochran’s Summertime Blues. Not quite as heavy, perhaps, but heavy. Blue Cheer was an interesting band, maintaining their heaviness throughout but getting more progressive/psychedelic as time passed. I was going to explore some of that side of the band tonight, and will at some point, but being in a more rocking mood, at least as far as Blue Cheer goes . . .
  1. Gary Moore, World Of Confusion . . . Moore, who we lost to a heart attack at just 58 in 2011, was so very eclectic. He was in Thin Lizzy for a time, of course, did lots of hard rock and metal and broke big to a wider public during one of his many excursions over time into the blues, with his 1990 hit album and song, Still Got The Blues. This hard rocker is from the self-titled and only album release from the trio, Scars, he formed in 2002. Wicked guitar work.
  1. Creedence Clearwater Revival, Ramble Tamble . . . I like when CCR did stuff like this seven-minute rant and raver from Cosmo’s Factory.
  1. Paris, Black Book . . . After leaving Fleetwood Mac following their 1974 album Heroes Are Hard To Find, Bob Welch formed a power trio with former Jethro Tull bassist Glenn Cornick and Thom Mooney, who had worked with Todd Rundgren. Three guys, made a good noise. Black Book is an example.
  1. Grateful Dead, Estimated Prophet . . . One of my favorite Dead tunes. I just like the groove, and the lyrics about false prophets.
  1. Stone The Crows, Big Jim Salter . . . And so we go real deep with Stone The Crows, a band whose name – a homage to the Brit/Aussie expression of amazement or disgust – I’d always thought was cool but whose music, before the internet age, I had not taken the time (or money) to explore. I finally did via one of two amazing compilations I picked up, on the recommendation of a friend, a few years ago. This is from I’m A Freak Baby 2, the second of two 3-CD collections exploring the British heavy psychedelic and hard rock underground scene from 1968-73. Scottish belter Maggie Bell, who some see as the UK’s answer to Janis Joplin and I definitely hear it on some tunes, handles lead vocals on this one. She’s also known for ‘vocal abrasives’ as credited on Rod Stewart’s title cut to the Every Picture Tells A Story album. Other noted members of Stone The Crows were Alex Harvey’s brother Les, who was electrocuted on stage and later died after touching a mic that was not grounded while his other hand was on his guitar strings. Others who passed through the band were Jimmy McCulloch, later lead guitarist with Paul McCartney and Wings, and bassist/singer James Dewar, later a member of Robin Trower’s most commercially successful lineup during the 1970s, and one of my favorite rock singers. 
  2. Warhorse, Back In Time . . . From the same I’m A Freak Baby compilation, although I do have some Warhorse stuff. Of course I would; Deep Purple is among my favorite bands and Warhorse was a hard rock/psychedelic Deep Purple offshoot group, this track being a perfect example of their work. Warhorse was formed by Nick Simper after the bassist was sacked by Purple along with singer Rod Evans when Roger Glover and Ian Gillan were brought in as the so-called ‘classic’ Mk. II lineup of Purple moved to a heavier rocking sound and went on to greater glories.
  1. Bob Seger, Bo Diddley . . . Before The Silver Bullet Band, from Seger’s 1972 Smokin’ O.P.’s album of mostly down and dirty cover tunes, hence the title – Smokin’ Other People’s Songs, derived from ‘smoking other people’s cigarettes’ (hence the album cover) but I wouldn’t know, never having smoked. OK, I did, once, as a kid, age 9, with a gang of my friends. We stole a carton of my parents’ cigarettes but mom caught me, finding a cigarette butt in my pants pocket while doing laundry, and I promised never to do it again – and didn’t as I started getting into physical fitness. Interestingly, mom and dad smoked, as did my older brother and sister of the five kids in the family. Different times.  
  2. Cat Stevens, Drywood . . . From Stevens’ 1975 album Numbers, a sci-fi concept album of sorts that the record company didn’t like because it didn’t produce ‘catchy’ hits like Moonshadow, Peace Train, Morning Has Broken etc. As a result, it didn’t sell as well as his previous work. But this is art, dammit! Which is what Stevens argued. Besides, I think Drywood is pretty catchy and the pop charts are often infested with dreck ear candy without substance or lasting value, so I’m with Cat.
  1. Maria Muldaur, It Feels Like Rain . . . Bluesy, swampy, sultry version of the John Hiatt song. Muldaur is a great artist, so much more than her lone big pop hit from the 1970s, Midnight At The Oasis. Buddy Guy also covered the song, as the title cut to his 1993 album.
  1. Warren Zevon, The Overdraft . . . Lindsey Buckingham of Fleetwood Mac fame provides backing vocals on this rollicking ride from Zevon’s 1982 The Envoy album. Waddy Wachtel, session man to the stars, provides typically great lead guitar, as he did on so many Zevon albums.
  1. The Joe Perry Project, South Station Blues . . . From the Project’s second solo album, 1981’s I’ve Got The Rock & Rolls Again. Catchy intro. As with the debut, Let The Music Do The Talking, it was done during the period when Perry quit Aerosmith as the drug and booze-addled band splintered during the sessions for 1979’s Night In The Ruts album, although Perry still played on most of the tracks. Perry had a singer-rhythm guitarist in his band, Charlie Ferren, but handled lead vocals himself on this up tempo shuffle whose genesis was Shit House Shuffle, a 36-second instrumental Aerosmith used as a warm up before recording sessions. It’s available on the Pandora’s Box boxed set, and online. A slightly revamped Let The Music Do The Talking became an Aerosmith song on 1985’s Done With Mirrors album.
  1. Neil Young, For The Turnstiles . . . From Young’s introspective 1974 album On The Beach, prompted by his discomfort with the superstardom his previous studio album, Harvest, brought. Heart of Gold from Harvest was a No. 1 single for Young, as was the album, but in the liner notes to his excellent Decade compilation, he addresses the feelings of wanting to retreat that success fostered in him, and how it led him to produce darker followup albums like On The Beach and Tonight’s The Night. “This song (Heart of Gold) put me in the middle of the road. Traveling there soon became a bore, so I headed for the ditch. A rougher ride but I saw more interesting people there.”
  1. Badfinger, Carry On Til Tomorrow . . . Beautiful track, with some great guitar in its rockier parts, from the band’s 1970 debut album as Badfinger (they released one previous album under the name The Iveys). Magic Christian Music was on Apple Records as the band had an association with The Beatles, much of their early work produced or co-produced mostly by Paul McCartney, some by George Harrison and Beatles associates Geoff Emerick and Mal Evans.

CKMS Community Connections for 10 June 2022: Encampment Evictions with Dr. Erin Dej, Dr. Laura Pin, and Lesley Crompton

Dr. Erin Dej, wearing a T-Shirt with the words "but first, housing"
Dr. Erin Dej
Dr. Laura Pin
Dr. Laura Pin
Lesley Crompton
Lesley Crompton

Show Notes

Bob Jonkman is joined by Dr. Erin Dej, Assistant Professor in the Department of Criminology at Wilfrid Laurier University, Dr. Laura Pin, Assistant Professor in the Political Science Department, also at Wilfrid Laurier University, and Lesley Crompton, who works with the Unsheltered Campaign at the Civic Hub in Waterloo Region. They discuss the impending eviction of the people at the Victoria/Weber encampment, direct aid, government responsibilities, housing policy, and the role of academia.

The interview starts at 3m57s.

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Podcast

Download: ckms-community-connections-2022-06-10-episode097.mp3 (50.1 MB, 52m05s, episode 097)

Index

Time Title Album Artist
0m00s Theme for CKMS Community Connections ccc CKMS Sunflower logo (yellow petals surrounding a black centre with white wavies all on a teal background)
CKMS Community Connections
Steve Todd
0m55s Abolition Now! Abolition Now! (black upper case letters drawn on an orange background surrounded by explosion lines)
Abolition Now!
The Soviet Influence
3m57s Dr. Erin Dej introduces herself, explains the role of critical criminology in social justice issues, and begins to explain the Point-In-Time count when technical difficulties arise.
6m33s Thieves of Joy The Soviet Influence | Thieves Of Joy (cartoon of a worker fighting an octopus with arms labelled Militia, Police, Black List, Injunctions, Employers Assn, RBA; the octopus head has a $ sign, there's a large knife labelled Socialist Ballot, and the cartoon caption is Say, Mr. Worker, haven't you been in the grip of this monster about long enough? Why not try the knife on him?
Thieves of Joy
The Soviet Influence
9m35s Dr. Erin Dej explains that what is happening in Waterloo Region with homelessness is happening across the country, and across the world. The Point-In-Time count shows a doubling of homelessness since 2018. Part of that is due to Covid, but there are a variety of factors that contribute.

Dr. Laura Pin introduces herself, and explains how Political Science influence policy action around social issues and homelessness.

Lesley Crompton introduces herself, and the Unsheltered Campaign which has been filling gaps in social services for food, water, sanitary facilities, and shelter. Talking to people with lived experience, and gathering stories. Identifying the “hidden homeless”, people who are not registered with the municipality for the shelter system. Extended families are excluded, but may have some of the same issues. The Point-In-Time count had to be done by the municipality in order to get funding from other levels of government, but contracted the service out to the assistive organizations like Unsheltered Campaign. There are issues dealing with the macro issues because so much attention is focused on the micro issues.

17m43s Direct aid provided by eg. Unsheltered Campaign, Going Mobile KW, 519 Community Collective provide food, food ingredients, and food preparation for people who have food insecurity. It is difficult to prepare a variety of meals from supplies from the food banks; it does not provide the recipients with the choice of what to eat. There is no confirmation of need, no means testing; treating people with dignity. Are people satisfied, well-nourished? It’s difficult to say. Is this Canada’s “Social Safety Net”? Aid agencies need a “Billing For Filling” initiative, billing the state for filling the gap. This goes back to social policy, social assistance for people who have disabilities or are unemployed; the rates are not enough for people to afford shelter and food. The single rate for Ontario Works (OW) is $750/month; the Ontario Disability Support Program is about $1150/month. These are not livable, humane rates.
24m30s At the Waterloo Region Council Meeting on Tuesday, 7 June 2022, there was a call for additional funding from higher levels of government. Housing requires intergovernmental relations and multiple levels of government to manage. But at the regional level there are lots of things that can be done, eg. a regional encampment protocol. While there is a need for additional funding, it’s not an excuse for making use of the powers the regional government has for taking action. Beyond food, there are other issues that require support. Shelter support for families in motels are the same facilities used for people displaced from encampments, but this does not work for many people. Waterloo Region contracts out these services to aid agencies. Lesley Crompton says we need an Auditor General to ensure that there is more public accountability and transparency between the Region and its service providers to ensure they’re doing what we think they’re supposed to be doing — Lesley doesn’t think they are.
29m21s There are upwards of 50 people living at the Victoria and Weber encampment. Regional Council seemed sympathetic, but not motivated to help. Premier Doug Ford has said that for people in this situation just need to get a job. But Dr. Dej says that lots of people in this situation have a job! They’re working, but it’s not enough to pay the rent. For those without work, it is difficult to get a job. How do people without a job get a bus pass to find work? How do they get equipment like steel-toed boots needed to get a job? How can people try to get a job when they’re in an encampment, likely sleep deprived from being in the same area with 50 other people, concerned for their safety, and unable to get good rest from sleeping on the ground. And even when people on social assistance do get work, their earnings are clawed back at %50, an effective tax rate much higher than anyone else has to pay. The provincial government is cutting its sources of revenue (license plate renewal), federal government isn’t pursuing foreign holdings tax which could be used to invest in affordable housing and social housing. Dr. Pin says that at the local government level, a vacant home tax or foreign ownership tax could raise revenues for social programs. People are working part-time, employers cutting hours to minimize benefits. But even people working full-time at minimum wage earn only about $2000/month before deductions, yet rents are around $1600/month. If we took an approach of housing as a human right it shouldn’t matter whether people work full-time, part-time, if they need child care, or if people have a disability and can’t work — people still have a right to decent and affordable housing. The Region of Waterloo’s housing policy has put forward a human rights approach to housing; the federal government in its national housing strategy has also put forth a human rights approach to housing. But how can we make this a lived experience for people experiencing homelessness? Yet the Region of Waterloo Council has not advanced this into a formal motion.
35m30s International Human Rights declaration indicate that people are not to be evicted from their housing, or even encampments. What legal ramifications are there for municipalities that break the International Human Rights declaration? Dr. Dej says that federally this has already been adopted. Yet municipalities don’t follow it. Instead, municipalities are adopting a criminalizatin of homelessness, and even a militarization of the efforts to evict people from encampments. We do have a national protocol for homeless encampments in Canada to follow for removing people from encampments developed by the former UN Rapporteur on Housing, Lailani Farha and Dr. Kaitlin Schwan that tells municipalities how to do it within our international human rights obligations. Recognize that people don’t want to live in encampments, they want to be housed. The challenge is that following this protocol takes time, but people want quick fixes. Yet removing encampments is not that quick fix people are looking for, it’s not going to end homelessness.
38m06s Lesley Crompton points out that people need more than just housing: They need wrap-around services such as cooking instruction, a social structure, mental health issues that need to be addressed. Some shelters have zero-tolerance for violence. But what is violence? Someone speaking exteremely loudly may be considered violent, and get evicted. At motels used for housing, the staff are not able to deal with mental health issues. People need on-going supports, but some municipal housing staff think that merely providing housing is enough. What can academics do to influence the outcome of the pending eviction? Dr. Pin recognizes her privilege; people from the region connect with her in ways that they don’t connect with people on the ground. The 30 June deadline for evicting people from the Victoria and Weber encampment is artificial, the site is not needed for construction until the fall. Dr. Pin suggests we push back against that deadline to give people more time to discuss with decision makers as to what they need. Dr. Dej suggests that we push as hard as we can to make sure that the voices of the people in the encampments are the ones that are heard. She has received criticism about the Point-In-Time counts and other academic pursuits, that money spent on academic studies would be better spent on housing directly. But there is a lot of power in that data, it can convince people in ways that people might be convinced otherwise. For example, Dr. Dej has researched, rigorous data that supports Lesley’s statements on the need for ongoing services. Use this as clout to amplify the voices of people on the ground.
43m33s How does this get to the politicians who make the decisions? Dr. Pin has been inviting councillors and staff into the Unsheltered Campaign meetings to hear what community organizations have to say on the issue. Dr. Pin’s graduate seminar prepared a report on comparative encampment protocols from a human rights perspective to provide the Region with data on how difference cities have put forward protocols to manage encampments, and providing some analysis to determine which protocols are more consistent with a human rights approach. Building relationships and capacity at the Regional level to do that kind of analysis. What can ordinary citizens do? Lesley Crompton says to take time to understand, to talk to people at the encampments, to talk to people who have been working for the people at encampments. The Region’s capacity of outreach staff is very limited, and does not give enough time to spend with the individuals at the encampments. Get involved, so you can then speak to the Region. This is an election year, and while there are no Regional or City councillors on the same page as Premier Ford, it is time for a change. CARE (Coalition Against Removing Encampments) is a grassroots organization that looks at other social justice issues, a coalition of other organizations. Dr. Pin mentions the Social Development Centre and the Civic Hub WR for people who are interested in connecting in a immediate way. Challenge the stigma that’s presented to the people experiencing unsheltered homelessness, recognize that the people in encampments are our neighbours and community members.
49m23s Bob thanks the guests, gives the credits for CKMS Community Connections, and introduces Dreamer by Rose Brokenshire.
50m35s Dreamer (photo of Rose Brokenshire among fluffy clouds)
(single)
Rose Brokenshire

CKMS Community Connections Hour One airs on CKMS-FM 102.7 on Monday from 11:00am to Noon, and Hour Two airs on Friday from 3:00pm to 4:00pm.

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Bonus Footage

YouTube: CKMS Community Connections for 10 June 2022

Show notes and podcast interview content is Copyright © 2022 by the participants, and released under a CC BYCreative Commons Attribution Only license. Copy, re-use, and derivative works are allowed with attribution to Radio Waterloo and a link to this page. Music selections are copyright by the respective rights holders.

episode 280 agriculture show may 31

Peggy Brekveld is our guest for episode #280. Peggy and family have a dairy farm in the Thunder Bay region. Peggy is also the president of ofa,on.ca   Our playlist:

  • King of the Road by Roger Mills
  • Bare Necessities by Disney
  • Golden. by Lady Antebullum
  • It Happens by Sugarland
  • Girl Goin’ Nowhere by Ashley McBride
  • Hell of a View by Eric Church.

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