Kitchener, ON – An active start to the wildfire season in Canada has led to warnings about air quality in Waterloo Region over the past weeks. While currently bouncing between 3 and 5 out of 10, or low and moderate risk on Environment and Climate Change Canada’s Air Quality Health Index website, on June 5 and 6th, an air quality warning was issued as measurements were 11, or very high risk.
This show features an interview with Dr Eilish Scallan, a physician working in the Environmental Health department of Region of Waterloo Public Health. Scallan discusses how air quality affects the health of residents and what folks can do to reduce their exposure to wildfire driven low air quality.
1. The Rolling Stones, Out Of Control (live, from No Security)
2. The Stooges, No Fun
3. Jethro Tull, Hymn 43
4. Deep Purple, Lady Double Dealer
5. Black Sabbath, Turn Up The Night
6. Fight, Into The Pit
7. Budgie, Hot As A Docker’s Armpit
8. Steppenwolf, Hippo Stomp
9. Led Zeppelin, Heartbreaker (live, from How The West Was Won)
10. Genesis, Dodo/Lurker
11. Stevie Ray Vaughan, Couldn’t Stand The Weather
12. April Wine, Electric Jewels
13. The Who, Now I’m A Farmer
14. The Flying Burrito Brothers, Wild Horses
15. Blood, Sweat & Tears, Mean Ole World (live)
16. The Allman Brothers Band, I’m Gonna Move To The Outskirts Of Town (from Live At Ludlow Garage, 1970)
My track-by-track tales:
1. The Rolling Stones, Out Of Control (live, from No Security) . . . A prime example of a song truly coming, er, alive in a concert setting. Inspired by and somewhat derivative, particularly the bass line, of The Temptations Papa Was A Rollin’ Stone, Out Of Control was one of the highlights of the 1997 Stones’ album Bridges To Babylon and compelling enough in its 4:43 track time studio version. That’s about the time when this propulsive eight-minute live version from the Babylon tour truly takes off with the guitar assault – including terrific wah wah from Ronnie Wood – kicking in and building to a crescendo, Mick Jagger’s wailing harmonica adding to the mix when he’s not verbally egging the band on. To me, Out Of Control is something of a latter-day Midnight Rambler (from 1969’s Let It Bleed album) if one draws comparisons between live and studio versions. Both are compelling tracks regardless but truly take off live, evidenced by the concert rendition of Midnight Rambler from Get Yer Ya Ya’s Out!, widely considered the definitive version.
2. The Stooges, No Fun . . . Rollicking raunch from the garage rock greats’ self-titled debut album, released in 1969. Down and dirty droning, gritty guitar from Ron Asheton coupled with Iggy Pop’s tossed-off, drawling vocal delivery. Great, influential stuff by the proto-punk pioneers.
3. Jethro Tull, Hymn 43 . . . From Aqualung, Tull’s 1971 album and one of their best rockers complete with caustic commentary – as is the whole album – on organized religion. ‘If Jesus saves, well, he better save himself from the gory glory seekers who use his name in death.’
4. Deep Purple, Lady Double Dealer . . . A good demonstration of bassist Glenn Hughes adding, with his ‘oh baby’ break, to David Coverdale’s lead vocals on this charging rocker from Stormbringer. It was the Mark III version of Deep Purple’s second album and second one, after Burn, released in 1974. The Mark III lineup: Ritchie Blackmore (guitar), Ian Paice (drums), Jon Lord (keyboards), Coverdale (lead vocals), Hughes (bass, vocals). Deep Purple is now at Mark IX – Ian Gillan (long since back on lead vocals), Roger Glover (bass), Paice (drums), Don Airey (keyboards) and Simon McBride (guitar).
5. Black Sabbath, Turn Up The Night . . . A hot rocker from the 1981 Mob Rules album, the second featuring Ronnie James Dio on lead vocals, replacing Ozzy Osbourne. It’s something to me of a companion piece to Neon Knights from Heaven And Hell, the 1980 album that marked Dio’s debut with Sabbath. Both are kick-butt rockers, both lead off their respective albums, with each record also featuring similar epics in Children Of The Sea from Heaven And Hell and The Sign Of The Southern Cross on Mob Rules. Similar but different, all of them superb.
6. Fight, Into The Pit . . . From War Of Words, the debut Fight album released in 1993 after lead singer Rob Halford left Judas Priest. He was replaced by Tim ‘Ripper’ Owens for the studio albums Jugulator (1997) and Demolition (2001) and two live records. Halford returned for a reunion tour I saw in 2004 followed by the 2005 studio album Angel Of Retribution and subsequent Priest releases to the present day. Into The Pit is a screaming shredder in line with the speed metal of Painkiller, the 1990 album that was Halford’s last with Priest before he temporarily moved on.
7. Budgie, Hot As A Docker’s Armpit . . . What a title and what a riff. A stop-start rocker from the influential if not supremely commercially successful Welsh metal mavens. Budgie has been cited by Metallica, Megadeth and Iron Maiden, among others, as being an important influence with Metallica covering Breadfan and Crash Course In Brain Surgery. Docker’s Armpit is from the 1972 album Squawk with cover art of a dive-bombing fighter jet budgie by Roger Dean. Dean is likely best known for his Yes album covers but did several for Budgie as well as Uriah Heep and Asia.
8. Steppenwolf, Hippo Stomp . . . Swampy groove from Steppenwolf 7, released in 1970. The album was so named due to its being the band’s seventh overall to that point, counting two live albums.
9. Led Zeppelin, Heartbreaker (live, from How The West Was Won) . . . Slightly speeded up, as live music can tend to be, version of the Led Zeppelin II track. This raucous version was released on the 2003 triple-CD How The West Was Won, culled from a pair of 1972 California concerts in Los Angeles and nearby Long Beach.
10. Genesis, Dodo/Lurker . . . I like the driving nature of this one, similar in that way to the title track from the album from whence it came, 1981’s Abacab. The Phil Collins-fronted Genesis was well down the path of accessible, commercial hit-making by then but I thought still nicely retained and combined elements of their early progressive rock sound.
11. Stevie Ray Vaughan, Couldn’t Stand The Weather . . . Can’t do much about the weather I suppose but nevertheless I’ve been uncharacteristically bitching about our largely lousy, rainy for the most part spring in southern Ontario. But, to quote the Vulcan elder T’Pau in the Star Trek original series episode Amok Time, ‘the air is the air’ when Dr. McCoy complains to her that Captain Kirk doesn’t have a chance in a forced fight with Mr. Spock due to the heat and thinner air on Vulcan. The weather is the weather. Inspiration comes from everywhere, hence this title track to SRV’s 1984 album.
12. April Wine, Electric Jewels . . . I can never get enough of this atmospheric title track from the 1973 album. From prog to hard rock to ballad and back again, all within six minutes.
13. The Who, Now I’m A Farmer . . . Ah, that unique rat-a-tat just on the edge of losing control drumming of Keith Moon, but just a fun romp overall. Issued on an album of outtakes and such compiled by Who bassist John Entwistle, appropriately titled Odds & Sods, that filled a gap between proper studio albums when released in 1974. It did the job nicely, hitting No. 10 in the UK and 15 in the USA. Originally a 10-track release, it was expanded to a 23-song CD in 1998 which is appropriate in that it was originally conceived as a double album given the volume of material Entwistle said was available in the vaults.
14. The Flying Burrito Brothers, Wild Horses . . . One of those songs that was released by someone else before the band for which it is famous put it out. The country-rocking Burritos, led by Gram Parsons who was particularly friendly with and an influence on Keith Richards, released the Richards-Mick Jagger-penned piece on their second album, 1970’s Burrito Deluxe.
15. Blood, Sweat & Tears, Mean Ole World (live) . . . Not quite rock, not quite blues, not quite jazz, just BS & T. Recorded in 1975, the song appeared on In Concert which was released only in Europe and Japan. It was re-released worldwide in 1991 under the album title Live and Improvised.
16. The Allman Brothers Band, I’m Gonna Move To The Outskirts Of Town (from Live At Ludlow Garage, 1970) . . . Extended slow to mid-tempo how I like my blues. It was recorded in April 1970 at the Cincinnati venue Ludlow Garage featuring the original lineup of Gregg (vocals, organ) and Duane (guitar) Allman, Dickey Betts (guitar), Berry Oakley (bass), Butch Trucks (drums, percussion) and Jai Johanny (aka Jaimoe) Johanson. The song first came out officially on the Dreams box set in 1989 and then on Live At Ludlow Garage, released in 1990. The entire Ludlow set has since been added to expanded re-releases of the second Allmans studio album Idlewild South which originally came out in September 1970.
CKMS wants to continue offering a place for community members to have their voices heard on the FM dial and for that we are once again asking for your support.
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Hug The Moment cuts through the noise of a distracted culture. It isn’t self-help, and it isn’t spin. It’s a half-hour of real presence, where ordinary guests name what they’ve lost, what they’ve learned, and how they keep showing up. Every episode circles the same truth: peace and meaning can only be met in the moment we live, never in the replay of the past or the projection of the future.
About the host
Douglas Ross is a Waterloo-based writer, spiritual director, and former political candidate known for bridging ideological gaps with candour and care. His life has spanned homelessness, public service, and pastoral accompaniment; he meets guests where they are because he’s been many places himself. Listeners trust his voice because it’s lived, not rehearsed.
Hug the Moment — Thirty minutes a week to stop pretending, slow down, and show up for the only life we have: the one unfolding right now.
Hug The Moment is hosted by Douglas Ross and airs on CKMS-FM on alternate Fridays from 3:30pm to 4:00pm starting 27 June 2025.
What’s up, y’all? Before getting into it, tomorrow marks the beginning of our 1 week fundraising drive — the goal’s $1000. You ain’t finding any other station that has something like the Horizon Broadening Hour, so if you like what you hear, radiowaterloo.ca/give is the place to go (or just hit the “donate” button to your left!)
Now, onto the usual, here is what I’ve added to Libretime since last week:
kpec3 arrival
jesus saves (2024 version)
Religious
No
The Tralala…
Free Annie – Single
Rock
No
The Tralala…
Windblown World – Single
Rock
No
Andy Jake & the Rakes
I’ll Be Damned – Single
Country
No
Alien Boys
Live at Rain City Recorders
Punk
CanCon
Spirit Lights
Spirit Lights
Ambient
No
Spirit Lights
In Balance
Ambient
No
Jay Williams
Summer Dreaming – Single
Electronic
No
Working Batterie
Volume One
Rock
No
Lotus Wright
Original Songs for Voice and Banjo
Folk
CanCon
Richard Shulman
Summer Solstice Piano Meditations
New Age
No
Ailu
Lost in Time – Single
Pop
CanCon
Ailu
Opposing Forces – Single
Pop
CanCon
Ailu
The Blood Moon – Single
Pop
CanCon
Ailu
Dragon Fruit
Pop
CanCon
Amy Rowbottom
EMMELINE – Single
Pop
No
Amy Rowbottom
WHERE DID THE LIGHTS GO – Single
Pop
No
Tarzan Grip
Rocker My Baby- EP
Rock
No
Alina Markina
Only Then – EP
New Age
No
Armin Basha
Solar Static – Single
Electronic
No
Anne Drummond
Modern Standards
Jazz
No
Victoria Staff
I Still Think You Might – Single
Pop
CanCon
Jay Williams
Dreaming You Alive – Single
Electronic
No
The Moonsnakes
Servant of the Groove – Single
Rock
CanCon
Kasei
Devil Rattlin’ His Chain – Single
Country
No
Andrew Spice
Rage Stage – Single
Rock
CanCon
Malia Rogers
Chameleon – EP
Folk
CanCon
goodheart
Stuck in a Cloud – Single
Rock
CanCon
Slighest Clue
Jamie – Single
Rock
CanCon
Superstar Crush
Fire Escape – Single
Rock
CanCon
Kardinal Offishal
LET EM OUT – Single
Hip Hop
CanCon
Pretox
By Now – Single
Rock
CanCon
Pretox
Underground – Single
Rock
CanCon
Ricca Razor Sharp
Gemini Jams
Hip Hop
CanCon
Psyclo
Loved
Pop
No
Bleacher Boy
Chairs and Covers – Single
Pop
No
Gordon Izumi
Line of Fire – Single
Rock
CanCon
Naneum
Dreams Remembered Pt. II
New Age
No
Jill Haley
Quietude, Music For Shenandoah National Park
New Age
No
1000 Handz
Electric Island – Ep
Electronic
CanCon
Dimitri Di Alencar
Cold Reality
Rock
No
Empanadas Ilegales
Sancocho Trifascio
Latin
CanCon
Suzie Ungerleider
Among the Evergreens
Folk
CanCon
Heather Feather
Together
Children’s Music
CanCon
Adrienne Gallant
Quand on s’aime biex tous les deux – Single
Folk
CanCon
Urbs & Cutex
On Our Way
Hip Hop/Instrumental
No
Big Joe Shelton
Pity Party – Single
Blues
No
Igor Lisul
Wasted Years
Rock/Instrumental
No
Uncle Trent and Friends
Legacy
Country
CanCon
Here is tonight’s Horizon Broadening Hour:
Tracklist:
Spirit Lights – Forever Flows
Alina Markina – Only Then (Piano and Violin) [feat. Suzanne Lansford]
Richard Shulman – Bells of Summer
Naneum – Awards
Jill Haley – Rose River Falls
Fabia Mantwill Orchestra – Circular
Psyclo – It Don’t Taste The Same
Ailu – Lost in Time
Victoria Staff – I Still Think You Might
Urbs & Cutex – Wherever You Are (feat. T.R.A.C)
Ricca Razor Sharp – 15 Smokes
Armin Basha – Solar Static
1000 Handz – Sunset Highway
DUTE – It’s Never Too Late
Shiny Cote – Daybreak
Bleacher Boy – Chairs and Covers
Alien Boys – Punching Concrete
Excuses Excuses – Paralysis
Testors – Let’s Get Zooed Out
The Tralala… – Free Annie
Tarzan Grip – The Ballad of Albert Herpin
Igor Lisul – Wasted Years
Andy Jake & the Rakes – I’ll Be Damned
Wildfinger – Don’t Tell Me What To Do
Rosalie Moscoe – Love Mother Earth
Heather Feather – Empathy
Jessie Che – Ghosts (Acoustic)
Malia Rogers – I Could Barely Drive
Norine Braun – Just One Night
Suzie Ungerleider – I’m Sorry and You’re Right
Norman Brule – All Hail the Power of Jesus’ Name
Kpec3 arrival – Jesus Saves (2024 Version)
On June 21st: PHADY’S MUAY THAI & MUAY LAO FEDERATION PRESENT MUAY LAO FIGHT FIGHTNIGHT 2. In this hour, we got some historical background, as well as cultural significance of Muay Lao / Muay Thai.
Ajarn Phady and Lucky say it best in this interview! Check it out. Tickets via eventbrite for general audience or for VIP, call Phady’s Muay Thai: (519) 584‑5426
A ‘27 Club‘ album set featuring artists from the so-called 27 Club of those who died at age 27: Jimi Hendrix, Kurt Cobain of Nirvana and Jim Morrison of The Doors. On the menu: Hendrix’s incendiary performance at the 1967 Monterey International Pop Festival, Nirvana’s 1991 grunge breakthrough Nevermind and The Doors’ Strange Days, the second of two albums, including the debut, the band released in 1967. My thoughts on the albums follow the track listings.
1. Introduction by Brian Jones (also a member of the 27 Club) of The Rolling Stones
2. Killing Floor
3. Foxey Lady
4. Like A Rolling Stone
5. Rock Me Baby
6. Hey Joe
7. Can You See Me
8. The Wind Cries Mary
9. Purple Haze
10. Wild Thing
1. Smells Like Teen Spirit
2. In Bloom
3. Come As You Are
4. Breed
5. Lithium
6. Polly
7. Territorial Pissings
8. Drain You
9. Lounge Act
10. Stay Away
11. On A Plain
12. Something In The Way
1. Strange Days
2. You’re Lost Little Girl
3. Love Me Two Times
4. Unhappy Girl
5. Horse Latitudes
6. Moonlight Drive
7. People Are Strange
8. My Eyes Have Seen You
9. I Can’t See Your Face In My Mind
10. When The Music’s Over
My track tales/album analyses:
The Jimi Hendrix Experience Live At Monterey (2007 Experience Hendrix family trust release)
I first heard songs from this album, which has come out in various forms in whole or in part, when my older brother, who introduced me to so much great music, brought home Historic Performances Recorded at the Monterey International Pop Festival.
Side one of that original vinyl, released in 1970, had four songs by Hendrix; side two was five by Otis Redding. I was immediately struck by Hendrix’s performance of Bob Dylan’s Like A Rolling Stone and Redding’s reworking of The Rolling Stones’ Satisfaction plus his own Respect – including Redding’s playful intro about how Aretha Franklin had taken the song from him. Otis’s 1965 single reached No. 4 on the R & B charts and No. 35 on the overall Hot 100 while in 1967 Aretha’s version went to No. 1 on both lists.
“This is another one of mine, a song we’d like to do for everybody . . . a song that a girl took away from me, a good friend of mine, this girl she just took this song, but I’m still gonna do it anyway.”
Sadly, six months out from the Monterey festival, held June 16-18, 1967, Redding died in a plane crash between tour stops, two months after turning 26. But we still have his immortal music including the Monterey performance. It was issued as part of a terrific 4-CD box set package of the festival, released by Union Square Music’s classic album reissue label Salvo in 2013. Among the artists: The Who, Jefferson Airplane, Big Brother And The Holding Company (Janis Joplin) and The Byrds.
In addition to the four songs on ‘Historic Performances’, Hendrix’s Monterey set was released on its own in 1986 as Jimi Plays Monterey before the Hendrix family trust took over and re-issued it as The Jimi Hendrix Experience Live At Monterey in 2007.
Nirvana’s Nevermind was the album – fueled by its biggest hit single Smells Like Teen Spirit – that broke the Seattle grunge sound big and opened the commercial success door to such bands as Pearl Jam, Soundgarden, Alice In Chains and any other act from that city that record companies, for a brief time at least, figured they could milk profit from. Most who have heard the album know its singles like Teen Spirit, Come As You Are, Lithium, In Bloom . . . yet among my favorites, certainly my favorite deep cut from the album, is Polly. It’s a compellingly catchy acoustic song I liked from the first time I heard it, without at first knowing its background.
Upon learning what inspired it – an arguably perversely beautiful song about a horrible, life-damaging event, which I suppose was writer Kurt Cobain’s intent – I’ve since been somewhat conflicted about liking it. It’s harrowing listening once you know the subject matter. On the flip side, what is great art if not to inform and perhaps force us to think and feel? Polly is about the abduction, rape, and torture of a 14-year-old girl returning home from a punk rock concert in Tacoma, Washington in 1987. Thankfully, the girl escaped and the perpetrator, Gerald Friend, was captured and is currently serving two consecutive 75-year prison terms. And, hopefully, his victim is alive and as well as one could be, if that’s even possible, after the trauma of such an event. She’d be age 52 now.
I am missing one track in my play of the Nevermind album, that being the experimental ‘noise rock’ ‘song’ Endless, Nameless that was a hidden track after Something In The Way, the last listed song on the record. It took 10 minutes of silence to get there. Was it worth the wait? I don’t think so and I’m all for, uh, creativity. I listened to it once, when I first got the album and noticed the CD player time still ticking, interminably. Never listened to it again until I checked it out on YouTube, where it’s available as an isolated track, while prepping the show. It’s an OK track, I guess, but all these years later it’s confirmed that I haven’t missed much, if anything. And the fact it’s not included on vinyl re-releases of the album – although it was included as a separate song on expanded CD reissues – says something.
According to various sources, the hidden track was inspired by Her Majesty from The Beatles’ Abbey Road, arguably the most famous if not the first hidden track in rock music history. If so, geez, Nirvana, gimme a break. The Beatles didn’t make you wait through 10 minutes of dead air, in the Fab Four’s case it was a few seconds, as was the case 10 years later with The Clash on London Calling and Train in Vain (Stand by Me), a last minute addition to that album. I suppose one could fast forward Something In The Way, the last listed Nirvana track on Nevermind, to get to the hidden song which occupies the same track as Something In The Way. Not worth the effort. And then other bands started doing similar long waits until a hidden track, something of a short-lived fad. Sorry, I don’t have the patience for that BS. If your song is any good, put it within easily accessible reach on the album or as a separate single. But at least we have good citizens out there who extract such songs and put them on platforms like YouTube, so they’re there if anyone is interested.
We conclude with The Doors and the ‘just what you’d be expecting’ set closer, When The Music’s Over from Strange Days. No sophomore slump for these guys on their second album, their second of 1967, released in September after the self-titled debut came out eight months earlier. A great selection of songs, Strange Days, from its opening Moog synthesizer-driven title track through familiar fare like People Are Strange (No. 1 in Canada, No. 10 in the USA), You’re Lost Little Girl, Love Me Two Times and Moonlight Drive. Just another of those classic albums that’s a compelling front-to-back listen.
What’s up, y’all? Here is tonight’s Clean Up Hour — pretty much get straight into the music, but with a preamble to let y’all know that our fundraising drive begins on the 9th, and runs for one week! If you like local radio, what we do, etc., and want to support this thing we got going on here (especially since the rent’s going up!), please go to radiowaterloo.ca/give, or just hit the donate button to your left. Starting a new show, or buying a membership with the station, also help.
Tracklist:
Mr. M*********n Exquire – No Jumpin
Benny the Butcher & Styles P – Toxic
Swizz Beatz, Larry June, Conway, & Sauce Walka – City Is Mine
Fly Anakin, Quelle Chris, $ilkmoney, & Nickelus F – NOTTOOSHABBY
Lloyd Banks – THE GRUDGE
G Perico – HEY
Aupheus, Sage Francis, Buck 65, & Slug – Recovering Adrenaline Addict
1999 WRITE THE FUTURE, The Pharcyde, & Danny Brown – Citrus Noxide
Michael Christmas & Rugby Lo Sport – What Were You Thinkin?
Rico Nasty – ON THE LOW
Bruiser Wolf, Chilly Gonzalez, & DJ Lucas – Pee-Wee Herman
Andre 3000 – Hotel Lobby Pianos
Jay Worthy – Calamari
Boldy James – Oasis
Wiz Khalifa – Crime Bud and Women
Snoop Dogg, Pharrell, & Tonio Armani – Spot
Common & Sa-Ra – So Cool
Amine & Leon Thomas – New Flower!
Niko B – Hairclips
RXKNephew – “john fetterman”
Weiland – The Girl Is Not Mine
Kilo Kish – when I came to myself
JPEGMAFIA & Flume – AI Girlfriend
Kali Uchis – Silk Lingerie
Asher Roth – New Dessert
Scout Young – Cat O’ Nine Tails
Buck 65 – Window
Boldy James, Real Bad Man, & El-P – It Factor
Michael Christmas – Ain’t Nobody
Serengeti – palookarap
Lupe Fiasco – 3 Piece Flavor
Serengeti – unblu
Billy Woods – Cold Sweat
MIKE, Earl Sweatshit, & Tony Seltzer – Jumanji
Ray Vaughn – JANKY moral COMPASS
Aesop Rock & Open Mike Eagle – So Be It
Video Dave – of mountains and molehills
Blu, August Fanon, Phoenix Cruz, & Charles Hamilton – Dance
Men I Trust – In My Years
1. Triumph, Blinding Light Show/Moonchild
2. Argent, The Coming Of Kohoutek/Once Around The Sun/Infinite Wanderer
3. Supertramp, A Soapbox Opera
4. Ian Hunter, Noises
5. Roxy Music, For Your Pleasure (live, from 2003 reunion tour)
6. U2, God Part II
7. Arc Angels, Sent By Angels
8. Headstones, Tweeter And The Monkey Man (acoustic version)
9. Dire Straits, Millionaire Blues
10. The Allman Brothers Band, Loaded Dice
11. The Allman Brothers Band, Gambler’s Roll
12. Jose Feliciano, You’re No Good
13. Linda Ronstadt, You’re No Good
14. Van Halen, You’re No Good
15. Nazareth, Alcatraz
16. Mike Bloomfield/Al Kooper/Steve Stills, Season Of The Witch
17. The Rolling Stones, How Can I Stop
My track-by-track tales:
1. Triumph, Blinding Light Show/Moonchild . . . Progressive hard rocker from the Canadian trio to open the show, from the band’s self-titled debut album released in 1976, later retitled In The Beginning on a 1995 CD re-release.
2. Argent, The Coming Of Kohoutek/Once Around The Sun/Infinite Wanderer . . . An all instrumental cosmic journey making one song out of three from the first three tracks of Argent’s 1974 album Nexus. Best known for the 1971 single Hold Your Head Up, Rod Argent of Zombies fame’s later band was often much more. As for Kohoutek, those of a certain age, like me at closing in on 66, well remember the hype about that comet in 1973 which by all accounts was spectacular viewing in space but for we earthlings wedded to our planet, not so much. But songs came out of it, including The Coming Of Kohoutek as the first of three consecutive instrumental tracks from the Nexus album that flow like a mini-symphony.
3. Supertramp, A Soapbox Opera . . .Speaking of symphonies, somewhat symphonic rock from the 1975 album Crisis? What Crisis? with that familiar infectious refrain of ‘I said, Father Washington, you’re all mixed up collecting sinners in an old tin cup’ . . . A deep cut but a familiar one as were most of the songs on the sterling series of albums – Crime Of The Century, Crisis, Even In The Quietest Moments and Breakfast In America – Supertramp released between 1974 and 1979.
4. Ian Hunter, Noises . . . Beautifully metallic and industrial, er, noise indeed, from Hunter’s 1981 album Short Back n’ Sides from which this track is drawn. Funky electronica of sorts, played on and co-produced, along with guitarist Mick Ronson, by The Clash members Mick Jones and Topper Headon.
5. Roxy Music, For Your Pleasure (live) . . . Quirky, hypnotic title cut to Roxy’s 1973 album given the live treatment on the band’s 2001 reunion tour that was given live release in 2003 as Roxy Music Live.
6. U2, God Part II . . I played John Lennon’s Plastic Ono Band album last Saturday, a record that contained the classic song God which inspired U2 to this terrific rocked up recital of U2’s own beliefs, or not, as with Lennon’s original tune. It came out on the live/studio hybrid album Rattle And Hum in 1988.
7. Arc Angels, Sent By Angels . . . Blues rock from the one and only album, self-titled, released in 1992 featuring friends – guitarists Doyle Bramhall II and Charlie Sexton – and former members – drummer Chris Layton and bassist Tommy Shannon – of Stevie Ray Vaughan’s band Double Trouble. The group formed after Vaughan’s death and is still around, doing live gigs although no new studio material has ever been released. No singles were issued from the album although Sent By Angels and Living In A Dream got a fair bit of FM radio play. Bramhall went on to work extensively with Eric Clapton and also was a fixture on tours by Roger Waters of Pink Floyd fame, his guitar prominent on Waters’ 2000 CD/DVD release In the Flesh – Live.
8. Headstones, Tweeter And The Monkey Man (acoustic version) . . . Headstones covered this Bob Dylan-penned Traveling Wilburys track in rocked up raucous style on their debut 1993 album Picture Of Health. They re-did it, unplugged and more in line with the original Wilburys version, on the 2014 release One In The Chamber Music which featured acoustic versions of well-known Headstones songs such as When Something Stands For Nothing and Smile And Wave.
9. Dire Straits, Millionaire Blues . . . A nice groove on this blues shuffle. I was prompted to play it thanks to a Dire Straits discussion I had with a friend and show follower after I recently played The Man’s Too Strong from the 1985 album Brothers In Arms. Millionaire Blues was a B-side to the single Calling Elvis from what turned out to be Dire Straits’ last studio album, the 1991 release On Every Street.
10. The Allman Brothers Band, Loaded Dice . . . From Seven Turns, the 1990 reunion album that followed a successful tour the Allmans undertook after the 1989 release of the Dreams box set, a great collection which renewed interest in the band. Lead vocals on this one by guitarist Warren Haynes in his first outing with the Allmans, joining them after having been in guitarist Dickey Betts’s solo band. Haynes went on to form Gov’t Mule while remaining a key cog in the Allmans, also appearing on their final three studio albums – Shades Of Two Worlds (1991), Where It All Begins (1994) and Hittin’ The Note (2003) – and multiple live releases.
11. The Allman Brothers Band, Gambler’s Roll . . . Gregg Allman back on lead vocals with his typical soulful delivery on this slow blues, also from the Seven Turns album.
12. Jose Feliciano, You’re No Good . . . I got stuck in a rut but it’s a good one as here come three different versions of You’re No Good, which goes back to 1963 and was arguably most notably done by Linda Ronstadt, whose No. 1 hit version from 1974’s Heart Like A Wheel album I’m playing in about three minutes. But first, Feliciano, the Puerto Rican musician who puts his typical Latin stamp on the song, as he did with countless covers including the Doors’ Light My Fire and California Dreamin’ by The Mamas & The Papas. But he could write, too, notably Feliz Navidad and the theme music to the 1970s sitcom Chico and the Man.
13. Linda Ronstadt, You’re No Good . . . Every time I play or think of Linda Ronstadt three things come to mind. 1. Her great music. 2. The excellent 2019 documentary Linda Ronstadt: The Sound of My Voice which I highly recommend. 3. The fact that beautiful singing voice has been taken from her, and us, as a result of her having progressive supranuclear palsy, often misdiagnosed as Parkinson’s disease, all of which is touched upon in the documentary.
14. Van Halen, You’re No Good . . . Heavy stuff, which is what one would expect from Van Halen, from Van Halen II, released in 1979 with David Lee Roth on lead vocals. Another in a long line of Van Halen-ized covers that includes The Kinks’ You Really Got Me and Where Have All The Good Times Gone, Roy Orbison’s Oh, Pretty Woman and Dancing in the Street made famous by Martha and the Vandellas.
15. Nazareth, Alcatraz . . . Raunchy stuff written by Leon Russell and further rocked up by Nazareth on 1973’s Razamanaz album. It’ll probably send me back for another round of ‘did they make it?’ escape from Alcatraz documentaries as well as Clint Eastwood’s 1979 movie Escape From Alcatraz.
16. Mike Bloomfield/Al Kooper/Steve Stills, Season Of The Witch . . . A Donovan Leitch song covered by, among others, Vanilla Fudge. This version, from 1968’s Super Session album and sung by Kooper, features Stills on guitar. He was a hastily-recruited replacement for Bloomfield, who abruptly left after the first day of the scheduled two-day session citing fatigue due to insomnia. Bloomfield played on the five tracks that became side one of the original vinyl album, with Stills on board for the four songs on side two.
17. The Rolling Stones, How Can I Stop . . . A Keith Richards song that closes the Stones’ 1997 album Bridges To Babylon. He’s considered a raunchy rock and roller, which he is. Yet many of his songs, like this slow, soulful burner featuring jazz great Wayne Shorter on saxophone, are beautiful ballads.
Today’s episode is guest-hosted by students from Mr. Lacalamita’s music class at St. Mary’s High School. Jaylen and Jensen come into the CKMS-FM studio, and Jensen interviews Jaylen about his journey in creating music.
What’s up, y’all? First things first, here is what I’ve added to Libretime since last week:
Thresher
You and Me Could Really Exist
Rock
Owen Sound
CanCon
Sly Voodoo
End of an Era
Rock
CanCon
Norman Brule
Coming to the Waters
Religious
CanCon
Norman Brule
Free Wind Blowing
Religious
CanCon
Shiny Cote
Mosaic
Electronic
No
DUTE
It’s Never Too Late – Single
Electronic
No
Jay Williams
Hot Enough (Alex Kelman Mix) – Single
Electronic
No
TESTORS
Prime Primitive: 1976 – 1977
Punk
No
Linda Sussman
Pass It On Down
Folk
No
Michael Guiterrez-May
Light Still Shines the Same – Single
Folk
No
The North Sound
What It Takes
Folk
CanCon
Wildfinger
Don’t Tell Me What To Do – Single
Country
CanCon
Nakima
On My Way – Single
R&B
No
A Block of New
All the Songs I Didn’t Mean to Write
Pop
Tracks 18 and 20 are explicit
CanCon
Strange Plants
Strange Plants
Rock
CanCon
KUSHYKUSH
Don’t Call Me No More – Single
Pop
CanCon
Chasing the Sunshine
fireflies – Single
Rock
CanCon
The Holy Rollercoasters
Down and Dirty – Single
Rock
No
Gary Myrick
Bluestrach – EP
Blues
No
Joel Brogon
Put on a Happy Face (Acoustic Version) – Single
Folk
No
No Murder No Moustache
Wavin Flag – Single
Rock
No
HEL’SHTEIN & TOIA
SCREAM – Single
Pop
No
Tara Kye
My Diamond Soul – Single
Country
CanCon
Cactus for Breakfast
Unnamed Cowboy – Single
Rock
No
The Bapti$$
Crazyglue and Skeletons – Single
Hip Hop
NSFR
CanCon
Joe Lapinski
I Know This – Single
Alternative
CanCon
The Slim Kings
Keep On – Single
Pop
No
Jont
All Become One – Single
Folk
CanCon
Angela Saini
Puzzle Piece – Single
Folk
CanCon
Neil Haverty
Man Down – Single
Electronic
CanCon
Octoberman
We Used To Talk Of Death – Single
Folk
CanCon
Ian North
Going North for Good – Single
Folk
CanCon
Excuses Excuses
Paralysis – Single
Punk
CanCon
Puma June
Nobody – Single
Pop
CanCon
Big Wreck
Believer – Single
Rock
CanCon
Hillary Reynolds
Can’t Turn Off My Mind – Single
Pop
No
LENOIRE
futures ghost
Alternative
CanCon
AV & the Inner City
The Failer – Single
Soul
CanCon
Maria Gajraj
exhale
Classical
CanCon
Mystic Tea Party
Aftertaste – Single
Rock
No
Mystic Tea Party
Archive – Single
Rock
No
Mystic Tea Party
Empty as Always – Single
Rock
No
Mystic Tea Party
Honey
Rock
No
Mystic Tea Party
I’m Addicted – Single
Rock
No
Mystic Tea Party
Kintsugi – Single
Rock
No
Mystic Tea Party
MUFF – Single
Rock
No
Mystic Tea Party
The Looking Glass – Single
Rock
No
Aaron Macdonald
Crazy in Love – Single
Country
CanCon
Raymond Sewell
Close to You – Single
Folk
CanCon
Raymond Sewell
White Sands – Single
Folk
CanCon
Raymond Sewell
Yahweh – Single
Folk
CanCon
Jessie Che
Bowerbird
Folk
No
Flara K
Seasons
Pop
CanCon
Norine Braun
Just One Night – Single
Folk
CanCon
Lunar Reverb
Lunar Reverb (Live at Dr. Jeckyll’s)
Rock
No
YEUNG
Red Dirt Hills – Single
Pop
CanCon
Lammping & Bloodshot Bill
Won’t Back Down – Single
Rock
CanCon
Jay Williams
MAKE YOU MINE – Single
Electronic
No
The Brothers
Keeping the Music Alive feat. Mark Whitfield
Jazz
No
Tom Gershwin
Belong Here – Single
Jazz
No
Wardrobe
Common Touch
Pop
CanCon
Benita Haastrup
Boogaloo for Bees – Single
Jazz
No
Unessential Oils
The Purest of Oils
Alternative
Instrumentals are available
CanCon
Mint Simon
Chimera
Pop
CanCon
Justin Orok
California Shutters
Folk
CanCon
Blair Sparrow
Someday In Your Life – Single
Rock
CanCon
Clara Cloud
Curtain Call – Single
Pop
CanCon
Heavyweights Brass Band
Knockout
Jazz
CanCon
Asia James & Gene Evaro Jr.
Burn & Burn
Folk
CanCon
kpec3 arrival
jesus saves (2024 version)
Religious
No
Here is tonight’s Horizon Broadening Hour:
Tracklist:
Robert Humber – scrapquilt sunrise
Maria Gajraj – Burgeoning
Benita Haastrup – Boogaloo for Bees
The Heavyweights Brass Band – Hit Me 5
The Brothers – From New York to Rio
Lewis Daniel – You Should Know (feat. Cartell)
Kendra Lyttle – Angel Tunes
HEL’SHTEIN & TOIA – SCREAM
Puma June – Nobody
YEUNG – Red Dirt Hills
Wardrobe – Better Days
Flara K – Skin of Mine (feat. Internet Bard)
Mint Simon – 2007
Jay Williams – Make You Mine
KUSHYKUSH – Don’t Call Me No More
Nakima – On My Way
Hillary Reynolds – Can’t Turn Off My Mind
Justin Orok – Senior Year Shortstop
Raymond Sewell – White Sands (feat. Laura Roy)
Asia James & Gene Evaro Jr. – Crystal Visions
Clara Cloud – Curtain Call
Aaron MacDonald – Crazy in Love (with Jenn Sheppard)
Joel Brogon – Put on a Happy Face (Acoustic Version)
Chasing the Sunshine – Fireflies
Lenoire – Grass
Blair Sparrow – Someday In Your Life
Lammping & Bloodshot Bill – Won’t Back Down
Cactus for Breakfast – Unnamed Cowboy
Mystic Tea Party – The Looking Glass
Thresher – Porno Detectives
Kpec3 arrival – In Every Trace (2023 version)
See y’all next time!
(PS — we begin fundraising on the 9th, please consider supporting the station!)
Amy Smoke and Bangishimo of the Willow River Centre join Bob Jonkman on a web conference to give a lesson on the Mohawk language, explain what is meant by “Land Back”, provide some breaking news for CKMS-FM listeners, and make a pitch for tenants in the Willow River Centre.
Bangishimo talks about their photography; Amy and Bangishimo give a run-down of upcoming events, and Amy talks about Indigenous and Gender intersectionality.
Charity Partner: finance@waterlooregion.org for a charitable donation through the Social Development Centre Waterloo Region; include a note that your donation is for “Land Back Camp”.
Bob gets a language lesson in Mohawk from Amy. Amy tells us about losing and learning their language from Conversational Mohawk courses at the University of Waterloo. They tell us about Ohèn:ton Karihwatéhkwen, the Mohawk thanksgiving address. Bob tells Amy about the need for a Mohawk language radio show on Radio Waterloo.
9m02s
What is “Land Back”? Bangishimo explains: It is literally giving land back to Indigenous people, to reclaim, empower themselves, decolonize, whatever that may look like, in their spaces, on their territories. Amy gives several examples. It’s the five-year anniversary of Land Back in Willow River Park. Bangishimo tells us of the many ways that show the need for land back. Amy tells us of solidarity with other allies: the Black community, the Muslim community. After the Black Lives Matter march in June of 2020 Amy and Bangishimo set up a teepee in Willow River Park. When all the Indigiqueer, Trans, Non-binary, and Gender-nonconforming youth showed up it morphed into what it is today. Amy and Bangishimo knew enough about treaties that they knew they couldn’t be forcibly removed from their lands, and they could erect any kind of structure like teepees. They were exercising their treaty rights to occupy their own lands. They pushed the Cities of Kitchener and Waterloo to recognize their rights to the land. There have been little tiny steps of progress towards reconciliation, such as free access to City facilities. They sat with City of Waterloo staff to create jobs like the Senior Indigenous Initiatives role.
21m00s
Breaking News: The City of Kitchener will be building a permanent gathering space in Willow River Park! A nice change from the pushback that they’ve received for land back of the transit centre, for example.
21m35s
The Willow River Centre is looking for tenants! There are three floors, a gorgeous space with track lighting on the walls. There are offices upstairs, a courtyard, a shared kitchen… They’re looking for grass-roots groups that share their values.
23m43s
The Willow River Centre does bi-monthly arts markets for the racialized and queer communities, getting traffic from the Kitchener market across the street. Also bi-monthly talent nights, with ticket sales going back to the artists. There’s an art gallery with rotating exhibits. Right now they’re showing art by Lolo whose work has been up for the last three months. Bangishimo knows what it’s like not to have access to space, so they make the Willow River Centre accessible to groups that have no gathering space. Check out the layout of the space, and e-mail O:se Kenhionhata:tie if you want to rent!
Talking about Bangishimo’s photography. Their work has been displayed in public areas, where it’s been vandalized. Bangishimo says: “When you use your work to amplify the voices of racialized people, queer people, a lot of people don’t like that.” It got to the point that Waterloo mayor Dave Jaworsky went on TV to condemn the violence. In one case, at an outdoor exhibition, the only picture that wasn’t vandalized was a picture of a white family. And there was vandalism to the Willow River Centre, spray-painted grafitti targeting Bangishimo and Amy personally.
36m27s
Events planning! June is their busiest month, since it’s both Indigenous Peoples Month and Pride Month. They’re kicking off the month with a celebration at the Kitchener Market at 10:00am on Sunday 1 June 2025. They have a partnership with the Kitchener Market, so much of the logisitics have been taken care of. And they’re partnering with CAFKA, hosting an outdoor exhibit on the side of the Willow River Centre by Brandon Hoax a Queer, Oneida artist living on the East coast. And for the first time, the Willow River Centre is partnering with Kitchener-Waterloo Multicultural Festival, opening up the event with a Sunrise Ceremony at 7:00am on 21 June 2025, followed by a fire on the island in Willow River Park starting at Noon and going the rest of the day. And they’ll be at other events: On 4 June 2025 they’ll help open the Waterloo Celebrates Pride event on Willis Way; they’ll be at Spectrum’s Gala in mid-June. They’re trying to be everywhere!
41m30s
Amy talks about the intersection of Indigeneity and Gender. Gender is a social construct, and Indigeneity is a core aspect of being, like eye colour or shoe size.
43m47s
Long term plans for Willow River Centre: Continuing work on projects, demanding seats at many tables. Keeping pressure on Waterloo Region for land back, especially at the Kitchener downtown transit terminal; making changes at Willow River Park, both the name and the statue. The name has become more visible on the radio, in magazines, in stores, but it needs still more advocacy.
47m02s
Amy gives the contact info for Willow River Centre: Social media, e-mail, donation sites. Bangishimo tells us we need to do more, more than just a land acknowledgement.
49m02s
Bob thanks Amy Smoke and Bangishimo, and gives the end credits.
CKMS Community Connections Hour One airs on CKMS-FM 102.7 on Monday from 11:00am to Noon, and Hour Two airs alternate Fridays from 3:00pm to 4:00pm.
A solo Beatles triple play: John Lennon/Plastic Ono Band from 1970 which featured drummer Ringo Starr on seven of the 11 original release tracks followed by George Harrison’s 33 & 1/3 from 1976 and Paul McCartney & Wings’ 1973 blockbuster Band On The Run. My thoughts on each album follow the track listings.
1. Woman Don’t You Cry For Me
2. Dear One
3. Beautiful Girl
4. This Song
5. See Yourself
6. It’s What You Value
7. True Love
8. Pure Smokey
9. Crackerbox Palace
10. Learning How To Love You
1. Band On The Run
2. Jet
3. Bluebird
4. Mrs Vandebilt
5. Let Me Roll It
6. Mamunia
7. No Words
8. Picasso’s Last Words (Drink To Me)
9. Nineteen Hundred And Eighty Five
Leading off with the track-for-track cathartic album for Lennon as has been analyzed at length over time. I like the whole album but for me, it has always come down to two songs which were influential on my impressionable young mind, especially as I grew into teen years after the 1970 album release.
Working Class Hero and God. But before I delve more deeply I’ll preface my thoughts by saying I’ll likely go on longer about Lennon’s album but that doesn’t mean I necessarily rate it higher than Harrison’s or McCartney’s. For one thing, I’ll be honest; these three albums – all of which I enjoy – perfectly fit my two-hour slot. That said, each of the albums are different, all have their merits, good to great songs and particularly in McCartney’s case with a largely worldwide No. 1, high chart placings although all three albums did well. Lennon’s was top 10 in most countries with Harrison’s in the top 20. I love and grew up with The Beatles and enjoy much if not all of their material both band and solo, and for all three albums I’m playing it really comes down to just a few songs on each, if forced to choose. But the Lennon album is different in that it’s primal, personal, unvarnished, brutally honest and most shaped my thinking, particularly via Working Class Hero and God.
Working Class Hero: I remember being stunned – albeit in a ‘right on’ kind of way – on first listen that Lennon used the F word, twice. Few would bat an eye at what’s become relatively common usage on recorded works now, but in 1970, it was startling. And the line that got me thinking: ‘Keep you doped with religion and sex and TV’ which sends me off on a perhaps self-indulgent tangent. Years later, at 26, I had a similar reaction after reading what became something of a bible to me: Neil Postman‘s 1985 book Amusing Ourselves To Death: Public Discourse In The Age Of Show Business.
It’s a short book, just 163 pages, within which Postman posits that it was more Aldous Huxley in his 1932 book Brave New World than George Orwell in Nineteen Eighty-Four who pinpointed humanity’s potential problems. He wasn’t critical of or questioning Orwell by any stretch but an excerpt from the short forward to Postman’s book boils things down to his point.
“We were keeping our eye on 1984. When the year came and the prophecy didn’t, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held . . . But we had forgotten that alongside Orwell’s dark vision, there was another – slightly older, slightly less well known, equally chilling: Aldous Huxley’s Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally opposed oppression. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. . . . This book is about the possibility that Huxley, not Orwell, was right.”
At the time of writing, Postman, who died at age 72 in 2003, put forth the premise that TV, including the news as presented on TV, was the drug Soma from Brave New World. Forty years later, one could say the same about social media and the internet. Postman – and Huxley – was prescient.
Back to Lennon, and God, the other influential song on me with its opening line ‘God is a concept by which we measure our pain’ and on into the list of all the things Lennon, in the wake of The Beatles’ breakup, didn’t believe in, culminating in the dramatic ‘I don’t believe in Beatles’ and ‘the dream is over . . . and so, dear friends, you’ll just have to carry on.’
And all The Beatles did, albeit individually although Lennon, Harrison and Ringo did work on some of each other’s albums with McCartney joinng the fray for Starr’s 1973 album Ringo.
This song has nothing tricky about it
This song ain’t black or white and as far as I know
Don’t infringe on anyone’s copyright
This Song made the top 30 while the infectious Crackerbox Palace slipped inside the top 20. But the funky It’s What You Value is arguably my favorite. It opens with the line ‘Someone’s driving a 450’, a reference to Harrison paying session drummer to the stars Jim Keltner with a Mercedes 450 SL, apparently at Keltner’s request, for playing on Harrison’s 1974 Dark Horse Tour.
And back to 1973 we go for the wall-to-wall classic Band On The Run where, after a few good if inconsistent albums to start his post-Beatles career, McCartney put it all together. The opening one-two punch of the title track and Jet, Let Me Roll It, Nineteen Hundred And Eighty Five, etc. People know it, most at least like it, I could go on but . . . the music speaks for itself.
What’s up, y’all? Here is tonight’s Clean Up Hour — the 70th All Things Considered. Tonight kicks off the summer (and probably fall) of Peanuts and Corn, the Manitoba-based (and Saskatchewan-supporting) rap label that’s been providing left-of-field, grounded hip hop for 30 years now. Tonight’s main mix makes the case for Yy, and the 22nd mini All Things Considered gives y’all a couple of tracks from the mysterious Ill Cola Company,
All tracks by Yy or Turn the Gun, unless listed otherwise.
Camelot Gardens
C’mon
Public Transportation
Moods are Seasonal (feat. John Smith)
Gunned Down
Don’t even Ask (Gruf & Yy)
Next Door (feat. Fermented Reptile)
Hillbilly Reckoning
Dumb It Down (feat. mcenroe)
Kills Will Be Deafening
Enida Watts
The Gambler (feat. Pip Skid & The Gumshoe Strut)
Air Out (Gruf & Yy)
What’s Left of Nine Pieces
Backroads
Of Another Time (feat. Birdapres)
Can’t Have It All (feat. Myka9)
A Tough Manage
Ton of Bricks
I Wasn’t Thinking About It That Way, You’re Totally Right (feat. bigmcenroe)
Innovative
Stress Leave
Eventually Potentially
Everything I Needed To Know I Learned From Rap
Then (feat. Bazooka Joe 204)
Made to Dad
Have You Been There This Whole Time?
We Run All The Way
Trees Are Saps
Johann Sebastian Bach Johann Sebastian Bach (Arr. Yang for Guitar and String Quartet), Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai – Xuefei Yang, guitar, Elias String Quartet
Wolfgang Amadeus Mozart, Piano Concerto No. 23 in A Major, K. 488: II. Adagio – Elisabeth Brauss, piano, BBC Scottish Orchestra, Holly Mathieson, conductor
John Wilbye, O Wretched Man – The King’s Singers
Frederic Chopin, Etude in C-Sharp Minor, Op. 25: 7 – Khatia Buniatishvili, piano
Tomaso Albinoni, Concerto for Trumpet, 3 Oboes and Bassoon in C Major, I. Allegro moderato – The King’s Consort, Robert King, conductor
Jules Massenet, Thais: Meditation (Arr. for Cello & Piano) – Yo-Yo Ma, cello, Kathryn Scott, piano
Ludwig van Beethoven, Symphony No. 6 in F Major, Op. 68 “Pastoral”: I. Awakening of happy feelings on arriving in the country, Allegro ma non troppo – Munich Philharmonic, Rudolph Kempe, conductor
William Byrd, Mass for Five Voices: Agnus Dei – Oxford Camerata, Jeremy Summerly, conductor
Domenico Scarlatti (Arr. Gray, Pearl for Guitar), Keyboard Sonata in B Minor, K. 227 – Julian Gray & Ronald Pearl, guitar duo recital
Edward Elgar, (Arr. Simon Parkin for Solo Cello and Five Cellos), Variations on an Original Theme, Op. 36 “Enigma”: 9. Nimrod, Adagio – Sheku Kanneh-Mason, cello, with Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies, cello ensemble
Astor Piazzolla (Arr. Larson, Gemmell), Oblivion – Larry Larson, flugelhorn, Lori Gemmell, harp
dan kellar
Waterloo, ON – On Sunday May 25th, several hundred residents attended a demonstration in Waterloo which demanded that the Canadian government implement a full, two way arms embargo and sanctions against Israel. Speakers at the demonstration called out the “ongoing genocide against Palestinians”, highlighted Canadian complicity in the violence through ongoing sales of weapon and technology, and linked the violent settler colonialism happening in the Palestine to the ongoing dispossession of Indigenous people of their lands in Canada.
This show features an interview with Nick Joseph, the media liaison for the demonstration. Joseph speaks about the demands made by demonstrators, the weapons industry in the region, and other actions folks in Canada can take to work towards justice for Palestinians. Joseph was previously the spokesperson for the Gaza House protests at the University of Waterloo in 2024.
CKMS News reached out to the local members of parliament, including MP Chagger whose office was along the march’s route, asking for a response to the demands made by demonstrators, but did not receive a response from any of them.
It’s a whistle while you work type of night here on Through the Static! Playing a selection of songs from a variety of genres that all have whistling in them, so whistle while you work! (or listen, or whatever you might be up to 🙂
Michie Mee & Thrust OG call Radio Waterloo on Community Connections ~ for promoting Night of Hip Hop with: DJ Ron Nelson, Michie Mee, Thrust OG, and Righteous performing live.
Community Connections 26th of May with Yenny. Album Release Party promotion! Righteous Night of Hip Hop in Waterloo goes down, Thursday the 29th of May at Uplounge in Waterloo, 9 King Street North. Doors open 7:00 PM ~ Showtime 7:30 PM.
Radio Waterloo is doing Live to Air from 9:00 PM til 12:00 AM
Don’t miss this historical event happening right in our region! Thanks Righteous!
dan kellar
Kitchener, ON – With Erick Traplin Day approaching, CKMS News spoke to the cherished entertainer about his craft, his wide-ranging support, and the June 8th celebration of his decades-long career and continuing musical efforts. Erick Traplin who is based in rural St Clements is a children’s entertainer with 7 albums. He has performed at countless events across Waterloo Region and throughout Ontario.
Speaking about Erick Traplin Day, Traplin told CKMS that he is overwhelmed and grateful and reflected that “when I perform, I feel a joy going through me.”
CKMS News also interviewed Steve Roth, the manager of special events for the city of Kitchener, and a lead organiser of Erick Traplin day. Roth said the event is an all-ages variety show with activities throughout the afternoon.
Erick Traplin day will take place from noon to 5pm on Sunday June 8th at Carl Zehr square at Kitchener’s city hall. Additional details of the event are available at ErickTraplinDay.ca.
Saturday June 21st– DOORS OPEN 5 PM- FIGHT STARTS AT 6 PM
Galt Arena Gardens I 98 Shade Street I Cambridge, Ontario, Ca.
Ajan Khan Phady has invited STREET FIGHTER GAME SERIES legend Ajan Sagat Pethyindee as guest of honour to Phady’s Muay Thai / Muay Lao Federation, presenting: Muay Lao Fight FIGHTNIGHT 2 Held at Galt Gardens in Cambridge on 21st of June. This event brings together athletes from the Nation of Laos, Mexico, Poland, Columbia, Vietnam, China, Palestine, the Ukraine, as well as athletes from across Ontario and other parts of Canada.
Ajan Khan Phady and Lukman “Lucky” Patel are coming to CKMS Community Connections on the 6th of June, 3 PM, to enlighten us more.
On June 21st at the Galt Arena Gardens on 98 Shade Street in Cambridge, East meets West. The work didn’t start here for Ajan Khan Phady, who during 2003 co-created the Canadian Amateur Muay Thai Association Ontario. In 2009, Ajan Phady created the World Amateur Muay Thai Association Canada. Showing his support for international events right in the TRI-Cities. In 2024, Muay Thai got full recognition by the International Olympic Committee relaying Muay Thai to the audience at the Paris, France, Summer Olympics.
Ajan Sagat is former professional Muay Thai fighter, boxer, and actor, with 277 Muay Thai fight wins out of 317, this legend could bring a whole new level of excitement to Phady’s Muay Thai event – Sagat in addition, was awarded best Wai Khru by the King of Thailand.
Muay Thai / Muay Lao fights draw a diverse audience. In addition to family and friends of the athetes, thrill enthusiasts, event seekers and those enjoy the sheer athleticism involved at these competitions.
“[Muay Thai ]is a deep spiritual practice with rituals connecting fighter’s souls and spirits to the art.”
Just about everyone has heard of Muay Thai. Not all know what it is. Those who do revere it. Apart from Wai Khru, a ceremonial dance performed to honour and show respect to one’s teacher, the Martial Art itself, brings together the people of ancestrial Siam. What became Thailand in 1939, with parts of the Nation of Laos, Burma, and Cambodia, were once Siam. Their common heritage can be seen by the colours and fabrics they wear, and Wai Khru reflects geographical specifics, such as, casting a net for fishing, or the motion of drawing a bow and arrow.
Myself, I got introduced via the Cambridge Multicultural Festival (2024), when our festival neighbour was: Phady’s Muay Thai! The bustle of their tent was undeniable. Radio Waterloo went over to inquire about interviews! Our first contact was Lukman, aka Lucky [who gave me the notes to write this article, much later in May, 2025], who told us Ajan hadn’t yet arrived. Once Ajan Khan Phady arrives, the excitement is higher in that tent!
“The spectators got to witness the martial art, its history, culture and the traditions.”
Visiting Laos with Ajan Khan Phady and Lukman “Lucky” Patel -2024
Muay Thai is a cultural phenomenon dating back to the 1200s, during the Sukhothai Dynasty. Originating from Muay Boran, an ancient system taught to military as unarmed combat. With large focus on values such respect to teachers, elders, and opponents, Muay Lao / Muay Thai instills discipline. This martial art is national pride, and often displayed during festivals and temple fairs. Bringing us up to now, regarding the cultural significance, Phadys’ Muay Thai participates in multicultural events, showcasing Wai Khru, traditional fashions, as well as different Muay Thai striking techniques.
Trip to Laos – Photo: Lukman Patel -2024
-Phady’s Muay Thai works with Community Living in Cambridge, providing self-defence classes for people with special needs. Phady’s good work don’t stop here. Recently Phady’s Muay Thai launched a Non-Profit Organization, Phady’s Foundation, which in 2024 provided disaster relief for victims of floods and landslides in Laos. Victims of the floods and landslides lost their homes, during Monsoon season, when heavy rainfall caused rising water levels in the Mekong River. Exceptional is a term that comes to mind with regards to Ajan Khan Phady, TRI-CITY local, with Laos roots.